Years
2019 2018
Folk Baroque
2018-10-18

Camerata Tinta Barocca presents:

FOLK BAROQUE

18 October 2018

Odeion

19:30

with

  • Bridget Rennie-Salonen (traverso)
  • Darryn Prinsloo (recorder)
  • Annien Shaw (Baroque violin)
  • Uwe Grosser (theorbo, Baroque guitar)
  • Cheryl de Havilland (Baroque cello)
  • Erik Dippenaar (harpsichord, director)

Camerata Tinta Barocca (CTB), founded in Cape Town by violinist Quentin Crida (July 2004), is the leading South African Baroque ensemble playing on period instruments. Its name is derived from the musicians' passion for Baroque music and red wine. The members include some of Cape Town's finest musicians who embrace a historically informed performance practice approach. CTB's concerts have been broadcast on Fine Music Radio and have received critical acclaim in the Cape Times and Die Burger. Mostly playing music from the 18th century, CTB has worked with leaders in their fields, such as Baroque violinists Antoinette Lohmann and Pauline Nobes; violinists David Juritz, Darragh Morgan and Zoe Beyers; countertenor Christopher Ainslie; male soprano Philipp Mathmann; recorder player Stefan Temmingh; mandolin player Alon Sariel and conductor Arjan Tien.

Apart from CTB's annual concert series in their home, St Andrew's Presbyterian Church (Cape Town), the ensemble regularly accompanies opera and oratorio performances, and performs in festivals throughout South Africa. CTB also has an active outreach component, which includes an annual education tour to the West Coast (the Matzikama Music Week), the Sunshine Concerts (an outreach programme for people unable to attend concerts because they are elderly, indigent or disabled in some way), as well as a regular collaboration with the Keiskamma Music Academy (Eastern Cape).

Since 2011 CTB has gradually moved towards playing on period instruments. Currently it is the only period ensemble in South Africa that regularly plays in orchestral format, performing most of its annual concerts on period instruments. In 2013 CTB, in collaboration with the Cape Consort, gave the first South African period performance of Handel's Messiah. During November 2016 CTB played for Cape Town Opera's first production to use a period instrument orchestra: Monteverdi's L'Orfeo, directed by Jaco Bouwer and conducted by Erik Dippenaar. In December 2016 CTB was nominated for a kykNET Fiesta award for a programme titled Handel in the Drawing Room presented during the 2016 Klein Karoo Klassique festival. In September 2017 CTB successfully launched the first annual Cape Town Baroque Festival.

In 2015 CTB set up a collaboration with the early music ensemble Collegium Musicum at the South African College of Music, University of Cape Town, through which two student cadets annually receive hands-on training in period performance in CTB projects. The cadet scheme is generously supported by the Claude Leon Foundation. In July 2015 Erik Dippenaar was appointed Artistic Director of CTB, Michael Maas (former CEO of the Artscape Theatre Centre) as Administrative Coordinator and Cheryl de Havilland as Outreach Coordinator.

www.ctbaroque.co.za

PROGRAMME

  • Marco Uccelini (c.1610 – 1680): Bergamasca
  • Trad. Scottish, Orpheus Caledonius (1733): The bush aboon tranquair
  • Francesco Barsanti (1690 – 1775): The bush aboon tranquair from A Collection of Old Scots Tunes (1742)
  • Francesco Geminiani (1687 – 1762): The bush aboon tranquair from A treatise of good taste in the Art of Musick (1749)
  • Gaspar Sanz (1640 – 1710): Canarios
  • Francesco Barsanti (1690 – 1775): Lochaber from A Collection of Old Scots Tunes (1742)
  • Domenico Scarlatti (1685 – 1757): Sonata in C minor, K.99
  • Gaspar Sanz (1640 – 1710): Zarabanda
  • Tarquinio Merula (1595 – 1665): Ciaconna
  • Trad. Scottish, Orpheus Caledonius (1733): Lady Ann Bothwell's lament
  • Francesco Geminiani (1687 – 1762): Lady Ann Bothwel’s Lament
  • Francesco Veracini (1690 – 1768): Scozzese from Sonata IX, Opus 2 (1744)
  • Niel Gow (1727 – 1807): Lament for the Death of his 2nd wife

ADMISSION

  • R120 (adults)
  • *R80 (pensioners)
  • *R70 (UFS staff)
  • *R50 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above mentioned discount.

