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THE RHAPSODIC ORGAN
2018-06-07

with Gerrit Jordaan

7 June 2018

Odeion

19:30

Gerrit Jordaan studied organ under the guidance of Stephan Zondagh (pupil of Marcel Dupré and Nadia Boulanger), Wim Viljoen (pupil of Marie Claire Alain) and Daleen Kruger (pupil of Jean Claude Zender). In 2007 he completed a DMus with a dissertation on Stefans Grové's Afrika Hymnus II. This Hymnus was dedicated to Gerrit – as it was conceived in a dream wherein the composer heard him playing this work.

Since his student days, Gerrit has been involved with South African organ music, commissioning and performing new works – of which some had been dedicated to him - writing articles on this repertoire, working towards performances with the insight of the composers, recording this repertoire, typesetting and adapting instrumental works to the organ. As an enthusiast of South African music, he presented recitals in Europe as well as Finland and Canada. In 2016 he was invited to play the final recital at the Klangzeit Festival for contemporary music in Münster (Germany). Some of his articles were published internationally in Het Orgel, Organ – Journal für die Orgel, Orgue Nouvelles as well as in local academic publications. He wrote reports on the Stylus Phantasticus in the Praeludia of Buxtehude and on the Choral Preludes of Brahms. He studied historical performance practice of standard repertoire in numerous masterclasses at UNISA Organ Simposia, Haarlem Summer Academia and in Pistoia from organists including Luigi Tagliavini, Harald Vogel, Ludger Lohmann, Bernard Lagacé, Wolfgang Zerer, Olivier Latry, Marie Claire Alain and Szigmund Zsathmary. Until recently, Gerrit was chair of the Church Organist Committee of Southern Africa (SAKOV). He compiled three volumes of original Southern African choral preludes and choir pieces for SAKOV. He is a member of VONKK – a committee that develops new Afrikaans church music – creating new songs, providing organ, choir and instrumental arrangements to this growing repertoire.

PROGRAMME:

  • Johann Sebastian Bach: Prelude and Fugue in G major (BWV 541)
  • Jacobus Kloppers: Celtic Impressions (2003/4) - Two Strathspeys, Two Airs, Two Jigs, Toccata on two marching songs
  • Surendran Reddy: Toccata for Madiba (ca. 8:00)
  • Antalffy-Zsiross Dezso: Sketches on Negro Spiritual Songs (ca. 7’00)
  • George Gershwin: Rhapsody in Blue (organ transription: Tobias Zuleger)

ADMISSION

  • R120 (adults)
  • *R80 (pensioners)
  • *R70 (UFS staff)
  • *R50 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above mentioned discount.

ENQUIRIES
Ninette Pretorius (tel. 051 401 2504)


Back
Blowing in the Wind

Curated by Carol Brown

Until 31 July

Centenary Art Gallery, 1st floor Centenary Complex, UFS

Monday to Friday: 10:00 – 15:00

This year has been marked with a series of international tragedies that remind us that intolerance, fanaticism and violence still pervade our world. Not enough has changed from the 1960s when the possibility of a more peaceful and tolerant society took hold of the world. The lyrics of “Blowin’ in the Wind” by Bob Dylan say it all. The curatorial intention of this exhibition is to revisit these lyrics in the light of a half century since.

Several of the works on exhibition deal with environmental and human exploitation issues including those surrounding the cornerstone of our country’s material wealth – the mining industry. The discourse about power and its abuse is evident in the works which relate to the Marikana killings. Violence and our society’s obsession with crime is a pervasive theme in the exhibition for example in the work by Lerato Shadi, where reminders of the Steenkamp/Pistorius case are juxtaposed with a video expressing the pain and entrapment to which many women are subjected. The fragile banner installation by Vulindlela Nyoni depicting a murmuration of swallows is an ambiguous reminder of both the power of solidarity, where a critical mass can alter the course of history. It is also the affirmation of the importance of the individual in the crowd.

The exhibition shows works by established and emerging artists in diverse media: William Kentridge, Jeannette Unite, Mary Wafer, Wonder Mbambo, Mthobisi Maphumulo, Andrea Walters.

Economic and Management Sciences

Education

Health Sciences

The Humanities

Law

Natural and Agricultural Sciences

Theology and Religion

Open Distance Learning

Business School

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