Years
2019 2018
Antonio Pompa-Baldi
2018-05-24

24 May 2018

Odeion

19:30

Born and raised in Foggia (Italy), Antonio Pompa-Baldi won the Cleveland International Piano Competition in 1999 and embarked on a career that continues to extend across five continents. A top prizewinner at the 1998 Marguerite Long-Jacques Thibaud Competition in Paris (France), Antonio Pompa-Baldi also won a silver medal at the 2001 Van Cliburn International Piano Competition.

Antonio appears regularly at the world's major concert venues including New York's Carnegie Hall, Paris' Salle Pleyel, Milan's Sala Verdi, Shanghai's Grand Theatre, and Boston's Symphony Hall. He performed in London, Tokyo, Seoul, Los Angeles, Philadelphia, Kiev, Auckland, Hong Kong, and Beijing, and conducted masterclasses at the China National Conservatory. Pompa-Baldi has played with the Houston Symphony, Berliner Symphoniker, Orchestre Philharmonique de Radio France, Boston Pops, and Colorado Symphony, among many others. He has collaborated with great musicians and conductors such as Hans Graf, James Conlon, Louis Lane, Keith Lockhart and Miguel Harth-Bedoya.

His extensive recording catalogue features 20 CDs and is constantly growing. They include the entire piano repertoire of Grieg in twelve CDs, a live recital of his award-winning Cliburn Competition performances and “The Rascal and the Sparrow - Poulenc meets Piaf” piano arrangements of songs by Francis Poulenc and Edith Piaf. His CD, “After a reading of Liszt”, is a tribute to Liszt, and other recordings include an all-Schumann disc, an all-Rachmaninoff CD, as well as the Rheinberger Piano Sonatas. Pompa-Baldi is now recording the complete Hummel Piano Sonatas.

In May 2014 Pompa-Baldi completed live performances of all the Rachmaninoff Concertos and Paganini Rhapsody with the CPO. In January 2015, he performed a recital at the First Lang Lang International Piano Festival in Shenzhen (China). In March 2015, he performed all the Beethoven Concertos in Fresno (CA). Other recent notable engagements include the Cheyenne Symphony (Respighi Piano Concerto), Nova Scotia Symphony (Rachmaninoff Second and Third Piano Concertos), and recitals in Wenzhou and Xiamen (China), San Jose (CA), Ravello Festival, Todi International Music Masters festival and the island of Sardinia (Italy).

A Steinway artist, Pompa-Baldi is on the piano faculty of the Cleveland Institute of Music. He is the founder and faculty member of Todi International Music Masters (Italy), and sits on the juries of the most prestigious piano competitions of the world, including the Cleveland International Piano Competition, the Hilton Head Piano Competition, the International Edvard Grieg Piano Competition in Bergen (Norway) and the San Jose International Piano Competition.

www.pompa-baldi.com

PROGRAMME

  • Johann Nepomuk Hummel: Sonata Op.13 in E flat
  • Five French songs of Poulenc and Edith Piaf
  • Francis Poulenc: Napoli Suite
  • Giuseppe Martucci: Fantasia Op. 51
  • Nikolai Medtner: Sonata Tragica
  • Roberto Piana: Improvisations on Neapolitan Songs

ADMISSION

  • R140 (adults)
  • *R100 (pensioners)
  • *R80 (UFS staff)
  • *R60 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above mentioned discount.

ENQUIRIES
Ninette Pretorius (tel. 051 401 2504)


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The Mesh

By Keith Armstrong

Johannes Stegmann Art Gallery, Sasol Library

Exhibition closes:  Friday 11 August 2017

Gallery hours: Monday to Friday 08:30 – 16:30.

The Mesh is an interactive, experiential solo exhibition by Australian artist Keith Armstrong. The five artworks on exhibition each investigate how the ‘mesh' of environmental, social and cultural ecologies form our worlds, asking how might we re-imagine our place and actions within those networks as ‘refuturing’ (i.e. concerted actions that help increase time left in the future). 

Retrospective works are shown together with international premieres. These include a sculptural text-based work O Tswellang, arising from collaborations with 'change agents' in the informal townships around Bloemfontein. Another of the five works, the international premiere of Eremocene (Era of Loneliness), allows the viewer to interact with faintly glowing fibre optic forms that travel ethereally through a darkened tank accompanied by dynamic sounds, suggesting an naturalised/artificially intelligent form, ambiguously isolated at the edges of fluid consciousness. The exhibition also sees the re-development of innovative video installations such as Shifting Dusts, originally commissioned for the Institute for Contemporary Arts (ICA) London in 2006 and Seasonal

Audiences navigate these works non-linearly, encountering kinetic light works, telescopic tunnels of ethereal imagery and sound and gently pulsing, ambiguous surfaces. Overall The Mesh seeks to shine a light upon the silent, shadowy barriers of cultural misunderstanding that prevent us from re-inventing ourselves as a future-sustaining species.

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