Years
2019 2018
Antonio Pompa-Baldi
2018-05-24

24 May 2018

Odeion

19:30

Born and raised in Foggia (Italy), Antonio Pompa-Baldi won the Cleveland International Piano Competition in 1999 and embarked on a career that continues to extend across five continents. A top prizewinner at the 1998 Marguerite Long-Jacques Thibaud Competition in Paris (France), Antonio Pompa-Baldi also won a silver medal at the 2001 Van Cliburn International Piano Competition.

Antonio appears regularly at the world's major concert venues including New York's Carnegie Hall, Paris' Salle Pleyel, Milan's Sala Verdi, Shanghai's Grand Theatre, and Boston's Symphony Hall. He performed in London, Tokyo, Seoul, Los Angeles, Philadelphia, Kiev, Auckland, Hong Kong, and Beijing, and conducted masterclasses at the China National Conservatory. Pompa-Baldi has played with the Houston Symphony, Berliner Symphoniker, Orchestre Philharmonique de Radio France, Boston Pops, and Colorado Symphony, among many others. He has collaborated with great musicians and conductors such as Hans Graf, James Conlon, Louis Lane, Keith Lockhart and Miguel Harth-Bedoya.

His extensive recording catalogue features 20 CDs and is constantly growing. They include the entire piano repertoire of Grieg in twelve CDs, a live recital of his award-winning Cliburn Competition performances and “The Rascal and the Sparrow - Poulenc meets Piaf” piano arrangements of songs by Francis Poulenc and Edith Piaf. His CD, “After a reading of Liszt”, is a tribute to Liszt, and other recordings include an all-Schumann disc, an all-Rachmaninoff CD, as well as the Rheinberger Piano Sonatas. Pompa-Baldi is now recording the complete Hummel Piano Sonatas.

In May 2014 Pompa-Baldi completed live performances of all the Rachmaninoff Concertos and Paganini Rhapsody with the CPO. In January 2015, he performed a recital at the First Lang Lang International Piano Festival in Shenzhen (China). In March 2015, he performed all the Beethoven Concertos in Fresno (CA). Other recent notable engagements include the Cheyenne Symphony (Respighi Piano Concerto), Nova Scotia Symphony (Rachmaninoff Second and Third Piano Concertos), and recitals in Wenzhou and Xiamen (China), San Jose (CA), Ravello Festival, Todi International Music Masters festival and the island of Sardinia (Italy).

A Steinway artist, Pompa-Baldi is on the piano faculty of the Cleveland Institute of Music. He is the founder and faculty member of Todi International Music Masters (Italy), and sits on the juries of the most prestigious piano competitions of the world, including the Cleveland International Piano Competition, the Hilton Head Piano Competition, the International Edvard Grieg Piano Competition in Bergen (Norway) and the San Jose International Piano Competition.

www.pompa-baldi.com

PROGRAMME

  • Johann Nepomuk Hummel: Sonata Op.13 in E flat
  • Five French songs of Poulenc and Edith Piaf
  • Francis Poulenc: Napoli Suite
  • Giuseppe Martucci: Fantasia Op. 51
  • Nikolai Medtner: Sonata Tragica
  • Roberto Piana: Improvisations on Neapolitan Songs

ADMISSION

  • R140 (adults)
  • *R100 (pensioners)
  • *R80 (UFS staff)
  • *R60 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above mentioned discount.

ENQUIRIES
Ninette Pretorius (tel. 051 401 2504)


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Blowing in the Wind

Curated by Carol Brown

Until 31 July

Centenary Art Gallery, 1st floor Centenary Complex, UFS

Monday to Friday: 10:00 – 15:00

This year has been marked with a series of international tragedies that remind us that intolerance, fanaticism and violence still pervade our world. Not enough has changed from the 1960s when the possibility of a more peaceful and tolerant society took hold of the world. The lyrics of “Blowin’ in the Wind” by Bob Dylan say it all. The curatorial intention of this exhibition is to revisit these lyrics in the light of a half century since.

Several of the works on exhibition deal with environmental and human exploitation issues including those surrounding the cornerstone of our country’s material wealth – the mining industry. The discourse about power and its abuse is evident in the works which relate to the Marikana killings. Violence and our society’s obsession with crime is a pervasive theme in the exhibition for example in the work by Lerato Shadi, where reminders of the Steenkamp/Pistorius case are juxtaposed with a video expressing the pain and entrapment to which many women are subjected. The fragile banner installation by Vulindlela Nyoni depicting a murmuration of swallows is an ambiguous reminder of both the power of solidarity, where a critical mass can alter the course of history. It is also the affirmation of the importance of the individual in the crowd.

The exhibition shows works by established and emerging artists in diverse media: William Kentridge, Jeannette Unite, Mary Wafer, Wonder Mbambo, Mthobisi Maphumulo, Andrea Walters.

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