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THE RHAPSODIC ORGAN
2018-06-07

with Gerrit Jordaan

7 June 2018

Odeion

19:30

Gerrit Jordaan studied organ under the guidance of Stephan Zondagh (pupil of Marcel Dupré and Nadia Boulanger), Wim Viljoen (pupil of Marie Claire Alain) and Daleen Kruger (pupil of Jean Claude Zender). In 2007 he completed a DMus with a dissertation on Stefans Grové's Afrika Hymnus II. This Hymnus was dedicated to Gerrit – as it was conceived in a dream wherein the composer heard him playing this work.

Since his student days, Gerrit has been involved with South African organ music, commissioning and performing new works – of which some had been dedicated to him - writing articles on this repertoire, working towards performances with the insight of the composers, recording this repertoire, typesetting and adapting instrumental works to the organ. As an enthusiast of South African music, he presented recitals in Europe as well as Finland and Canada. In 2016 he was invited to play the final recital at the Klangzeit Festival for contemporary music in Münster (Germany). Some of his articles were published internationally in Het Orgel, Organ – Journal für die Orgel, Orgue Nouvelles as well as in local academic publications. He wrote reports on the Stylus Phantasticus in the Praeludia of Buxtehude and on the Choral Preludes of Brahms. He studied historical performance practice of standard repertoire in numerous masterclasses at UNISA Organ Simposia, Haarlem Summer Academia and in Pistoia from organists including Luigi Tagliavini, Harald Vogel, Ludger Lohmann, Bernard Lagacé, Wolfgang Zerer, Olivier Latry, Marie Claire Alain and Szigmund Zsathmary. Until recently, Gerrit was chair of the Church Organist Committee of Southern Africa (SAKOV). He compiled three volumes of original Southern African choral preludes and choir pieces for SAKOV. He is a member of VONKK – a committee that develops new Afrikaans church music – creating new songs, providing organ, choir and instrumental arrangements to this growing repertoire.

PROGRAMME:

  • Johann Sebastian Bach: Prelude and Fugue in G major (BWV 541)
  • Jacobus Kloppers: Celtic Impressions (2003/4) - Two Strathspeys, Two Airs, Two Jigs, Toccata on two marching songs
  • Surendran Reddy: Toccata for Madiba (ca. 8:00)
  • Antalffy-Zsiross Dezso: Sketches on Negro Spiritual Songs (ca. 7’00)
  • George Gershwin: Rhapsody in Blue (organ transription: Tobias Zuleger)

ADMISSION

  • R120 (adults)
  • *R80 (pensioners)
  • *R70 (UFS staff)
  • *R50 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above mentioned discount.

ENQUIRIES
Ninette Pretorius (tel. 051 401 2504)


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Hamlet (E)

Production: Hamlet (E)

Text: William Shakespeare

Adaptation: Thys Heydenrych

Directed by: Thys Heydenrych & Peter Taljaard

Venue: Rehearsal Room

 

Dates and times:

21 October 2014 at 19h30

22 October 2014 at 19h30

23 October 2014 at 19h30

24 October 2014 at 19h30

25 October 2014 at 19h30

 

 

Tickets:               
R 40.00 per person
R 30.00 for students, scholars
R 25.00 for pensioners)

 

Bookings:            Computicket (Mimosa Mall and Checkers). Booking essential - Limited seats

                             

 

Hamlet is regarded as one of Shakespeare’s most powerful tragedies. The play is set in Denmark where Prince Hamlet is duty-bound to take revenge on his uncle, Claudius, for cunningly killing his father and marrying his mother. Claudius, fearful of Hamlet’s intent, manipulates Laertes, son of Polonius whom Hamlet killed, into a lethal fencing match with Hamlet.

 

This modernised version of the classic tale demonstrates the universality of Shakespeare’s stories, themes and characters, still relevant today, centuries after they were created. Hamlet is filled with treachery, revenge, spying and the much debated madness. Not only does Hamlet struggle with his father’s death/murder and his mother’s hasty marriage, but he also struggles with who he is, his relationships with the people in his life, and his duty towards himself versus his duty to the state and expectations placed on him. Thís Hamlet is not only a masterpiece about a prince’s revenge, or a “document in madness”; but is more focused on the tragic tale of a man on the crooked path of self-discovery and self-acceptance. 

 

Directed by Thys Heydenrych and Peter Taljaard.  With Marli van der Bijl as Ophelia, CW Laten as Horatio, Michelle Hoffman as Queen Gertrude, Charl Henning as Laertes, Nic Beukes as Polonius and Thys Heydenrych and Peter Taljaard as Hamlet and Claudius. Thys Heydenrych also adapted the script into a one act.

 

Hamlet runs from 21 - 25 October 2014 in the Rehearsal Room. Performances start at 19h30 and runs for 100 minutes. Tickets available at Computicket. Limited seats available. Booking essential.

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