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Stockton Revealed
2018-03-04

Stockton Revealed

4 March 2018

Odeion

16:00

Stockton Revealed is an unique concert with a variety of Classical and Jazz compositions by well known celebrated composer and pianist, Noel Stockton.

Noel Stockton has established a wide reputation as a leading arranger, composer, performer, teacher and Jazz educator. He has been involved in all spheres of music for over fifty years.

Born in Benoni, Noel was a member of many well known South African bands in his youth, and broadcast extensively during the fifties and sixties. Subsequently he has conducted, arranged and composed, and performed for jazz ensembles, symphony orchestras and wind bands.

SAMRO commissions (compositions) include Manguang Suite (premièred and conducted by Dr F Fennell, USA), Concerto for Stageband premièred in 1994, by the Cape Town Jazz Orchestra Conversation Piece (Suite for String Quartet and Clarinet), Sol Y Sombra (Suite for String Quartet, Castanets and Clarinet.). Other compositions include Adagio for Strings, South African Folk Song Rhapsody, Invictus (orchestral prelude) for Jazz quartet and Symphony Orchestra, Gossip for Saxophone and String Orchestra and Three Pieces for Clarinet and Piano.

Productions as music director/conductor include Pacofs Goes Pop, Noel Stockton Big Band Shows I and II, You’re a Good Man Charlie Brown, Snoopy!!!!!, Die Goue Kring (also composer), Met Permissie Gesê, Romeo and Juliet, Brommer in die Boord, Nathaniel and Stockton in Concert, Grease, The Wiz, Sound of Music (for Eunice High School) and Flamenco - Jazz Fiesta.

Noel was a member of the PACOFS Symphony Orchestra and Senior Lecturer at the Musicon in Bloemfontein for 17 years, and lecturer in Jazz Studies and Theory at the University of the Free State and Pretoria University.

Musicians who will perform, include Noel Stockton (piano), the Nöthling-Strydom Duo (with Danrè Strydom – clarinet and Grethe Nöthling – piano), Francois Henkins (violin), Elspeth Neary (violin), Anna van Niekerk (viola), Anmari van der Westhuizen (cello), Tilla Henkins (cello), Geruan Geldenhuys (flute), Xavier Cloete (bassoon), Marco D’Angelo (trumpet), George Foster (tuba), Petro Engelbrecht (piano), Lesley-Ann Mathews (piano) and Jasmin Antonie (castanets).

PROGRAMME:

  • Six short pieces for Violin and Piano
  • Antiphonals for Trumpet and Piano
  • Diversions for Violin, Recorder and Piano
  • Invocation and Chant for solo V’Cello and Bembe
  • Three pieces for Clarinet and Piano
  • Sonatina for Tuba and Euphonium (Bassoon)
  • Sol Y Sombra Suite (in honour of Uys Krige)
  • Dance suite for Flute and String Quartet

ADMISSION

  • R70 (adults)
  • *R50 (pensioners)
  • *R50 (UFS staff)
  • *R40 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above mentioned discount.

ENQUIRIES

Ninette Pretorius (tel. 051 401 2504)


Back
Lecture: “Mandela, You Are Finally Free: Music, Memory, and Madiba”

presented by Prof. Gregory Melchor-Barz (senior professor: Odeion School of Music)

28 February 2014

Odeion

12:10

Abstract:

Asimbonanga, asimbonang' uMandela thina [We have not seen him, we have not seen Mandela]

Laph’ekhona, Laph'ehleli khonal [In the place where he is, in the place where he is kept]

Johnny Clegg and Savuka

Over the years Nelson Mandela inspired musicians to write about his life and perform challenging musical responses to the struggle against apartheid in South Africa. In this brief presentation, we will engage a variety of performers who performed musical tributes and challenges to the life and career of Madiba. We will also focus on the problematic issue of music for and about Mandela that was consumed outside in the South African diaspora (whether due to prohibitions or bans within the country or otherwise) vs. music produced as an internal musical commodity. 

Gregory Melchor-Barz, PhD

Alexander Heard Distinguished Service Professor

Associate Professor of Musicology/Ethnomusicology (Blair School of Music)

Associate Professor Music and Religion (Divinity School)

Associate Professor of Anthropology (Anthropology)

Faculty Head of North House, The Ingram Commons

Admission: Free

Enquiries: Ninette Pretorius (051 401 2504 / pretoriusn@ufs.ac.za)

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