Years
2019 2018
Jan & Clara Hugo
2018-03-22

A unique concert of piano solo works, opera and art songs

22 March 2018

Odeion

19:30

Lyrical soprano, Clara Hugo, was born in 1993 and started her musical education at the age of seven. She sang in the Maitrise de Paris choir under the direction of Patrick Marco and participated in numerous concerts with the Orchestre de Paris and the Orchestre Lamoureux in prestigious halls in Paris, such as Salle Pleyel, Chatelet Theatre and Salle Gaveau. She has worked with John Axelrod, Christoph Eschenbach and sang Fauré's Requiem with Mathieu Romano. She completed her Bachelor's degree in Operatic singing at the Hochschule für Musik und Theater “Mendelssohn-Bartholdy” (Leipzig), where she studied with Regina Werner-Dietrich, Carola Guber and received further guidance from Philipp Moll, Jeanette Favaro Reuter and Alexander Schmalz. She specialized in 19th century singing technique and aesthetic under the guidance of Peter Berne. She received masterclasses from Donna Brown, Malcolm Walker and Valérie Guillorit. She took part in productions of Die Zauberflöte by Mozart and Das Wildschutz by Lortzing with the conductor Matthias Foremny and stage director Matthias Oldag. She sang the solo soprano part of La Petite Messe Solennelle by Rossini and received a prize for her execution for Bach Cantatas in Leipzig. She performed at the Gewandhaus with the Cappuccino Orchestra and debuted in 2016 at the Leipzig Opera House in the roles of Barbarina and the first maid (Le Nozze di Figaro, Mozart). She gives regular recitals together with the pianist Jan Hugo.

Pianist Jan Hugo, born in 1991 in South Africa, studied at the Accademia Pianistica Internazionale in Imola (Italy) and at the Hochschule für Musik und Theater “Mendelssohn-Bartholdy” (Leipzig). He has received guidance from Boris Petrushansky, Leslie Howard, Michel Dalberto, Cyprien Katsaris, Vovka Ashkenazy, Joaquin Soriano, Robert Levin, Graham Scott, Adam Wodnicki, Jin Ju, Piero Rattalino, Riccardo Risaliti, Hortense Cartier-Bresson, Alan Fraser, Joseph Stanford, Gerald Fauth, Christian Pohl, Piotr Palezcny, Christopher Elton and Ronan O'Hora. He is a prizewinner of many competitions, such as the Alkan-Zimmerman International Competition, Royal Overseas League International Competition, SAMRO and UNISA national competitions. He has played at the MITO and Edinburgh festivals, at the Queen Elizabeth Hall (London), in the Sala Mozart (Bologna) and at the TivoliVredenburg (Utrecht). He has performed with the Cape Town Philharmonic, Johannesburg Philharmonic, KwaZulu-Natal Philharmonic, Leipzig Philharmonic under the baton of Arjan Tien, Alexander Rahbari, Leslie Dunner, Bernhard Gueller, Giedre Slekyte, Daniel Boico, Sebastian Lang-Lessing and German Guttierez. He performed on the straight-strung concert grand made by Chris Maene and is passionate about historical instruments. His first CD was released in November 2017. Upcoming performances include recitals for the Wagner Society (Cape Town) and the Verbania Festival.

PROGRAMME

Joseph Canteloube: Extracts from Chants d'Auvergne
Frédéric Chopin: Scherzo No. 2 in B-flat minor, Op. 31
Franz Liszt: Die Lorelei; Die Drei Zigeuner
Giacomo Puccini: Si, mi chiamano Mimi from La Bohème
Franz Liszt: Un Bal from Symphonie Fantastique
Igor Stravinsky: No Word from Tom from The Rake's Progress
Claude Debussy: Air de Lia from L'enfant Prodigue
Poissons d'or from Images
C'est l'extase; Green and L'Ombre des arbres from Ariettes oubliées
Alexander Scriabin: Sonata No. 5, Op. 53
Gioacchino Rossini: Bel raggio Lusinghier from Semiramide
Franz Liszt: Hungarian Rhapsody No. 12

ADMISSION

  • R140 (adults)
  • *R100 (pensioners)
  • *R80 (UFS staff)
  • *R60 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above mentioned discount.

