Years
2019 2018
Folk Baroque
2018-10-18

Camerata Tinta Barocca presents:

FOLK BAROQUE

18 October 2018

Odeion

19:30

with

  • Bridget Rennie-Salonen (traverso)
  • Darryn Prinsloo (recorder)
  • Annien Shaw (Baroque violin)
  • Uwe Grosser (theorbo, Baroque guitar)
  • Cheryl de Havilland (Baroque cello)
  • Erik Dippenaar (harpsichord, director)

Camerata Tinta Barocca (CTB), founded in Cape Town by violinist Quentin Crida (July 2004), is the leading South African Baroque ensemble playing on period instruments. Its name is derived from the musicians' passion for Baroque music and red wine. The members include some of Cape Town's finest musicians who embrace a historically informed performance practice approach. CTB's concerts have been broadcast on Fine Music Radio and have received critical acclaim in the Cape Times and Die Burger. Mostly playing music from the 18th century, CTB has worked with leaders in their fields, such as Baroque violinists Antoinette Lohmann and Pauline Nobes; violinists David Juritz, Darragh Morgan and Zoe Beyers; countertenor Christopher Ainslie; male soprano Philipp Mathmann; recorder player Stefan Temmingh; mandolin player Alon Sariel and conductor Arjan Tien.

Apart from CTB's annual concert series in their home, St Andrew's Presbyterian Church (Cape Town), the ensemble regularly accompanies opera and oratorio performances, and performs in festivals throughout South Africa. CTB also has an active outreach component, which includes an annual education tour to the West Coast (the Matzikama Music Week), the Sunshine Concerts (an outreach programme for people unable to attend concerts because they are elderly, indigent or disabled in some way), as well as a regular collaboration with the Keiskamma Music Academy (Eastern Cape).

Since 2011 CTB has gradually moved towards playing on period instruments. Currently it is the only period ensemble in South Africa that regularly plays in orchestral format, performing most of its annual concerts on period instruments. In 2013 CTB, in collaboration with the Cape Consort, gave the first South African period performance of Handel's Messiah. During November 2016 CTB played for Cape Town Opera's first production to use a period instrument orchestra: Monteverdi's L'Orfeo, directed by Jaco Bouwer and conducted by Erik Dippenaar. In December 2016 CTB was nominated for a kykNET Fiesta award for a programme titled Handel in the Drawing Room presented during the 2016 Klein Karoo Klassique festival. In September 2017 CTB successfully launched the first annual Cape Town Baroque Festival.

In 2015 CTB set up a collaboration with the early music ensemble Collegium Musicum at the South African College of Music, University of Cape Town, through which two student cadets annually receive hands-on training in period performance in CTB projects. The cadet scheme is generously supported by the Claude Leon Foundation. In July 2015 Erik Dippenaar was appointed Artistic Director of CTB, Michael Maas (former CEO of the Artscape Theatre Centre) as Administrative Coordinator and Cheryl de Havilland as Outreach Coordinator.

www.ctbaroque.co.za

PROGRAMME

  • Marco Uccelini (c.1610 – 1680): Bergamasca
  • Trad. Scottish, Orpheus Caledonius (1733): The bush aboon tranquair
  • Francesco Barsanti (1690 – 1775): The bush aboon tranquair from A Collection of Old Scots Tunes (1742)
  • Francesco Geminiani (1687 – 1762): The bush aboon tranquair from A treatise of good taste in the Art of Musick (1749)
  • Gaspar Sanz (1640 – 1710): Canarios
  • Francesco Barsanti (1690 – 1775): Lochaber from A Collection of Old Scots Tunes (1742)
  • Domenico Scarlatti (1685 – 1757): Sonata in C minor, K.99
  • Gaspar Sanz (1640 – 1710): Zarabanda
  • Tarquinio Merula (1595 – 1665): Ciaconna
  • Trad. Scottish, Orpheus Caledonius (1733): Lady Ann Bothwell's lament
  • Francesco Geminiani (1687 – 1762): Lady Ann Bothwel’s Lament
  • Francesco Veracini (1690 – 1768): Scozzese from Sonata IX, Opus 2 (1744)
  • Niel Gow (1727 – 1807): Lament for the Death of his 2nd wife

ADMISSION

  • R120 (adults)
  • *R80 (pensioners)
  • *R70 (UFS staff)
  • *R50 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above mentioned discount.

