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THE RHAPSODIC ORGAN
2018-06-07

with Gerrit Jordaan

7 June 2018

Odeion

19:30

Gerrit Jordaan studied organ under the guidance of Stephan Zondagh (pupil of Marcel Dupré and Nadia Boulanger), Wim Viljoen (pupil of Marie Claire Alain) and Daleen Kruger (pupil of Jean Claude Zender). In 2007 he completed a DMus with a dissertation on Stefans Grové's Afrika Hymnus II. This Hymnus was dedicated to Gerrit – as it was conceived in a dream wherein the composer heard him playing this work.

Since his student days, Gerrit has been involved with South African organ music, commissioning and performing new works – of which some had been dedicated to him - writing articles on this repertoire, working towards performances with the insight of the composers, recording this repertoire, typesetting and adapting instrumental works to the organ. As an enthusiast of South African music, he presented recitals in Europe as well as Finland and Canada. In 2016 he was invited to play the final recital at the Klangzeit Festival for contemporary music in Münster (Germany). Some of his articles were published internationally in Het Orgel, Organ – Journal für die Orgel, Orgue Nouvelles as well as in local academic publications. He wrote reports on the Stylus Phantasticus in the Praeludia of Buxtehude and on the Choral Preludes of Brahms. He studied historical performance practice of standard repertoire in numerous masterclasses at UNISA Organ Simposia, Haarlem Summer Academia and in Pistoia from organists including Luigi Tagliavini, Harald Vogel, Ludger Lohmann, Bernard Lagacé, Wolfgang Zerer, Olivier Latry, Marie Claire Alain and Szigmund Zsathmary. Until recently, Gerrit was chair of the Church Organist Committee of Southern Africa (SAKOV). He compiled three volumes of original Southern African choral preludes and choir pieces for SAKOV. He is a member of VONKK – a committee that develops new Afrikaans church music – creating new songs, providing organ, choir and instrumental arrangements to this growing repertoire.

PROGRAMME:

  • Johann Sebastian Bach: Prelude and Fugue in G major (BWV 541)
  • Jacobus Kloppers: Celtic Impressions (2003/4) - Two Strathspeys, Two Airs, Two Jigs, Toccata on two marching songs
  • Surendran Reddy: Toccata for Madiba (ca. 8:00)
  • Antalffy-Zsiross Dezso: Sketches on Negro Spiritual Songs (ca. 7’00)
  • George Gershwin: Rhapsody in Blue (organ transription: Tobias Zuleger)

ADMISSION

  • R120 (adults)
  • *R80 (pensioners)
  • *R70 (UFS staff)
  • *R50 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above mentioned discount.

ENQUIRIES
Ninette Pretorius (tel. 051 401 2504)


Back
Jack and the Beanstalk

Name of production: JACK AND THE BEANSTALK

Playwright: Karen Combrinck & Walter Strydom

Director: Walter Strydom

Venue:  Scaena Rehearsal room, UFS main campus

Language: English

 

Dates and times:

6 May 2015                   15h00

7 May 2015                   11h00 & 18h00

8 May 2015                   11h00 & 18h00

9 May 2015                   11h00

 

Prices:  R 25.00 per person and/or R20.00 per person for groups of 10 or more.

 

Bookings:   Computicket (0861 915 8000)

 

 

Press Release

Once upon a time there was an old man who bought Jack’s cow, Dandelion, for 5 beans. When Jack presented this amazing magical treasure to his mother, she asked: “What to do with these vegetables? You know what beans do to your tummy…!” and she promptly chucked them out the window.

 

But, when a humungous beanstalk sprouts in Jack’s garden, he has no other choice but to climb the thing to discover what lies at the top. On a mission to find a golden egg that will enable Jack to buy back Dandelion, Jack has to try something, doesn’t he? On this adventure in the clouds, he meets up with an assortment of food and all sorts of condiments. If you don’t know what condiments are, don’t worry, Jack doesn’t either. And all of this, of course, takes place in a giant’s kitchen. A kitchen. Where you prepare food. Where Jack is but the size of a small profiterole.  And where the giant seems to be constantly checking the fridge for something to eat. And where a talking goose is harangued by a beautiful harp to keep quiet or else the giant will want to hear yet another boring piece of classical music. Will Jack be on the menu or can he successfully pose as the giant’s action figure toy? And where will he find that golden egg?

 

Jack and the Beanstalk is this year’s first production for children from the University of the Free State’s Department for Drama and Theatre Arts. A fresh retelling of the ageless classic is specifically aimed to entertain a newer generation of kids with the same story mom and dad loved when they were young. Hard at work behind the scenes of this delightful comedy for younger audiences are the energetic talents of a vibrant group of drama students. Directed by Walter Strydom (known for productions such as the Boer Manie-series, Een Kleine Lientjie and Robin Hood) and showcasing the staging talents of four excellent postgraduate drama students. Jack and the Beanstalk hits the stage early in May.

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