ENQUIRIES
Ninette Pretorius (tel. 051 401 2504)


Back
Vassily Primakov piano recital

Thursday, 6 June 2013
Odeion
19:30

Since the release of his recording of the Chopin Piano Concertos, Vassily Primakov has been hailed as a pianist of world class importance.  Deseret News (Salt Lake City) wrote: “…a pianist's pianist.  He is a giant of the keyboard.”  Gramophone wrote: “Primakov's empathy with Chopin's spirit could hardly be more complete”, and the American Record Guide stated: “This is a great Chopin pianist.  Primakov's timing is perfect.”  MusicWeb-International called the CD “one of the great Chopin recordings of recent times.  These are performances of extraordinary power and beauty”.  In 1999, as teenaged prizewinner of the Cleveland International Piano Competition, Primakov was praised by Donald Rosenberg of the Cleveland Plain Dealer: “How many pianists can make a line sing as the 19-year-old Moscow native did on this occasion?”

Vassily entered Moscow's Central Special Music School at the age of eleven as a pupil of Vera Gornostaeva.  He won first prize in the Rachmaninoff International Young Artist Competition.  At seventeen he pursued his studies at the Juilliard School with the noted pianist, Jerome Lowenthal.  At Juilliard he won the William Petschek Piano Recital Award, which presented his debut recital at Alice Trully Hall.  While he was a student there, Primakov was placed among the top two laureates of the Cleveland International Piano Competition, and won both the silver medal and the Audience Prize in the 2002 Gina Bachauer International Artists Piano Competition.  He won first prize in the 2002 Young Concert Artists (YCA) International Auditions.   In 2007 he was named the Classical Recording Foundation's Young Artist of the Year.  In 2009, Primakov’s Chopin Mazurkas recording was named “Best of the Year” by National Public Radio and that same year he began recording Mozart’s 27 piano concertos in Denmark.  BBC Music Magazine (November 2010) praised the first volume of Primakov’s Mozart Concertos: “The piano playing is of exceptional quality: refined, multi-coloured, elegant of phrase and immaculately balanced, both in itself and in relation to the effortlessly stylish orchestra…By almost every objective criterion, Vassily Primakov is a Mozartian to the manner born, fit to stand as a role model to a new generation.”

Vassily has released numerous recordings for Bridge Records which include works by Bach, Mozart, Beethoven, Schubert, Schumann, Mendelssohn, Brahms, Chopin, Dvorak, Debussy, Tchaikovsky, Scriabin, Rachmaninoff, Phillip Glass, Arlene Sierra and Roul Ruders.

In 2011, Vassily, along with his duo partner, Natalia Lavrova, established a new and vibrant record company, L.P. Classics, Inc.  Their first release was Anton Arensky: Four Suites for Two Pianos. Most recently they released Primakov's Live in Concert Album that includes works by Medtner, Schumann, Brahms' Handel Variations and Ravel's La Valse.  

Programme:

Chopin: Polonaise in C-sharp minor, Op. 26, sNo.1
Chopin: 12 Selected Mazurkas 
Chopin: Polonaise in A-flat major, Op. 53 "Heroic"
Van Eeden: Sonata No. 5 in B-flat minor, BVE 74 (2013) 
Scriabin: Prelude for the left hand in C-sharp minor, Op. 9, No.1
Scriabin: Sonata No. 4 in F-sharp major, Op. 30
Rachmaninoff: Sonata No. 2 in B-flat minor, Op. 36 (revised version)

Admission:

R130 (adults), R90 (pensioners), R50 (students and learners), R50 (group booking of 10+)
Tickets available at Computicket.

Enquiries:       

Ninette Pretorius (tel. 051 401 2504)

We use cookies to make interactions with our websites and services easy and meaningful, to better understand how they are used and to tailor advertising. You can read more and make your cookie choices here. By continuing to use this site you are giving us your consent to do this.

Accept