Years
2019 2018
THE RHAPSODIC ORGAN
2018-06-07

with Gerrit Jordaan

7 June 2018

Odeion

19:30

Gerrit Jordaan studied organ under the guidance of Stephan Zondagh (pupil of Marcel Dupré and Nadia Boulanger), Wim Viljoen (pupil of Marie Claire Alain) and Daleen Kruger (pupil of Jean Claude Zender). In 2007 he completed a DMus with a dissertation on Stefans Grové's Afrika Hymnus II. This Hymnus was dedicated to Gerrit – as it was conceived in a dream wherein the composer heard him playing this work.

Since his student days, Gerrit has been involved with South African organ music, commissioning and performing new works – of which some had been dedicated to him - writing articles on this repertoire, working towards performances with the insight of the composers, recording this repertoire, typesetting and adapting instrumental works to the organ. As an enthusiast of South African music, he presented recitals in Europe as well as Finland and Canada. In 2016 he was invited to play the final recital at the Klangzeit Festival for contemporary music in Münster (Germany). Some of his articles were published internationally in Het Orgel, Organ – Journal für die Orgel, Orgue Nouvelles as well as in local academic publications. He wrote reports on the Stylus Phantasticus in the Praeludia of Buxtehude and on the Choral Preludes of Brahms. He studied historical performance practice of standard repertoire in numerous masterclasses at UNISA Organ Simposia, Haarlem Summer Academia and in Pistoia from organists including Luigi Tagliavini, Harald Vogel, Ludger Lohmann, Bernard Lagacé, Wolfgang Zerer, Olivier Latry, Marie Claire Alain and Szigmund Zsathmary. Until recently, Gerrit was chair of the Church Organist Committee of Southern Africa (SAKOV). He compiled three volumes of original Southern African choral preludes and choir pieces for SAKOV. He is a member of VONKK – a committee that develops new Afrikaans church music – creating new songs, providing organ, choir and instrumental arrangements to this growing repertoire.

PROGRAMME:

  • Johann Sebastian Bach: Prelude and Fugue in G major (BWV 541)
  • Jacobus Kloppers: Celtic Impressions (2003/4) - Two Strathspeys, Two Airs, Two Jigs, Toccata on two marching songs
  • Surendran Reddy: Toccata for Madiba (ca. 8:00)
  • Antalffy-Zsiross Dezso: Sketches on Negro Spiritual Songs (ca. 7’00)
  • George Gershwin: Rhapsody in Blue (organ transription: Tobias Zuleger)

ADMISSION

  • R120 (adults)
  • *R80 (pensioners)
  • *R70 (UFS staff)
  • *R50 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above mentioned discount.

ENQUIRIES
Ninette Pretorius (tel. 051 401 2504)


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Pygmalion

Description: Pygmalion Tags: Pygmalion 

Name of production: Pygmalion
Script by: George Bernard Shaw

Directed by: Dion van Niekerk 
Venue: Wynand Mouton Theatre
Language: English 
Genre: Drama 

Date and times: 

29 – 31 March 2017 @ 19h30 

Price: R40.00 for adults / R30.00 for students & scholars / R25.00 for pensioners.
Bookings: Computicket (0861 915 8000) 

Pygmalion

The Department of Drama and Theatre Arts at UFS will be presenting a production of Pygmalion at the end of this month, in the Wynand Mouton Theatre, from 29-31 March, 19:30.

Pygmalion is one of English drama’s classic plays. Written by George Bernard Shaw in the early 1900s, the play is based on an ancient Greek myth in which a sculptor, Pygmalion, falls in love with one of his statues, which then comes to life.

In Shaw’s story, a professor of phonetics, Henry Higgins, takes a bet that he can train a poor flower girl to speak “proper” English, and pass her off as a duchess. Eliza Doolittle, the subject of this experiment, must learn to improve her manners, language and social skills. But what does she lose along the way?

Pygmalion is a gentle comedy that makes a statement about class structures and the role of women in society – it isn’t hard to draw parallels with South African social conditions. Shaw’s famous play was converted into a popular musical in the 1960s, and many people will recognize the story of Pygmalion in My Fair Lady.

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