Years
2019 2018
Folk Baroque
2018-10-18

Camerata Tinta Barocca presents:

FOLK BAROQUE

18 October 2018

Odeion

19:30

with

  • Bridget Rennie-Salonen (traverso)
  • Darryn Prinsloo (recorder)
  • Annien Shaw (Baroque violin)
  • Uwe Grosser (theorbo, Baroque guitar)
  • Cheryl de Havilland (Baroque cello)
  • Erik Dippenaar (harpsichord, director)

Camerata Tinta Barocca (CTB), founded in Cape Town by violinist Quentin Crida (July 2004), is the leading South African Baroque ensemble playing on period instruments. Its name is derived from the musicians' passion for Baroque music and red wine. The members include some of Cape Town's finest musicians who embrace a historically informed performance practice approach. CTB's concerts have been broadcast on Fine Music Radio and have received critical acclaim in the Cape Times and Die Burger. Mostly playing music from the 18th century, CTB has worked with leaders in their fields, such as Baroque violinists Antoinette Lohmann and Pauline Nobes; violinists David Juritz, Darragh Morgan and Zoe Beyers; countertenor Christopher Ainslie; male soprano Philipp Mathmann; recorder player Stefan Temmingh; mandolin player Alon Sariel and conductor Arjan Tien.

Apart from CTB's annual concert series in their home, St Andrew's Presbyterian Church (Cape Town), the ensemble regularly accompanies opera and oratorio performances, and performs in festivals throughout South Africa. CTB also has an active outreach component, which includes an annual education tour to the West Coast (the Matzikama Music Week), the Sunshine Concerts (an outreach programme for people unable to attend concerts because they are elderly, indigent or disabled in some way), as well as a regular collaboration with the Keiskamma Music Academy (Eastern Cape).

Since 2011 CTB has gradually moved towards playing on period instruments. Currently it is the only period ensemble in South Africa that regularly plays in orchestral format, performing most of its annual concerts on period instruments. In 2013 CTB, in collaboration with the Cape Consort, gave the first South African period performance of Handel's Messiah. During November 2016 CTB played for Cape Town Opera's first production to use a period instrument orchestra: Monteverdi's L'Orfeo, directed by Jaco Bouwer and conducted by Erik Dippenaar. In December 2016 CTB was nominated for a kykNET Fiesta award for a programme titled Handel in the Drawing Room presented during the 2016 Klein Karoo Klassique festival. In September 2017 CTB successfully launched the first annual Cape Town Baroque Festival.

In 2015 CTB set up a collaboration with the early music ensemble Collegium Musicum at the South African College of Music, University of Cape Town, through which two student cadets annually receive hands-on training in period performance in CTB projects. The cadet scheme is generously supported by the Claude Leon Foundation. In July 2015 Erik Dippenaar was appointed Artistic Director of CTB, Michael Maas (former CEO of the Artscape Theatre Centre) as Administrative Coordinator and Cheryl de Havilland as Outreach Coordinator.

www.ctbaroque.co.za

PROGRAMME

  • Marco Uccelini (c.1610 – 1680): Bergamasca
  • Trad. Scottish, Orpheus Caledonius (1733): The bush aboon tranquair
  • Francesco Barsanti (1690 – 1775): The bush aboon tranquair from A Collection of Old Scots Tunes (1742)
  • Francesco Geminiani (1687 – 1762): The bush aboon tranquair from A treatise of good taste in the Art of Musick (1749)
  • Gaspar Sanz (1640 – 1710): Canarios
  • Francesco Barsanti (1690 – 1775): Lochaber from A Collection of Old Scots Tunes (1742)
  • Domenico Scarlatti (1685 – 1757): Sonata in C minor, K.99
  • Gaspar Sanz (1640 – 1710): Zarabanda
  • Tarquinio Merula (1595 – 1665): Ciaconna
  • Trad. Scottish, Orpheus Caledonius (1733): Lady Ann Bothwell's lament
  • Francesco Geminiani (1687 – 1762): Lady Ann Bothwel’s Lament
  • Francesco Veracini (1690 – 1768): Scozzese from Sonata IX, Opus 2 (1744)
  • Niel Gow (1727 – 1807): Lament for the Death of his 2nd wife

ADMISSION

  • R120 (adults)
  • *R80 (pensioners)
  • *R70 (UFS staff)
  • *R50 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above mentioned discount.

ENQUIRIES
Ninette Pretorius (tel. 051 401 2504)


Back
OSM Sunday afternoon concert

“An Afternoon with Kreisler”

with Samson Diamond (violin) & Dana Cilliers (piano)

Sunday, 19 May 2013

Odeion

16:00

The Odeion School of Music cordially invites you to a free OSM Sunday Afternoon Concert with violinist, Samson Diamond and pianist, Dana Cilliers.    

They will perform works and arrangements by Fritz Kreisler.  The programme includes works like Caprice Viennois, Rondino on a theme by Beethoven, Tambourin ChinoisRecitativo & Scherzo Caprice for solo violin and Syncopation as well as as arrangements by Kreisler like Albeniz’ Tango, Op.165 No.2, Danse Espagnole by Granados and Londonderry Air - Farewell to Cucullain.

Samson, leader of the Odeion String Quartet, is a graduate of the Royal Northern College of Music in Manchester (UK) where he obtained both the Bachelor of Music Honours degree First Class (2006) and his Master of Music Performance (2007) degree with distinction. Samson got his first taste of music in Soweto, where he studied with the founding director of Buskaid, Rosemary Nalden and in the UK with Richard Ireland, Pauline Nobes and Philippe Graffin. He has won many prizes, including the prestigious 2010 Standard Bank Young Artist for Music, the Charles Hallé Award; the RNCM Eric Nicholson Bow Prize, the RNCM Major Entrance Award, Edward Heaton Scholarship and the RNCM Philip Newman Violin Prize.

As a freelance orchestral player in the UK, Samson played in the Hallé Orchestra, the Academy of St Martins in the Fields, BBC Philharmonic Orchestra, Manchester Camerata, and the Academy of Ancient Music. He has been heard in concert in prestigious venues such as the Berlin Philharmonic Orchestra in Berlin, Bela Bartok National Concert Hall in Budapest and the Musikverein in Vienna.  Samson has appeared as soloist with L’Orchestre Nationale d’France, the Buskaid Ensemble and prominent orchestras in South Africa, including the Cape Town Philharmonic Orchestra the Johannesburg Festival Orchestra and the Johannesburg Philharmonic Orchestra.

Dana Cilliers studied piano with Thomas Rajna at UCT. He completed a BMus and MMus degree.  As a student, he performed as a soloist with the Cape Town Symphony Orchestra, the CAPAB Orchestra and other ad hoc orchestras. He gave a number of public solo and ensemble recitals, and the SABC broadcast both solo recitals and orchestral performances on radio and television. In 1993, after teaching at schools in the Free State, he took a position as a lecturer in piano at the University of the Free State. In addition to numerous, regular solo and chamber recitals, notably as member of the Henkins-Cilliers Piano Trio. He has appeared as a soloist with orchestras in Bloemfontein, and he also performs regularly as an accompanist at local and national competitions. 

Admission: Free (no booking necessary)

Enquiries: Ninette Pretorius (tel. 051 – 401 2504)

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