Years
2019 2018
THE RHAPSODIC ORGAN
2018-06-07

with Gerrit Jordaan

7 June 2018

Odeion

19:30

Gerrit Jordaan studied organ under the guidance of Stephan Zondagh (pupil of Marcel Dupré and Nadia Boulanger), Wim Viljoen (pupil of Marie Claire Alain) and Daleen Kruger (pupil of Jean Claude Zender). In 2007 he completed a DMus with a dissertation on Stefans Grové's Afrika Hymnus II. This Hymnus was dedicated to Gerrit – as it was conceived in a dream wherein the composer heard him playing this work.

Since his student days, Gerrit has been involved with South African organ music, commissioning and performing new works – of which some had been dedicated to him - writing articles on this repertoire, working towards performances with the insight of the composers, recording this repertoire, typesetting and adapting instrumental works to the organ. As an enthusiast of South African music, he presented recitals in Europe as well as Finland and Canada. In 2016 he was invited to play the final recital at the Klangzeit Festival for contemporary music in Münster (Germany). Some of his articles were published internationally in Het Orgel, Organ – Journal für die Orgel, Orgue Nouvelles as well as in local academic publications. He wrote reports on the Stylus Phantasticus in the Praeludia of Buxtehude and on the Choral Preludes of Brahms. He studied historical performance practice of standard repertoire in numerous masterclasses at UNISA Organ Simposia, Haarlem Summer Academia and in Pistoia from organists including Luigi Tagliavini, Harald Vogel, Ludger Lohmann, Bernard Lagacé, Wolfgang Zerer, Olivier Latry, Marie Claire Alain and Szigmund Zsathmary. Until recently, Gerrit was chair of the Church Organist Committee of Southern Africa (SAKOV). He compiled three volumes of original Southern African choral preludes and choir pieces for SAKOV. He is a member of VONKK – a committee that develops new Afrikaans church music – creating new songs, providing organ, choir and instrumental arrangements to this growing repertoire.

PROGRAMME:

  • Johann Sebastian Bach: Prelude and Fugue in G major (BWV 541)
  • Jacobus Kloppers: Celtic Impressions (2003/4) - Two Strathspeys, Two Airs, Two Jigs, Toccata on two marching songs
  • Surendran Reddy: Toccata for Madiba (ca. 8:00)
  • Antalffy-Zsiross Dezso: Sketches on Negro Spiritual Songs (ca. 7’00)
  • George Gershwin: Rhapsody in Blue (organ transription: Tobias Zuleger)

ADMISSION

  • R120 (adults)
  • *R80 (pensioners)
  • *R70 (UFS staff)
  • *R50 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above mentioned discount.

ENQUIRIES
Ninette Pretorius (tel. 051 401 2504)


Back
Moordenaar (Afr)

Text: Anthony Shaffer

Translated and adapted by:  Carel Nel en Nico Luwes
Director: Nico Luwes
Venue: Wynand Mouton Theatre

Language: English

Age restriction:  16 (Violence)

 

Dates and times:

25 September 2014         19h30

26 September 2014         18h00

27 September 2014         19h30

 

Prices:  R 40.00 for adults / R 30.00 for students or scholars / R 25.00 for pensioners or for groups of 10 or more

 

Bookings:   Computicket (0861 915 8000)

 

The British playwright, Anthony Shaffer, made his name on the international stage with Sleuth and Murderer,  his best murder thrillers. Murderer became a hit horror film as well. The play, Moordenaar, is a reworked translation into Afrikaans by Carel Nel en Nico Luwes for Drama and Theatre honours students’ practical examination. Luwes also directed the play in 1986 for PACOFS with Blaize Koch and Gerben Kamper portraying the murderer and the sergeant.  This bloody, physiological thriller is meant for audiences with hair on their teeth and a preference for horror stories. The play opens with probably the most blood chilling and macabre murder scenes in theatre history. The dramatist twits reality and illusion masterly and leaves the audience not only thrilled, but also confused. With the 1986 PACOFS production, audiences streamed to the show and a few faint hearted members ran out of the theatre after a few minutes of watching the blood and gore! Shaffer explores the true nature of murder and the strange fascination the deed holds for the murderer. The often strange connection between the murder and the victim is investigated in this fascinating drama where reality and illusion are brilliantly manipulated. The sergeant’s warning is clear. Avoid experimentation with macabre murder and sexual games. Fantasy can easily become reality. So be warned - Moordenaar is not for the faint hearted! 

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