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Folk Baroque
2018-10-18

Camerata Tinta Barocca presents:

FOLK BAROQUE

18 October 2018

Odeion

19:30

with

  • Bridget Rennie-Salonen (traverso)
  • Darryn Prinsloo (recorder)
  • Annien Shaw (Baroque violin)
  • Uwe Grosser (theorbo, Baroque guitar)
  • Cheryl de Havilland (Baroque cello)
  • Erik Dippenaar (harpsichord, director)

Camerata Tinta Barocca (CTB), founded in Cape Town by violinist Quentin Crida (July 2004), is the leading South African Baroque ensemble playing on period instruments. Its name is derived from the musicians' passion for Baroque music and red wine. The members include some of Cape Town's finest musicians who embrace a historically informed performance practice approach. CTB's concerts have been broadcast on Fine Music Radio and have received critical acclaim in the Cape Times and Die Burger. Mostly playing music from the 18th century, CTB has worked with leaders in their fields, such as Baroque violinists Antoinette Lohmann and Pauline Nobes; violinists David Juritz, Darragh Morgan and Zoe Beyers; countertenor Christopher Ainslie; male soprano Philipp Mathmann; recorder player Stefan Temmingh; mandolin player Alon Sariel and conductor Arjan Tien.

Apart from CTB's annual concert series in their home, St Andrew's Presbyterian Church (Cape Town), the ensemble regularly accompanies opera and oratorio performances, and performs in festivals throughout South Africa. CTB also has an active outreach component, which includes an annual education tour to the West Coast (the Matzikama Music Week), the Sunshine Concerts (an outreach programme for people unable to attend concerts because they are elderly, indigent or disabled in some way), as well as a regular collaboration with the Keiskamma Music Academy (Eastern Cape).

Since 2011 CTB has gradually moved towards playing on period instruments. Currently it is the only period ensemble in South Africa that regularly plays in orchestral format, performing most of its annual concerts on period instruments. In 2013 CTB, in collaboration with the Cape Consort, gave the first South African period performance of Handel's Messiah. During November 2016 CTB played for Cape Town Opera's first production to use a period instrument orchestra: Monteverdi's L'Orfeo, directed by Jaco Bouwer and conducted by Erik Dippenaar. In December 2016 CTB was nominated for a kykNET Fiesta award for a programme titled Handel in the Drawing Room presented during the 2016 Klein Karoo Klassique festival. In September 2017 CTB successfully launched the first annual Cape Town Baroque Festival.

In 2015 CTB set up a collaboration with the early music ensemble Collegium Musicum at the South African College of Music, University of Cape Town, through which two student cadets annually receive hands-on training in period performance in CTB projects. The cadet scheme is generously supported by the Claude Leon Foundation. In July 2015 Erik Dippenaar was appointed Artistic Director of CTB, Michael Maas (former CEO of the Artscape Theatre Centre) as Administrative Coordinator and Cheryl de Havilland as Outreach Coordinator.

www.ctbaroque.co.za

PROGRAMME

  • Marco Uccelini (c.1610 – 1680): Bergamasca
  • Trad. Scottish, Orpheus Caledonius (1733): The bush aboon tranquair
  • Francesco Barsanti (1690 – 1775): The bush aboon tranquair from A Collection of Old Scots Tunes (1742)
  • Francesco Geminiani (1687 – 1762): The bush aboon tranquair from A treatise of good taste in the Art of Musick (1749)
  • Gaspar Sanz (1640 – 1710): Canarios
  • Francesco Barsanti (1690 – 1775): Lochaber from A Collection of Old Scots Tunes (1742)
  • Domenico Scarlatti (1685 – 1757): Sonata in C minor, K.99
  • Gaspar Sanz (1640 – 1710): Zarabanda
  • Tarquinio Merula (1595 – 1665): Ciaconna
  • Trad. Scottish, Orpheus Caledonius (1733): Lady Ann Bothwell's lament
  • Francesco Geminiani (1687 – 1762): Lady Ann Bothwel’s Lament
  • Francesco Veracini (1690 – 1768): Scozzese from Sonata IX, Opus 2 (1744)
  • Niel Gow (1727 – 1807): Lament for the Death of his 2nd wife

ADMISSION

  • R120 (adults)
  • *R80 (pensioners)
  • *R70 (UFS staff)
  • *R50 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above mentioned discount.

