Years
2019 2018
ARNOLD BOSMAN Memorial Concert
2018-03-08

ARNOLD BOSMAN Memorial Concert

8 March 2016

Odeion

19:30

On 8 March the Odeion School of Music will present the annual special memorial concert in honour of Arnold Bosman, renowned conductor and pianist. The first memorial concert took place in 2010 to commemorate five years since his death in 2005.

Artists who will perform, include:

  • Lourie Coetzee (organ)
  • CATHEDRAL SINGERS under the leadership of Lance Phillip together with Lourie Coetzee (organ)
  • FLYING FINGERS with Brigitte Botha and Johan Cromhout
  • Alida van der Walt (mezzo-soprano) with Johan Cromhout (piano)

Programme:

  • Vierne: Symphonie No. III in F-sharp minor, Op. 28 for Organ
  • Vierne: Messe Solenelle, Op. 16
  • Mozart: Sonata for Four Hands in C major, K.521
  • Haydn: Eurilda’s Aria from Le Pescatrici
  • Gazzaniga: Agatina’s Aria from La Vendemmia

ADMISSION:

Free

ENQUIRIES:

Ninette Pretorius (tel. 051 401 2504)


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Vlieë (Afrikaans)

Vlieë (Afrikaans)
Venue: Wynand Mouton Theatre
Dates: 27 & 28 October 2009
Time: 19h30


Text: Jean-Paul Sartre
Director: Stephanie Brink


Tickets:
R 30.00 for adults,
R 25.00 for group bookings 10+,
R 20.00 for students
R 25.00 for scholars/pensioners


Tickets available at Computicket (Mimosa Mall & any Checkers) or at the door.

Die Vlieë, is a modern theatre text by Jean-Paul Sartre and is based on the classic mythology of Orestes and his sister Elektra’s quest for revenge on the murderers of their father, King Agamemnon. The Afrikaans translation was done by Ilne Fourie, - winner of the Sanlam theatre competition as dramatist and as actor as well as Passi’s short story competition in 2007. The production is a third year module production under the direction of Dr. Stephanie Brink. The drama is presented in a postmodernist style, with interaction between the various theatre mediums like projections, sound and lighting. This interaction forms a challenging and multilayered visual experience.

The story is a simple but rational and gripping dialogue between the different characters. After his wonderings, Orestes and his mentor arrive in Argos and find the city of his birth in ruins. Like all of us, he is like a clean sheet of paper, on which we define our souls through our actions. The ruin of the city is given as an example of the state of the natural order of things by the citizens and also by Zeus. Through his unspoiled demeanour and open mind as well as his intellectual background, he sees the corruption and deterioration in his city for what it is. Thus he is compelled to choose between his reason and conforming to the status quo of Argos.

This production is a dramatic, yet simple human tale and promises a titillating and gripping theatre experience for the audiences.
 

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