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Folk Baroque
2018-10-18

Camerata Tinta Barocca presents:

FOLK BAROQUE

18 October 2018

Odeion

19:30

with

  • Bridget Rennie-Salonen (traverso)
  • Darryn Prinsloo (recorder)
  • Annien Shaw (Baroque violin)
  • Uwe Grosser (theorbo, Baroque guitar)
  • Cheryl de Havilland (Baroque cello)
  • Erik Dippenaar (harpsichord, director)

Camerata Tinta Barocca (CTB), founded in Cape Town by violinist Quentin Crida (July 2004), is the leading South African Baroque ensemble playing on period instruments. Its name is derived from the musicians' passion for Baroque music and red wine. The members include some of Cape Town's finest musicians who embrace a historically informed performance practice approach. CTB's concerts have been broadcast on Fine Music Radio and have received critical acclaim in the Cape Times and Die Burger. Mostly playing music from the 18th century, CTB has worked with leaders in their fields, such as Baroque violinists Antoinette Lohmann and Pauline Nobes; violinists David Juritz, Darragh Morgan and Zoe Beyers; countertenor Christopher Ainslie; male soprano Philipp Mathmann; recorder player Stefan Temmingh; mandolin player Alon Sariel and conductor Arjan Tien.

Apart from CTB's annual concert series in their home, St Andrew's Presbyterian Church (Cape Town), the ensemble regularly accompanies opera and oratorio performances, and performs in festivals throughout South Africa. CTB also has an active outreach component, which includes an annual education tour to the West Coast (the Matzikama Music Week), the Sunshine Concerts (an outreach programme for people unable to attend concerts because they are elderly, indigent or disabled in some way), as well as a regular collaboration with the Keiskamma Music Academy (Eastern Cape).

Since 2011 CTB has gradually moved towards playing on period instruments. Currently it is the only period ensemble in South Africa that regularly plays in orchestral format, performing most of its annual concerts on period instruments. In 2013 CTB, in collaboration with the Cape Consort, gave the first South African period performance of Handel's Messiah. During November 2016 CTB played for Cape Town Opera's first production to use a period instrument orchestra: Monteverdi's L'Orfeo, directed by Jaco Bouwer and conducted by Erik Dippenaar. In December 2016 CTB was nominated for a kykNET Fiesta award for a programme titled Handel in the Drawing Room presented during the 2016 Klein Karoo Klassique festival. In September 2017 CTB successfully launched the first annual Cape Town Baroque Festival.

In 2015 CTB set up a collaboration with the early music ensemble Collegium Musicum at the South African College of Music, University of Cape Town, through which two student cadets annually receive hands-on training in period performance in CTB projects. The cadet scheme is generously supported by the Claude Leon Foundation. In July 2015 Erik Dippenaar was appointed Artistic Director of CTB, Michael Maas (former CEO of the Artscape Theatre Centre) as Administrative Coordinator and Cheryl de Havilland as Outreach Coordinator.

www.ctbaroque.co.za

PROGRAMME

  • Marco Uccelini (c.1610 – 1680): Bergamasca
  • Trad. Scottish, Orpheus Caledonius (1733): The bush aboon tranquair
  • Francesco Barsanti (1690 – 1775): The bush aboon tranquair from A Collection of Old Scots Tunes (1742)
  • Francesco Geminiani (1687 – 1762): The bush aboon tranquair from A treatise of good taste in the Art of Musick (1749)
  • Gaspar Sanz (1640 – 1710): Canarios
  • Francesco Barsanti (1690 – 1775): Lochaber from A Collection of Old Scots Tunes (1742)
  • Domenico Scarlatti (1685 – 1757): Sonata in C minor, K.99
  • Gaspar Sanz (1640 – 1710): Zarabanda
  • Tarquinio Merula (1595 – 1665): Ciaconna
  • Trad. Scottish, Orpheus Caledonius (1733): Lady Ann Bothwell's lament
  • Francesco Geminiani (1687 – 1762): Lady Ann Bothwel’s Lament
  • Francesco Veracini (1690 – 1768): Scozzese from Sonata IX, Opus 2 (1744)
  • Niel Gow (1727 – 1807): Lament for the Death of his 2nd wife

ADMISSION

  • R120 (adults)
  • *R80 (pensioners)
  • *R70 (UFS staff)
  • *R50 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above mentioned discount.

ENQUIRIES
Ninette Pretorius (tel. 051 401 2504)


Back
Concerto for an African cellist (World Première)
 
 

-  An exceptional collaboration stretched over three continents -

19 March 2013

Odeion

19:30

featuring

Heleen du Plessis – cello

Malcolm Nay – piano

Magdalena de Vries – marimba

OSM Camerata directed by Hans Huyssen

The renowned South African cellist Heleen du Plessis (currently Williams Evans Executant lecturer for cello at the Music Department of the University of Otaga, New Zealand) is the initiator of a project with the title Cello for Africa. The project is a practical investigation of new cello repertoire with a specific focus on the instrument’s suitainability and potential role in music of hybrid styles, resulting from contemporary reflections on South Africa’s diverse musical cultures.  Envisaged as a series of performances in New Zealand and South Africa with ensuing a CD recording – she wishes to present and advocate South African compositions for cello in her current professional environment in New Zealand. Simultaneously it amounts to a reflection on the thrust of her career as an international cellist, with a strong prevailing awareness of her African roots and a definite urge to convey this sentiment and its energy by means of her unique performance style. On 19 March 2013 the Odeion School of Music (OSM) presents a concert with a varied but carefully combined programme of early and contemporary orchestral and chamber music.

Heleen has requested several new South African works for cello, two of which will be premièred on this occasion: she will be the soloist in Hans Huyssen’s Concerto for an African Cellist (with the OSM Camerata, directed by the composer).  Given his specific interest in indigenous African music, the SAMRO Foundation has granted Du Plessis' request to commission Hans Huyssen to this task.  Together with Magdalena de Vries, she will première Peter Klatzow’s A Sense of Place for marimba and cello.  Commemorating the 100th birthday of Benjamin Britten (1913 – 1976) the programme furthermore includes his beautiful Sonata for Cello and Piano Op. 65, for which Malcom Nay joins Du Plessis. 

Cellist Heleen du Plessis

http://heleenduplessis.com/

Odeion School of Music Camerata (UFS) directed by Hans Huyssen

http://www.huyssen.de/

Admission:

R110 (adults), R70 (pensioners), R40 (students and learners)

Tickets available at Computicket or at the door

Enquiries:   

Ninette Pretorius (tel. 051 401 2504)

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