Years
2019 2018
Nettie Immelman Memorial Concert
2018-05-03

3 May 2018

Odeion

19:30

Legendary piano teacher, Nettie Immelman, passed away in 2011 and the OSM presented the first memorial concert in her honour in 2012. Since then it became an annual event on the OSM concert calendar. For this year’s concert the pianist Nicol Viljoen (Associated Professor at the OSM) will be the performing artist.

Nicol Viljoen is the foremost expert of Schenkerian analysis in South Africa. His training under world-renowned specialists in the United States of America is currently still our country’s most intensive contact with dynamic international developments concerning this highly specialized music-analytical system. His research during the past two decades has focused both on theoretical Schenker studies, and on its application within musical performance practice through structuralist aural analysis. His exceptionally versatile activities as music theorist, concert pianist, chamber musician, jazz pianist, and academic, has greatly contributed to an inclusive vision of music study at the UFS. During 2003, Nicol Viljoen produced the compact disc Franz Schubert/Johannes Brahms (Unfoldings UCD001) together with the violist John Wille. In 2011, he produced his second compact disc, Transcendental Schubert, on the Mukavi label.

Programme

  • Schubert - Six Moments Musicaux, D. 780
  • Mozart - Fantasia in C minor, K. 475
  • Chopin - Polonaise-Fantaisie, Op. 61
  • Chopin - Mazurka in C major, Op. 56/2; Mazurka in C minor, Op. 56/3; Mazurka in A-flat major, Op. 59/2; Mazurka in C-sharp minor, Op. 50/3

Admission
Free

ENQUIRIES

Ninette Pretorius (tel. 051 401 2504) / pretoriusn@ufs.ac.za


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Jacki McInnes exhibition

DE MAGNETE

at the Johannes Stegmann Art Gallery from 23 August - 14 September.

Gallery hours: Mon - Fri 08:30 - 16:30.

The Earth's magnetic field strength was measured by Carl Friedrich Gauss in 1835 and has been repeatedly measured since then, showing a relative decay of about 10% over the last 150 years.

It is a supreme irony that we live in a contemporary scenario in which global culture, predicated on the notion of progress, is in fact, entirely based on the relentless destruction of nature. McInnes’ solo exhibition de Magnete interrogates the contradictions inherent in present-day human thought and behaviour, especially with respect to the disconnect between our material aspirations and their inevitable effect on our planet and ultimate future.

Key areas of interest relate to the forces of attraction and repulsion and, secondarily, to the speed at which we hurtle resolutely on our chosen trajectory into an uncertain future. McInnes explores the concept of ‘anomie’ – a term referring to the loss of personal or societal norms of behaviour. The word was popularised by French sociologist Emile Durkheim in his influential book Suicide (1897). Durkheim was of the opinion that anomie arises as a result of a mismatch between personal or group standards and wider social standards, or from a lack of a social ethic, which acts to produce moral deregulation and an absence of legitimate aspirations.

A leit motif of the effect exerted by the magnetic field runs through the work speaking to the concepts of the loss of our societal moral compass and to the binary opposing forces to which we are subjected: nature on nature; man on nature; man on man, and inevitably, nature on man.

 

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