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Folk Baroque
2018-10-18

Camerata Tinta Barocca presents:

FOLK BAROQUE

18 October 2018

Odeion

19:30

with

  • Bridget Rennie-Salonen (traverso)
  • Darryn Prinsloo (recorder)
  • Annien Shaw (Baroque violin)
  • Uwe Grosser (theorbo, Baroque guitar)
  • Cheryl de Havilland (Baroque cello)
  • Erik Dippenaar (harpsichord, director)

Camerata Tinta Barocca (CTB), founded in Cape Town by violinist Quentin Crida (July 2004), is the leading South African Baroque ensemble playing on period instruments. Its name is derived from the musicians' passion for Baroque music and red wine. The members include some of Cape Town's finest musicians who embrace a historically informed performance practice approach. CTB's concerts have been broadcast on Fine Music Radio and have received critical acclaim in the Cape Times and Die Burger. Mostly playing music from the 18th century, CTB has worked with leaders in their fields, such as Baroque violinists Antoinette Lohmann and Pauline Nobes; violinists David Juritz, Darragh Morgan and Zoe Beyers; countertenor Christopher Ainslie; male soprano Philipp Mathmann; recorder player Stefan Temmingh; mandolin player Alon Sariel and conductor Arjan Tien.

Apart from CTB's annual concert series in their home, St Andrew's Presbyterian Church (Cape Town), the ensemble regularly accompanies opera and oratorio performances, and performs in festivals throughout South Africa. CTB also has an active outreach component, which includes an annual education tour to the West Coast (the Matzikama Music Week), the Sunshine Concerts (an outreach programme for people unable to attend concerts because they are elderly, indigent or disabled in some way), as well as a regular collaboration with the Keiskamma Music Academy (Eastern Cape).

Since 2011 CTB has gradually moved towards playing on period instruments. Currently it is the only period ensemble in South Africa that regularly plays in orchestral format, performing most of its annual concerts on period instruments. In 2013 CTB, in collaboration with the Cape Consort, gave the first South African period performance of Handel's Messiah. During November 2016 CTB played for Cape Town Opera's first production to use a period instrument orchestra: Monteverdi's L'Orfeo, directed by Jaco Bouwer and conducted by Erik Dippenaar. In December 2016 CTB was nominated for a kykNET Fiesta award for a programme titled Handel in the Drawing Room presented during the 2016 Klein Karoo Klassique festival. In September 2017 CTB successfully launched the first annual Cape Town Baroque Festival.

In 2015 CTB set up a collaboration with the early music ensemble Collegium Musicum at the South African College of Music, University of Cape Town, through which two student cadets annually receive hands-on training in period performance in CTB projects. The cadet scheme is generously supported by the Claude Leon Foundation. In July 2015 Erik Dippenaar was appointed Artistic Director of CTB, Michael Maas (former CEO of the Artscape Theatre Centre) as Administrative Coordinator and Cheryl de Havilland as Outreach Coordinator.

www.ctbaroque.co.za

PROGRAMME

  • Marco Uccelini (c.1610 – 1680): Bergamasca
  • Trad. Scottish, Orpheus Caledonius (1733): The bush aboon tranquair
  • Francesco Barsanti (1690 – 1775): The bush aboon tranquair from A Collection of Old Scots Tunes (1742)
  • Francesco Geminiani (1687 – 1762): The bush aboon tranquair from A treatise of good taste in the Art of Musick (1749)
  • Gaspar Sanz (1640 – 1710): Canarios
  • Francesco Barsanti (1690 – 1775): Lochaber from A Collection of Old Scots Tunes (1742)
  • Domenico Scarlatti (1685 – 1757): Sonata in C minor, K.99
  • Gaspar Sanz (1640 – 1710): Zarabanda
  • Tarquinio Merula (1595 – 1665): Ciaconna
  • Trad. Scottish, Orpheus Caledonius (1733): Lady Ann Bothwell's lament
  • Francesco Geminiani (1687 – 1762): Lady Ann Bothwel’s Lament
  • Francesco Veracini (1690 – 1768): Scozzese from Sonata IX, Opus 2 (1744)
  • Niel Gow (1727 – 1807): Lament for the Death of his 2nd wife

ADMISSION

  • R120 (adults)
  • *R80 (pensioners)
  • *R70 (UFS staff)
  • *R50 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above mentioned discount.

ENQUIRIES
Ninette Pretorius (tel. 051 401 2504)


Back
OSM Dean’s Concert

Wednesday, 18 September 2013
Odeion
19:30

The OSM annually hosts a special Dean’s Concert where top students of the OSM perform.

The first half of the programme will include performances by OSM students, the Odeion String Quartet together with the Junior Odeion String Quartet as well as the Odeion Choir.  The second half of the programme will consist of the OSM Camerata performing under the baton of conductor Jan Moritz Onken.  Jan Moritz Onken, has been appointed as chief conductor of the OSMC for the second season of 2013 and will  prepare the OSMC for their participation at the 13th International Conservatory Festival in St Petersburg in November this year.

ADMISSION:

R110 (adults)

R70 (pensioners)

R40 (students and learners

 R40 (group booking of 10+)

Tickets available at Computicket. 

All concert proceeds go towards the St Petersburg fund for the OSM Camerata’s visit to Russia.

ENQUIRIES:    

Ninette Pretorius (tel. 051 401 2504)

13th International Conservatory Festival

After  a  successful  audition  the  OSMC  received an  invitation  to  participate  in  the  13th International Conservatory Festival which  will  take place in St Petersburg Russia from the 1st to the 9th of November 2013. The festival is a yearly highlight on the concert calendar of the prestigious Rimsky Korsakov Conservatoire.  It is the first time in history that an orchestra from Africa is invited to partake in this festival.            

The artistic panel of the festival under the auspices of Prof Lydia Volchek annually selects ten  conservatories  internationally  (in  the  likes of the Tchaikovsky Conservatoire (Moscow), Conservatoire de Paris, Eastman School of Music NY and the Sibelius Academy in Helsinki Finland  to  name  but  a  few)  to  gather  in  St  Petersburg  for  the  festival.  The rector of the Rimsky Korsakov Conservatoire, Prof Mikhail Gantvarg stated that it will be the first school of music hailing from Africa to participate in the festival ever.  The OSMC was requested to give two recitals of 40 minutes each during the festival. Maestro Jan Moritz Onken will lead the ensemble to St Petersburg; OSMC members will have the opportunity to attend all concerts presented by fellow participants and master classes presented by the masters of St Petersburg Conservatoire.

The festival is usually opened and closed with a grand concert presented by the St. Petersburg Conservatoire Symphony Orchestra (70 plus members). Last year the opening concert was conducted by the celebrated master, Valery Gergiev (artistic director of the Mariinsky Opera and Symphony Orchestra) while the closing ceremony was conducted by Semyon Bychkov. Both Gergiev and Bychkov are alumni of the St Petersburg Conservatoire.

The OSMC will recite a programme of mainly South African composers, with two new works commissioned by the OSM New Music Initiative from the prolific South African composer, Hendrik Hofmeyr, entitled Notturno Elegiaco and Phantom Waltz.  Phantom Waltz is a challenging work where musicians simultaneously play, sing and speak. A reworked edition for chamber orchestra of the original string quartet for piano and soprano, Lieder op Boesmanverse, by revered South African composer, Stefans Grové will also be performed. To commemorate the centenary of composer Benjamin Britten this year, Cantus in Memoriam of Benjamin Britten by Arvo Pärt is also included in the programme.

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