ENQUIRIES
Ninette Pretorius (tel. 051 401 2504)


Back
Mozart Gala Evening

Soloists:          Caroline Nkwe, Annemarie Steenkamp, Bongani Makhanya, Phenye Modiane, Christopher Vale and members of the BTE VO1SS Academy

Conductor:       Alexander Fokkens

Date:                Saturday 20 April 2013

Venue:             Odeion

Time:                19:30

After the success of the Verdi Gala Concert last year, the Free State Symphony Orchestra decided to join forces with the Black Tie Ensemble & Voice Opera One Stop Shop (BTE VO1SS) again to present a concert with excerpts from operas. This year the focus will be on music by Mozart. Five soloists of BTE Vo1ss - Caroline Nkwe (soprano), Annemarie Steenkamp (mezzo-soprano), Phenye Modiane (tenor), Kagiso Boroko (tenor) and Christopher Vale (baritone) - members of the BTE Vo1ss Academy and the local choir Voices will perform with the FSSO conducted by Alexander Fokkens.

Wolfgang Amadeus Mozart's operas comprise 22 musical dramas in a variety of genres. They range from the small-scale, derivative works of his youth to the full-fledged operas of his maturity. Three of the works were abandoned before completion and were not performed until many years after the composer's death. His mature works are all considered classics and have never been out of the repertory of the world's opera houses.

The comic opera Le Nozze di Figaro (Marriage of Figaro) was composed when Mozart was 30 and is often regarded (with Cosi fan tutte) as one of the best examples of opera buffa. The following excerpts will be performed:

  • Cherubino’s aria “Non so piu cosa son, cosa faccio” will be sung by Annemarie Steenkamp;
  • The finale from the second act “Esci omai garzon malnato”;
  • Figaro’s exciting aria “Hai gia vinta la causa” will be sung by Christopher Vale;
  • The whole company will join in for the beautiful finale of the opera.

Although the opera Don Giovanni is sometimes classified as comic, it blends comedy, melodrama and supernatural elements and can be better described as dramma giocoso. One of the most beautiful duets that can be found in any opera, “La ci darem la mano” will be sung by Annemarie Steenkamp and Christopher Vale.

Cosi fan tutte
was written when Mozart was 34. The virtuoso soprano aria, “Come scoglio” will be sung by Caroline Nkwe. Also included in the programme are two trios from the opera: “Soave sia il vento” for 2 sopranos and baritone and “La mia Dorabella capace non è” for tenor, baritone and bass.

A Singspiel is a form of German-language music drama, now regarded as a genre of opera. Mozart wrote four Singspiele. Excerpts from 3 of these will be on the programme: the Overture of Der Schauspieldirektor (Impressario), the duet “Vivat Bacchus, Bacchus liebe” and the finale “Nie werd' ich deine” from Die Entführung aus dem Serail and the male chorus “O Isis und Osiris” from Die Zauberflöte. The latter will be performed by Vo1ss Academy and the local Voices choir.

Mozart has already started work on Die Zauberflöte (The Magic Flute) when he was commissioned to write a new work to celebrate the coronation of Leopold II, Holy Roman Emperor as King of Bohemia. The result was La Clemenza di Tito which he completed within about a month. The Overture and the tenor aria “Ah Se fosse intorno al trono” are on the programme.

The evening will end with the Benedictus from the big Mass in c minor, K427.

Admission

R120 (adults)

R80 (pensioners)

R50 (students / scholars / groups of 10 and more)

Tickets are available from Computicket (Shoprite / Checkers, Mimosa Mall)

Book online at www.computicket.com

Enquiries:

Ella Kotze (FSSO), tel. (051) 401-2342

www.fsso.org.za

 

We use cookies to make interactions with our websites and services easy and meaningful, to better understand how they are used and to tailor advertising. You can read more and make your cookie choices here. By continuing to use this site you are giving us your consent to do this.

Accept