ENQUIRIES

Ninete Pretorius (tel. 051 401 2504 / pretoriusn@ufs.ac.za)


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Tribute to Kloppers

PROF JACOBUS KLOPPERS RESIDENT AT THE OSM

22 August - 5 September 2017

(with concert “Tribute to Kloppers” on 31 August, 19:30, Dutch Reformed Church Universitas)

Jacobus (Kobie) Kloppers (born 1937 in Krugersdorp) is a Canadian composer, musicologist and organist. He has composed many notable pieces, especially for organ, and has been the subject of substantial scholarship.

This includes a Masters dissertation by Eljee du Plooy, titled “Jacobus Kloppers: A Life of Service in Music” (2013).

Born in South Africa, Kloppers completed his Doctorate in Frankfur (Germany). In 1966, Kloppers returned to South Africa to teach, compose and perform. He immigrated to Canada with his family in the mid-1970s in protest to the Apartheid policy. 

Kloppers settled in Edmonton (Canada), and worked as a private instructor and church musician. In 1978, he was interviewed for a part-time position at a small Christian college, the King's University College (Edmonton), that was to open the next year. The college hired him full-time to develop a music program. He taught organ, music history, and musicology and was chair of the music program until his retirement in 2008. Kloppers is also an Adjunct Professor of Organ at the University of Alberta, an Honorary Fellow of the RCCO, the Canadian Music Centre and a member of the Canadian League of Composers.

Kloppers was important in Edmonton's Winspear Centre acquiring the Davis Concert Organ, a world-renowned instrument. In 2009, Kloppers was inducted into Edmonton's Cultural Hall of Fame. In 2011, the University of the Free State began a project to collect and house a complete collection of Kloppers' work.

Prof Kloppers will be resident in the Odeion School of Music for the period 22 August - 5 September 2017. The main purpose of his visit is for him to be available for a number of in-depth conversations concerning a book publication on his life and work, which will be edited by Prof Martina Viljoen. Both local and international scholars have been invited to contribute to the planned publication. The preliminary lay-out includes a number of chapters on topics that will illuminate both Prof Kloppers’s life history, as well as important aspects of his professional contribution, and his creative output: Introductory chapter – Profs Marnie Giesbrecht-Segger and Joachim Segger (University of Alberta and King’s University, Edmonton, respectively).

Biographical background – Eljee du Plooy and Prof Martina Viljoen (University of the Free State) A stylistic comparison between Kloppers and Stefans Grové – Prof Izak Grove (Stellenbosch University)

Stylistic influences in Kloppers’s organ oeuvre – Prof Nicol Viljoen, Dr Jan Beukes, Prof Martina Viljoen (University of the Free State)

An analytical study of the Dialectic Fantasy – Luzanne Eigelaar and Dr Matildie Thom Wium (University of the Free State)

Triptych for alto saxophone and organ – Dr Charles Stolte (King’s University, Edmonton)

Reflections: Prologue, Variations and Epilogue on an Afrikaans Folk Song – Profs Nicol and Martina Viljoen (University of the Free State)

Perspectives on Kloppers’s teaching of musicology at the King’s University – Dr Charles Stolte (King’s University, Edmonton)

“TRIBUTE TO KLOPPERS”

The OSM will present a concert entitled “Tribute to Kloppers” of compositions by Jacobus Kloppers on the 31st of August at 19:30 in the Dutch Reformed Church Universitas.

The following works will be performed:

PROGRAMME:

Chorale Preludes on Ps 23

Ps 128

Jesu meine zuversicht

Ek weet aan wie ek my toevertrou het

Partita on In Dulci Jubilo

Three Plainsong Settings
Hosanna (for chorus)
How lovely are your dwellings (for choir, organ and flute)
Give thanks to God, the Father (for choir and trumpet)
Verdwyn is nou die Daglig (Art song for lyrical tenor and organ) based on the Lutheran chorale, Der Mond ist aufgegangen.

ADMISSION: Free

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