Years
2019 2018
Liesl & Albie in Concert - Flute recital
2018-05-10

10 May 2018

Odeion

19:30

Liesl Stoltz studied at the University of Stellenbosch after which she studied in France and Italy where she obtained diplomas with distinction. She numbers among her teachers Éva Tamássy, Shigenori Kudo, Pierre-Yves Artaud and Peter-Lukas Graf and has won numerous prizes in national and international competitions in Romania and Germany. She has appeared as soloist with the Cape Town, Eastern Cape and Johannesburg Philharmonic Orchestras, the Free State Symphony Orchestra and with the UCT String Ensemble, Camerata Tinta Barocca and Odeion Sinfonia. In June 2010 she obtained the degree DMus from UCT. At present she performs extensively as soloist and chamber musician in South Africa and teaches privately and at the South African College of Music (University of Cape Town).

Albie van Schalkwyk is not only a solo performer in his own right, but is also one of the leading chamber musicians and vocal accompanists in South Africa. In his distinguished career he won both the UNISA Overseas Scholarship and first prize in the SABC Piano Competition. Besides performing as a piano soloist and with orchestras, he has given masterclasses for singers and accompanists and served as music producer and official accompanist for the SABC. In 2009 he was appointed Associate Professor in Piano and Chamber Music at the College of Music, University of Cape Town. In the same year the South African Academy of Arts and Science awarded him the Huberte Rupert Prize for his contribution to ensemble playing and teaching. He has also been a member of several well-known SA ensembles, notably the Songmakers Guild which gives younger performers opportunities to appear in song recitals.

www.lieslstoltz.co.za

www.sacm.uct.ac.za/sacm/staff/fulltime/assocProfessors/AlbieVanSchalkwyk

Programme

  • Johann Nepomuk Hummel: Sonata, Op. 50
  • Gabriel Fauré: Fantasy, Op. 97
  • Georges Enescu: Cantabile et Presto
  • Bohuslav Jan Martinu: Sonata
  • Benjamin Godard: Suite de trois Morceaux, Op. 116
  • Frank Martin: Ballade
  • Robert Muczynski: Sonata, Op. 14

Admission

  • R120 (adults)
  • *R80 (pensioners)
  • *R70 (UFS staff)
  • *R50 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above mentioned discount.

Enquiries
Ninette Pretorius (tel. 051 401 2504)


Back
People are living there

Director: Karabelo Lekalake

Writer:  Athol Fugard
Venue: Scaena Theatre

Dates & times:

21 May at 19:30

22 May at 19:30

23 May at 19:30

24 May at 19:30

R 30.00 per person & R 20.00 per person (students, scholars & pensioners)

Bookings:   Computicket (Mimosa Mall en Checkers)

People Are Living There is a milestone play in Fugard’s career as a major South African playwright. Contrary to the believe that Fugard’s plays are racially driven, this two-act play allows the audience to reflect and search for a true meaning of life. Like many of his staged works, People Are Living There maintains a unity of time and space.  In the play, Fugard presents a sad, Milly, Don, Shorty and Sissy, who’s daily lives are grains of sand that will never have shape or meaning.

Set in a Johannesburg boarding house in 1989, People Are Living There revolves around a landlady Milly, whose 10 year romantic relationship with one of her boarders has just come to a messy abrupt end. With a good deal of bitter comedy, Milly, Don and Shorty organize a party which is meant to convince Ahlers (her ex-lover) that she is neither downcast, heartbroken nor defeated by their break-up. The party these three arrange is a pathetic, tragic and a comic experience.

The irony of life takes centre stage in this play especially through Fugard’s silkworm’s life span metaphor juxtaposed to the life of human-beings.  The play effortlessly echoes these words, “time waits for no men”. Although there is a bleak melancholy shadow over everything that happens in this play, Fugard still gives the audience opportunity to laugh.

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