Years
2019 2018
ARNOLD BOSMAN Memorial Concert
2018-03-08

ARNOLD BOSMAN Memorial Concert

8 March 2016

Odeion

19:30

On 8 March the Odeion School of Music will present the annual special memorial concert in honour of Arnold Bosman, renowned conductor and pianist. The first memorial concert took place in 2010 to commemorate five years since his death in 2005.

Artists who will perform, include:

  • Lourie Coetzee (organ)
  • CATHEDRAL SINGERS under the leadership of Lance Phillip together with Lourie Coetzee (organ)
  • FLYING FINGERS with Brigitte Botha and Johan Cromhout
  • Alida van der Walt (mezzo-soprano) with Johan Cromhout (piano)

Programme:

  • Vierne: Symphonie No. III in F-sharp minor, Op. 28 for Organ
  • Vierne: Messe Solenelle, Op. 16
  • Mozart: Sonata for Four Hands in C major, K.521
  • Haydn: Eurilda’s Aria from Le Pescatrici
  • Gazzaniga: Agatina’s Aria from La Vendemmia

ADMISSION:

Free

ENQUIRIES:

Ninette Pretorius (tel. 051 401 2504)


Back
People are living there

Director: Karabelo Lekalake

Writer:  Athol Fugard
Venue: Scaena Theatre

Dates & times:

21 May at 19:30

22 May at 19:30

23 May at 19:30

24 May at 19:30

R 30.00 per person & R 20.00 per person (students, scholars & pensioners)

Bookings:   Computicket (Mimosa Mall en Checkers)

People Are Living There is a milestone play in Fugard’s career as a major South African playwright. Contrary to the believe that Fugard’s plays are racially driven, this two-act play allows the audience to reflect and search for a true meaning of life. Like many of his staged works, People Are Living There maintains a unity of time and space.  In the play, Fugard presents a sad, Milly, Don, Shorty and Sissy, who’s daily lives are grains of sand that will never have shape or meaning.

Set in a Johannesburg boarding house in 1989, People Are Living There revolves around a landlady Milly, whose 10 year romantic relationship with one of her boarders has just come to a messy abrupt end. With a good deal of bitter comedy, Milly, Don and Shorty organize a party which is meant to convince Ahlers (her ex-lover) that she is neither downcast, heartbroken nor defeated by their break-up. The party these three arrange is a pathetic, tragic and a comic experience.

The irony of life takes centre stage in this play especially through Fugard’s silkworm’s life span metaphor juxtaposed to the life of human-beings.  The play effortlessly echoes these words, “time waits for no men”. Although there is a bleak melancholy shadow over everything that happens in this play, Fugard still gives the audience opportunity to laugh.

We use cookies to make interactions with our websites and services easy and meaningful, to better understand how they are used and to tailor advertising. You can read more and make your cookie choices here. By continuing to use this site you are giving us your consent to do this.

Accept