Years
2019 2018
THE RHAPSODIC ORGAN
2018-06-07

with Gerrit Jordaan

7 June 2018

Odeion

19:30

Gerrit Jordaan studied organ under the guidance of Stephan Zondagh (pupil of Marcel Dupré and Nadia Boulanger), Wim Viljoen (pupil of Marie Claire Alain) and Daleen Kruger (pupil of Jean Claude Zender). In 2007 he completed a DMus with a dissertation on Stefans Grové's Afrika Hymnus II. This Hymnus was dedicated to Gerrit – as it was conceived in a dream wherein the composer heard him playing this work.

Since his student days, Gerrit has been involved with South African organ music, commissioning and performing new works – of which some had been dedicated to him - writing articles on this repertoire, working towards performances with the insight of the composers, recording this repertoire, typesetting and adapting instrumental works to the organ. As an enthusiast of South African music, he presented recitals in Europe as well as Finland and Canada. In 2016 he was invited to play the final recital at the Klangzeit Festival for contemporary music in Münster (Germany). Some of his articles were published internationally in Het Orgel, Organ – Journal für die Orgel, Orgue Nouvelles as well as in local academic publications. He wrote reports on the Stylus Phantasticus in the Praeludia of Buxtehude and on the Choral Preludes of Brahms. He studied historical performance practice of standard repertoire in numerous masterclasses at UNISA Organ Simposia, Haarlem Summer Academia and in Pistoia from organists including Luigi Tagliavini, Harald Vogel, Ludger Lohmann, Bernard Lagacé, Wolfgang Zerer, Olivier Latry, Marie Claire Alain and Szigmund Zsathmary. Until recently, Gerrit was chair of the Church Organist Committee of Southern Africa (SAKOV). He compiled three volumes of original Southern African choral preludes and choir pieces for SAKOV. He is a member of VONKK – a committee that develops new Afrikaans church music – creating new songs, providing organ, choir and instrumental arrangements to this growing repertoire.

PROGRAMME:

  • Johann Sebastian Bach: Prelude and Fugue in G major (BWV 541)
  • Jacobus Kloppers: Celtic Impressions (2003/4) - Two Strathspeys, Two Airs, Two Jigs, Toccata on two marching songs
  • Surendran Reddy: Toccata for Madiba (ca. 8:00)
  • Antalffy-Zsiross Dezso: Sketches on Negro Spiritual Songs (ca. 7’00)
  • George Gershwin: Rhapsody in Blue (organ transription: Tobias Zuleger)

ADMISSION

  • R120 (adults)
  • *R80 (pensioners)
  • *R70 (UFS staff)
  • *R50 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above mentioned discount.

ENQUIRIES
Ninette Pretorius (tel. 051 401 2504)


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Red Riding Hood

Description: Red Riding Hood Tags: Red Riding HoodName of production: Red Riding Hood

Adapted by: Walter Strydom

Director: Walter Strydom

Venue:  Scaena Rehearsal Room, UFS Main Campus

Language: English

Genre: Children's Theatre

 

Dates and Times:

6 May 2016               11:00 & 18:00      

7 May 2016               11:00

12 May 2016             15:00

13 May 2016             11:00 & 18:00

14 May 2016             11:00

 

Price:  R 25.00 per person and/or R20.00 per person for groups of 10 or more.

Bookings:   Computicket (0861 915 8000)

  

Red Riding Hood’s cat is hungry. She has been fed this morning, but she needs her snack right now. Unfortunately Red Riding Hood is on her way to her Grandmother’s house. Between pulling a prank on the local woodcutter and sharing witticisms with a suspiciously looking dog-like creature, Red Riding Hood forgot to provide said snack. What is a cat to do?

 

The local Woodcutter is afraid. What will his mother say if she finds out he has lost his axe? He just can’t remember where he left it. What he does remember is the last time he saw his axe. It was just before the girl with the red hood sneaked up on him and gave his such a fright it nearly made his heart stop. What did she say? That she is on her way to her Grandmother’s house? Maybe he too should go there to see if she maybe took his axe.

 

Red Riding Hood’s grandmother is feeling a little bit under the weather. She is expecting her wild little grandchild to visit her later today, but at the moment she is left with her knitting. She needs wool, red wool. And three bags full, mind you. Unfortunately there has been a sheep-shortage lately and the local shops are all out of wool. Suddenly there’s a knock at the door. That must be Red Riding Hood…

 

Red Riding Hood is a fresh retelling of the ageless classic specifically aimed to entertain a newer generation of kids with the same story mom and dad loved when they were young. With dancing, songs and hilarious interactive comedy this production from the University of the Free State’s Department of Drama and Theatre Arts is sure to be great family fun. Hard at work behind the scenes of this delightful comedy for younger audiences are the energetic talents of a vibrant group of drama students. Directed by Walter Strydom, whose previous productions include the 2015 production of Jack and the Beanstalk and Gouelokkies en die Drie Bere (2016), Red Riding Hood hits the stage early in May.

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