Years
2019 2018
Folk Baroque
2018-10-18

Camerata Tinta Barocca presents:

FOLK BAROQUE

18 October 2018

Odeion

19:30

with

  • Bridget Rennie-Salonen (traverso)
  • Darryn Prinsloo (recorder)
  • Annien Shaw (Baroque violin)
  • Uwe Grosser (theorbo, Baroque guitar)
  • Cheryl de Havilland (Baroque cello)
  • Erik Dippenaar (harpsichord, director)

Camerata Tinta Barocca (CTB), founded in Cape Town by violinist Quentin Crida (July 2004), is the leading South African Baroque ensemble playing on period instruments. Its name is derived from the musicians' passion for Baroque music and red wine. The members include some of Cape Town's finest musicians who embrace a historically informed performance practice approach. CTB's concerts have been broadcast on Fine Music Radio and have received critical acclaim in the Cape Times and Die Burger. Mostly playing music from the 18th century, CTB has worked with leaders in their fields, such as Baroque violinists Antoinette Lohmann and Pauline Nobes; violinists David Juritz, Darragh Morgan and Zoe Beyers; countertenor Christopher Ainslie; male soprano Philipp Mathmann; recorder player Stefan Temmingh; mandolin player Alon Sariel and conductor Arjan Tien.

Apart from CTB's annual concert series in their home, St Andrew's Presbyterian Church (Cape Town), the ensemble regularly accompanies opera and oratorio performances, and performs in festivals throughout South Africa. CTB also has an active outreach component, which includes an annual education tour to the West Coast (the Matzikama Music Week), the Sunshine Concerts (an outreach programme for people unable to attend concerts because they are elderly, indigent or disabled in some way), as well as a regular collaboration with the Keiskamma Music Academy (Eastern Cape).

Since 2011 CTB has gradually moved towards playing on period instruments. Currently it is the only period ensemble in South Africa that regularly plays in orchestral format, performing most of its annual concerts on period instruments. In 2013 CTB, in collaboration with the Cape Consort, gave the first South African period performance of Handel's Messiah. During November 2016 CTB played for Cape Town Opera's first production to use a period instrument orchestra: Monteverdi's L'Orfeo, directed by Jaco Bouwer and conducted by Erik Dippenaar. In December 2016 CTB was nominated for a kykNET Fiesta award for a programme titled Handel in the Drawing Room presented during the 2016 Klein Karoo Klassique festival. In September 2017 CTB successfully launched the first annual Cape Town Baroque Festival.

In 2015 CTB set up a collaboration with the early music ensemble Collegium Musicum at the South African College of Music, University of Cape Town, through which two student cadets annually receive hands-on training in period performance in CTB projects. The cadet scheme is generously supported by the Claude Leon Foundation. In July 2015 Erik Dippenaar was appointed Artistic Director of CTB, Michael Maas (former CEO of the Artscape Theatre Centre) as Administrative Coordinator and Cheryl de Havilland as Outreach Coordinator.

www.ctbaroque.co.za

PROGRAMME

  • Marco Uccelini (c.1610 – 1680): Bergamasca
  • Trad. Scottish, Orpheus Caledonius (1733): The bush aboon tranquair
  • Francesco Barsanti (1690 – 1775): The bush aboon tranquair from A Collection of Old Scots Tunes (1742)
  • Francesco Geminiani (1687 – 1762): The bush aboon tranquair from A treatise of good taste in the Art of Musick (1749)
  • Gaspar Sanz (1640 – 1710): Canarios
  • Francesco Barsanti (1690 – 1775): Lochaber from A Collection of Old Scots Tunes (1742)
  • Domenico Scarlatti (1685 – 1757): Sonata in C minor, K.99
  • Gaspar Sanz (1640 – 1710): Zarabanda
  • Tarquinio Merula (1595 – 1665): Ciaconna
  • Trad. Scottish, Orpheus Caledonius (1733): Lady Ann Bothwell's lament
  • Francesco Geminiani (1687 – 1762): Lady Ann Bothwel’s Lament
  • Francesco Veracini (1690 – 1768): Scozzese from Sonata IX, Opus 2 (1744)
  • Niel Gow (1727 – 1807): Lament for the Death of his 2nd wife

ADMISSION

  • R120 (adults)
  • *R80 (pensioners)
  • *R70 (UFS staff)
  • *R50 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above mentioned discount.

ENQUIRIES
Ninette Pretorius (tel. 051 401 2504)


Back
Recital by Australian organist, Martin Rein

Thursday, 25 April 2013
Odeion
19:30

Martin Rein began his career with extensive studies in Choral Conducting and Sacred Music at the Berlin School of Music with Prof. Martin Behrmann.  He completed his B.Mus. in 1996.

He then undertook further postgraduate studies at the Music Academy in Detmold and graduated in December 2000 with First Class Honours in Organ Performance, and in June 2001 with an M.Mus. degree, majoring in Choral and Orchestral Conducting.  In his graduation recital in December 2000, he performed amongst other works, the Chromatic Fantasy and Fugue Op. 57 (Inferno) by Max Reger - one of the most challenging compositions within the organ repertoire. 

In Europe he studied organ and piano performance with Prof. Gerhard Weinberger (Munich-Wurzburg) and Dr Ewald Kooimann (Amsterdam) as well as organ improvisation with Prof. Renate Zimmermann (Berlin-Frankfurt-Heidelberg).  He also studied with Dame Gillian Weir in England.  Since then he held several positions at e.g. the Stiftskirche St John's (Germany), at St. Mary's Monastery (Lehnin, Germany) the Alte Kirche (Essen, Germany), conducted the Australian Chamber Singers, was Director of Music at St. John the Evangelist Notting Hill, resident College Organist and Educator at Bearwood College and the Royal Merchant Navy School (Berkshire), and in 2010 Martin accepted the post of Head of Performing Arts and Master of the Choristers at The King's School Sydney (Australia).

As an organist, Martin has performed in Australia, the USA and many European countries in venues such as Westminster Abbey and Westminster Cathedral, both Cathedrals of Berlin (Germany), the Great Hall at Sydney University (Australia), King's College Boston, St Mark's Baltimore, Gloria Dei (Philadelphia) and Carthage College (USA). His recital at Sydney University was broadcasted by 2MBS-FM 'Colours of the King' in July 2005.  Recently he has given concerts in St Martin-in-the-Fields in London, the Cathedral of St John-the-Evangelist in Hong Kong, St. Andrew's Cathedral (Sydney) and the Cathedrals of Auckland and Dunedin (New Zealand).  His special interest in historic organs - many of which he has performed on - is compiled in his book on Baroque organ builders in Germany.

Programme:

  • J.S. Bach - Prelude and Fugue in G, BWV550
  • J.S. Bach - Chorales from the Third Part of the Clavierubung (1739)
  • M. Duruflé - Scherzo, Op. 2
  • M. Reger - Introduction, Passacaglia and Fugue in E minor, Op. 127
  • M. Rein - Improvisation

Admission:

R130 (adults), R90 (pensioners), R50 (students and learners)
Tickets available at Computicket.

Enquiries:

Ninette Pretorius (tel. 051 401 2504)

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