Years
2019 2018
Nettie Immelman Memorial Concert
2018-05-03

3 May 2018

Odeion

19:30

Legendary piano teacher, Nettie Immelman, passed away in 2011 and the OSM presented the first memorial concert in her honour in 2012. Since then it became an annual event on the OSM concert calendar. For this year’s concert the pianist Nicol Viljoen (Associated Professor at the OSM) will be the performing artist.

Nicol Viljoen is the foremost expert of Schenkerian analysis in South Africa. His training under world-renowned specialists in the United States of America is currently still our country’s most intensive contact with dynamic international developments concerning this highly specialized music-analytical system. His research during the past two decades has focused both on theoretical Schenker studies, and on its application within musical performance practice through structuralist aural analysis. His exceptionally versatile activities as music theorist, concert pianist, chamber musician, jazz pianist, and academic, has greatly contributed to an inclusive vision of music study at the UFS. During 2003, Nicol Viljoen produced the compact disc Franz Schubert/Johannes Brahms (Unfoldings UCD001) together with the violist John Wille. In 2011, he produced his second compact disc, Transcendental Schubert, on the Mukavi label.

Programme

  • Schubert - Six Moments Musicaux, D. 780
  • Mozart - Fantasia in C minor, K. 475
  • Chopin - Polonaise-Fantaisie, Op. 61
  • Chopin - Mazurka in C major, Op. 56/2; Mazurka in C minor, Op. 56/3; Mazurka in A-flat major, Op. 59/2; Mazurka in C-sharp minor, Op. 50/3

Admission
Free

ENQUIRIES

Ninette Pretorius (tel. 051 401 2504) / pretoriusn@ufs.ac.za


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Caesar

Original Script By Shakespeare (Julius Caesar)

Adapted By: Thys Heydenrych

Directed By: Thys Heydenrych

Venue:  Wynand Mouton Theatre, UFS-Main Campus

Language: English & Afrikaans

Genre: Drama

 

Caesar adapted and directed by Thys Heydenrych, is a modern re-telling of Shakespeare’s Julius Caesar. The production is in Afrikaans and English, with the title character portrayed by a woman.

 

Shakespeare’s Julius Caesar is unique due to the lack of both villains and heroes. This adapted political thriller tells the story of the conspiracy against Caesar, her assassination and the defeat of her conspirators. The adaptation explores the ideas of women and leadership, political turmoil, fear and betrayal.

 

In the Roman Republic, political decisions were made through public debates and persuasive arguments, and in theory, the ideas that would be best for Rome would prevail rather than the will of one ruler; very similar to most countries’ political systems. Imagine a Trump, Malema, Zuma, Putin or Mugabe becoming king?

 

However, what happens when a nation purges their leader and replace him/her with a new leader? Does it not create new problems? Look at our current political environment. In Caesar, the assassination for the sake of democracy, as Brutus blindly believes, leads to civil war, mass slaughter, multiple executions and the installation of an emperor.

 

Brutus struggles with these issues; should he murder Caesar before she even does anything wrong? In his mind, it's better to sacrifice an innocent ruler than risk her becoming a dictator.

 

Upon Caesar’s triumphant return to Rome from the war against Pompeii, the Roman republic prepares to crown her king, which causes concern and dismay among some senators who fear that she will have too much power. Caius Cassius plots a conspiracy to murder Caesar, enlisting the support of Brutus, who is also concerned about Caesar becoming king. At Caesar's funeral, Brutus addresses the people and successfully explains the conspirators' motives. However, Antony speaks next and turns the mob against the conspirators, who are forced to flee from Rome. Antony with Caesar's niece, Octavia, take command of Rome and lead an army against the conspirators. At Philippi, Brutus and Cassius are defeated, and they kill themselves rather than to be captured.

 

Caesar, performed by 2nd-year drama students of the University of the Free State, is playing in the Wynand Mouton theatre, 21 – 23 November at 19h30. Tickets available at Computicket.

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