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THE RHAPSODIC ORGAN
2018-06-07

with Gerrit Jordaan

7 June 2018

Odeion

19:30

Gerrit Jordaan studied organ under the guidance of Stephan Zondagh (pupil of Marcel Dupré and Nadia Boulanger), Wim Viljoen (pupil of Marie Claire Alain) and Daleen Kruger (pupil of Jean Claude Zender). In 2007 he completed a DMus with a dissertation on Stefans Grové's Afrika Hymnus II. This Hymnus was dedicated to Gerrit – as it was conceived in a dream wherein the composer heard him playing this work.

Since his student days, Gerrit has been involved with South African organ music, commissioning and performing new works – of which some had been dedicated to him - writing articles on this repertoire, working towards performances with the insight of the composers, recording this repertoire, typesetting and adapting instrumental works to the organ. As an enthusiast of South African music, he presented recitals in Europe as well as Finland and Canada. In 2016 he was invited to play the final recital at the Klangzeit Festival for contemporary music in Münster (Germany). Some of his articles were published internationally in Het Orgel, Organ – Journal für die Orgel, Orgue Nouvelles as well as in local academic publications. He wrote reports on the Stylus Phantasticus in the Praeludia of Buxtehude and on the Choral Preludes of Brahms. He studied historical performance practice of standard repertoire in numerous masterclasses at UNISA Organ Simposia, Haarlem Summer Academia and in Pistoia from organists including Luigi Tagliavini, Harald Vogel, Ludger Lohmann, Bernard Lagacé, Wolfgang Zerer, Olivier Latry, Marie Claire Alain and Szigmund Zsathmary. Until recently, Gerrit was chair of the Church Organist Committee of Southern Africa (SAKOV). He compiled three volumes of original Southern African choral preludes and choir pieces for SAKOV. He is a member of VONKK – a committee that develops new Afrikaans church music – creating new songs, providing organ, choir and instrumental arrangements to this growing repertoire.

PROGRAMME:

  • Johann Sebastian Bach: Prelude and Fugue in G major (BWV 541)
  • Jacobus Kloppers: Celtic Impressions (2003/4) - Two Strathspeys, Two Airs, Two Jigs, Toccata on two marching songs
  • Surendran Reddy: Toccata for Madiba (ca. 8:00)
  • Antalffy-Zsiross Dezso: Sketches on Negro Spiritual Songs (ca. 7’00)
  • George Gershwin: Rhapsody in Blue (organ transription: Tobias Zuleger)

ADMISSION

  • R120 (adults)
  • *R80 (pensioners)
  • *R70 (UFS staff)
  • *R50 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above mentioned discount.

ENQUIRIES
Ninette Pretorius (tel. 051 401 2504)


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In Whom Can I Still Trust?

The Institute of Reconciliation and Social Justice in partnership with the Johannes Stegmann Art Gallery and Student Affairs invite all staff and students to "In Whom Can I Still Trust?"  An exhibition on the history of homosexuals during the Nazi era, which also explores the failure to protect sexual minorities in South Africa.

6 - 14 June

Thakaneng Student Centre

Opening:  6 June at 17:00

Walkabout:  7 June at 10:00

Guest Speaker:  Richard Freedman, Director South African Holocaust & Genocide Foundation

Responding to an untold history of persecution

The South African Holocaust and Genocide Foundation is bringing to South Africa the exhibition, ‘In Whom Can I Still Trust’, which explores the Nazi persecution of homosexuals.

The exhibition, redesigned and developed for South Africa by the South African Holocaust and Genocide Foundation , makes use of archive photographs, personal testimonies and video clips and relates the historical narrative to the prejudices still facing homosexuals today.  Developed by Dr Klaus Mueller, Berlin, on behalf of IHLIA (Homosexual and Lesbian Archive, Amsterdam), the exhibition highlights the largely untold history of the persecution of homosexuals in Nazi Germany. 

Through additional panels, the exhibition aims to highlight the progress made in ensuring the protection of sexual minorities in South Africa. (ADDENDUM A)

The relevance to South Africa

Despite South Africa’s Constitution and Bill of Rights, which safeguards the rights of all to be protected against any form of discrimination, homophobia and prejudice towards members of the lesbian and gay community is still widespread in South African society. Attacks on lesbian women and gay men are frequent and school learners, whose sexual orientation is other than heterosexual, encounter terrible prejudice.

‘IT GETS BETTER SOUTH AFRICA’

Videos from the ‘IT GETS BETTER SOUTH AFRICA’ project will form an important part of the ‘In Whom Can I Still Trust’ exhibition.

A diverse group of high profile individuals have teamed up with students from the University of Cape Town and University of Pretoria to create a collection of videos that discourages homophobic bullying. The interviewees range from struggle hero Ahmed Kathrada and Nobel Peace laureate Archbishop Emeritas Desmond Tutu  to TV personality Joanne Strauss.

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