Years
2019 2018
THE RHAPSODIC ORGAN
2018-06-07

with Gerrit Jordaan

7 June 2018

Odeion

19:30

Gerrit Jordaan studied organ under the guidance of Stephan Zondagh (pupil of Marcel Dupré and Nadia Boulanger), Wim Viljoen (pupil of Marie Claire Alain) and Daleen Kruger (pupil of Jean Claude Zender). In 2007 he completed a DMus with a dissertation on Stefans Grové's Afrika Hymnus II. This Hymnus was dedicated to Gerrit – as it was conceived in a dream wherein the composer heard him playing this work.

Since his student days, Gerrit has been involved with South African organ music, commissioning and performing new works – of which some had been dedicated to him - writing articles on this repertoire, working towards performances with the insight of the composers, recording this repertoire, typesetting and adapting instrumental works to the organ. As an enthusiast of South African music, he presented recitals in Europe as well as Finland and Canada. In 2016 he was invited to play the final recital at the Klangzeit Festival for contemporary music in Münster (Germany). Some of his articles were published internationally in Het Orgel, Organ – Journal für die Orgel, Orgue Nouvelles as well as in local academic publications. He wrote reports on the Stylus Phantasticus in the Praeludia of Buxtehude and on the Choral Preludes of Brahms. He studied historical performance practice of standard repertoire in numerous masterclasses at UNISA Organ Simposia, Haarlem Summer Academia and in Pistoia from organists including Luigi Tagliavini, Harald Vogel, Ludger Lohmann, Bernard Lagacé, Wolfgang Zerer, Olivier Latry, Marie Claire Alain and Szigmund Zsathmary. Until recently, Gerrit was chair of the Church Organist Committee of Southern Africa (SAKOV). He compiled three volumes of original Southern African choral preludes and choir pieces for SAKOV. He is a member of VONKK – a committee that develops new Afrikaans church music – creating new songs, providing organ, choir and instrumental arrangements to this growing repertoire.

PROGRAMME:

  • Johann Sebastian Bach: Prelude and Fugue in G major (BWV 541)
  • Jacobus Kloppers: Celtic Impressions (2003/4) - Two Strathspeys, Two Airs, Two Jigs, Toccata on two marching songs
  • Surendran Reddy: Toccata for Madiba (ca. 8:00)
  • Antalffy-Zsiross Dezso: Sketches on Negro Spiritual Songs (ca. 7’00)
  • George Gershwin: Rhapsody in Blue (organ transription: Tobias Zuleger)

ADMISSION

  • R120 (adults)
  • *R80 (pensioners)
  • *R70 (UFS staff)
  • *R50 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above mentioned discount.

ENQUIRIES
Ninette Pretorius (tel. 051 401 2504)


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Romeo & Juliet (in modern English)

Adaptation: Thys Heydenrych
Original texts: William Shakespeare

Directed by: Thys Heydenrych
Venue: Wynand Mouton Theatre

 

Dates and times:

15 September 2015 at 19h30

16 September 2013 at 17h30

17 September 2013 at 20h00

18 September 2013 at 19h30

 

 

 

The Department Drama and Theatre Arts presents William Shakespeare's first great tragedy and one of his most beloved works, "Romeo & Juliet": A tale of young love thwarted by circumstance. It’s a timeless story of young passion caught between the feuding families of Capulet and Montague.

 

"Romeo & Juliet", written around 1594, has been capturing the imaginations of audiences for over 400 years. Two young lovers, caught in their families’ feud, take fate into their own hands and pursue their love. Missed chances, poor timing and mistakes prevent the lovers from finding happiness and this ensures a tragic end. Finally their families unite, in sorrow. Haunted by the sacrifice of their children they are reminded of the powerful force of love.

 

The drama department will present a fresh twist on Shakespeare's classic tale of star-crossed lovers. Set in a dystopian South Africa, “Romeo & Juliet” subtly comments on South Africa’s future: ESKOM is no more, society is divided into classes and ruled by a single leader. Is there room for forgiveness or, to use Romeo’s words, “What will it take to get over what happened in the past?”

 

This is the third Shakespeare production adapted and directed by Thys Heydenrych. “Romeo & Juliet” – this time in modern English – will be performed in the Wynand Mouton Theatre, 15 - 18 September 2015. Tickets are available at Computicket.   

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