Years
2019 2018
Jan & Clara Hugo
2018-03-22

A unique concert of piano solo works, opera and art songs

22 March 2018

Odeion

19:30

Lyrical soprano, Clara Hugo, was born in 1993 and started her musical education at the age of seven. She sang in the Maitrise de Paris choir under the direction of Patrick Marco and participated in numerous concerts with the Orchestre de Paris and the Orchestre Lamoureux in prestigious halls in Paris, such as Salle Pleyel, Chatelet Theatre and Salle Gaveau. She has worked with John Axelrod, Christoph Eschenbach and sang Fauré's Requiem with Mathieu Romano. She completed her Bachelor's degree in Operatic singing at the Hochschule für Musik und Theater “Mendelssohn-Bartholdy” (Leipzig), where she studied with Regina Werner-Dietrich, Carola Guber and received further guidance from Philipp Moll, Jeanette Favaro Reuter and Alexander Schmalz. She specialized in 19th century singing technique and aesthetic under the guidance of Peter Berne. She received masterclasses from Donna Brown, Malcolm Walker and Valérie Guillorit. She took part in productions of Die Zauberflöte by Mozart and Das Wildschutz by Lortzing with the conductor Matthias Foremny and stage director Matthias Oldag. She sang the solo soprano part of La Petite Messe Solennelle by Rossini and received a prize for her execution for Bach Cantatas in Leipzig. She performed at the Gewandhaus with the Cappuccino Orchestra and debuted in 2016 at the Leipzig Opera House in the roles of Barbarina and the first maid (Le Nozze di Figaro, Mozart). She gives regular recitals together with the pianist Jan Hugo.

Pianist Jan Hugo, born in 1991 in South Africa, studied at the Accademia Pianistica Internazionale in Imola (Italy) and at the Hochschule für Musik und Theater “Mendelssohn-Bartholdy” (Leipzig). He has received guidance from Boris Petrushansky, Leslie Howard, Michel Dalberto, Cyprien Katsaris, Vovka Ashkenazy, Joaquin Soriano, Robert Levin, Graham Scott, Adam Wodnicki, Jin Ju, Piero Rattalino, Riccardo Risaliti, Hortense Cartier-Bresson, Alan Fraser, Joseph Stanford, Gerald Fauth, Christian Pohl, Piotr Palezcny, Christopher Elton and Ronan O'Hora. He is a prizewinner of many competitions, such as the Alkan-Zimmerman International Competition, Royal Overseas League International Competition, SAMRO and UNISA national competitions. He has played at the MITO and Edinburgh festivals, at the Queen Elizabeth Hall (London), in the Sala Mozart (Bologna) and at the TivoliVredenburg (Utrecht). He has performed with the Cape Town Philharmonic, Johannesburg Philharmonic, KwaZulu-Natal Philharmonic, Leipzig Philharmonic under the baton of Arjan Tien, Alexander Rahbari, Leslie Dunner, Bernhard Gueller, Giedre Slekyte, Daniel Boico, Sebastian Lang-Lessing and German Guttierez. He performed on the straight-strung concert grand made by Chris Maene and is passionate about historical instruments. His first CD was released in November 2017. Upcoming performances include recitals for the Wagner Society (Cape Town) and the Verbania Festival.

PROGRAMME

Joseph Canteloube: Extracts from Chants d'Auvergne
Frédéric Chopin: Scherzo No. 2 in B-flat minor, Op. 31
Franz Liszt: Die Lorelei; Die Drei Zigeuner
Giacomo Puccini: Si, mi chiamano Mimi from La Bohème
Franz Liszt: Un Bal from Symphonie Fantastique
Igor Stravinsky: No Word from Tom from The Rake's Progress
Claude Debussy: Air de Lia from L'enfant Prodigue
Poissons d'or from Images
C'est l'extase; Green and L'Ombre des arbres from Ariettes oubliées
Alexander Scriabin: Sonata No. 5, Op. 53
Gioacchino Rossini: Bel raggio Lusinghier from Semiramide
Franz Liszt: Hungarian Rhapsody No. 12

ADMISSION

  • R140 (adults)
  • *R100 (pensioners)
  • *R80 (UFS staff)
  • *R60 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above mentioned discount.

ENQUIRIES

Ninete Pretorius (tel. 051 401 2504 / pretoriusn@ufs.ac.za)


Back
For colored girls who have considered suicide when the rainbow is enuf

Venue:  Scaena Theatre, UFS-Main Campus

Language: English 

Genre: Choreopoem / Drama

 

Date and times:

12 September @ 19:30

13 September @ 19:30

14 Septermber@ 19:30

 

Tickets:         

R 40.00 per person

R 30.00 for students, scholars,

R 25.00 for pensioners

 

Bookings Computicket (0861 915 8000)

 A beautiful fusion between dance, poetry, drama and music is what you can expect in For Colored Girls Who Have Considered Suicide When the Rainbow is Enuf, the next play brought to the stage by the University of the Free State Drama Department. Issues women all over the world are struggling with, like abuse, identity crises, the coming of age and self-love, empowerment and depression, are themes this choreopoem explores. Written in 1975 by American author Ntozake Shange, it is today just as relevant as then.

 For Colored Girls uses nineteen poems by seven women who experience different individual problems. Each of these characters go through a journey of their own but come to realise that they are not alone. While they are all confronted with similar issues, they are not as different from each other after all.

“she’s half-notes scattered

without rhythm/ no tune

sing her sighs

sing the song of her possibilities

sing a righteous gospel

let her be born”- Lady in Brown

The characters’ names reflect the colours of the rainbow: Lady in Red, Lady in Blue, Lady in Brown, Orange, Yellow, Purple and Green.

American playwright, poet and feminist activist fighting for the rights of black women, Ntozake Shange, was born in Trenton New Jersey, as Paulette Williams. When she separated from her first husband, she often attempted to commit suicide. However, focusing her anger and hurt on the limitations that black women have she was able to regain her inner strength. She then took her African name, from South African friends at the time – Ntozake Shange – which means “she who comes with her own things “and “she who walks like a lion”.

Being an educator, performer/director, writer and committed solo spoken word artist, she said “the poems find[ing] their way through me to the audience”, but that she was so nervous in the beginning of putting these poems into a performance, because “I was a performance poet, not a theatre artist.”

For Colored Girls will be performed by second year drama students from the UFS, from 12 – 14 September 2018, at 9:30 in the Scaena Theatre, UFS.

Please note the age restriction of 16 years, as some content is too mature for younger viewers. Tickets are available at Computicket. For more information go to https://www.facebook.com/ufsdrama/

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