ENQUIRIES
Ninette Pretorius (tel. 051 401 2504)


Back
Emperor

Emperor
Free State Symphony Orchestra conducted by Germán Gutiérrez
Soloist: Jan Hugo (piano)
Thursday 2 August 2012
Odeion
19:30

Programme:
HAYDN: Symphony No. 88
GINASTERA: Variaciones Concertantes
BEETHOVEN: Piano Concerto No. 5 (“Emepror”)


An international renowned conductor, a brilliant young pianist and a piano concerto that is regarded by many as the king of concertos are the elements that make the next FSSO concert an event not to be missed.

The Columbian-born conductor Germán Gutiérrez, who is visiting South Africa for the first time, will be on the podium. He has served as Director of Orchestras and Associate Professor of Orchestral Studies at Fort Worth’s Texas Christian University (TCU) as well as Director of TCU’s Latin American Music Center and biennial Latin American Music Festival since 1996. Maestro Gutiérrez is a frequent guest conductor of professional orchestras in the Americas, Europe, Asia and Oceania.
In 2006, he was invited to conduct the Czech National Symphony in historic Smetana Hall as part of the 110th anniversary of Carl Orff’s birth, where he led the orchestra in a performance of Carmina Burana. Maestro Gutiérrez has also appeared with the Fort Worth Symphony, Auckland Philharmonic (New Zealand), Bogotá Philharmonic, Puerto Rico National Symphony, Sinfónica del Teatro Municipal de Rio de Janeiro, and Porto Alegre Symphony Orchestra (Brazil), among others. He also makes regular appearances with orchestras in his native Colombia.

Born in Bloemfontein, Jan started his music tuition at the age of 7 with Claudine van Breda in Pretoria. At the age of 11 he participated in the International Competition for Pianists in the Czech Republic and at 12 years he won the Musicon Senior Primary Piano Competition in Bloemfontein and the Sanlam Music Competition in Cape Town. Just 13 years old, Jan was invited to further his studies in Italy and became a student of Francesco Cipolletta at the Istituto Superiore di Studi Musicali "Vecchi-Tonelli" in Modena, Italy.

He has played recitals in Rome, Milan, Bologna, Modena and various other towns in Italy, in important concert-seasons of Italian music associations. Jan has also performed as soloist with the Kwa-Zulu-Natal Philharmonic Orchestra, Johannesburg Philharmonic Orchestra and the Cape Philharmonic Orchestra. He performed as soloist with the Orchestra of the Istituto “Vecchi-Tonelli” in the Teatro Comunale of Modena and he is also active in chamber music. In 2011 he was the winner of the Unisa National Piano Competition in Pretoria.

The concert will start with one of Haydn’s most beautiful symphonies – the Symphony No. 88. This will be followed by Ginastera’s Variaciones Concertantes - a work that is seldom performed (possibly because of the difficulty of the piece). It is however, a beautiful work with folkloric and traditional materials in which all the principal players have important solos. The evening will end with Beethoven’s majestic Emperor Concerto which is regarded by many pianists as the king of concertos.

Admission
R120 (adults)
R80 (pensioners)
R50 (students / scholars / groups of 10 and more)

Tickets are available from Computicket (Shoprite / Checkers, Mimosa Mall)
Book online at www.computicket.com  

Enquiries:
Ella Kotze (FSSO), tel. (051) 401-2342 (08:00 – 13:00)
www.fsso.org.za
 

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