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Folk Baroque
2018-10-18

Camerata Tinta Barocca presents:

FOLK BAROQUE

18 October 2018

Odeion

19:30

with

  • Bridget Rennie-Salonen (traverso)
  • Darryn Prinsloo (recorder)
  • Annien Shaw (Baroque violin)
  • Uwe Grosser (theorbo, Baroque guitar)
  • Cheryl de Havilland (Baroque cello)
  • Erik Dippenaar (harpsichord, director)

Camerata Tinta Barocca (CTB), founded in Cape Town by violinist Quentin Crida (July 2004), is the leading South African Baroque ensemble playing on period instruments. Its name is derived from the musicians' passion for Baroque music and red wine. The members include some of Cape Town's finest musicians who embrace a historically informed performance practice approach. CTB's concerts have been broadcast on Fine Music Radio and have received critical acclaim in the Cape Times and Die Burger. Mostly playing music from the 18th century, CTB has worked with leaders in their fields, such as Baroque violinists Antoinette Lohmann and Pauline Nobes; violinists David Juritz, Darragh Morgan and Zoe Beyers; countertenor Christopher Ainslie; male soprano Philipp Mathmann; recorder player Stefan Temmingh; mandolin player Alon Sariel and conductor Arjan Tien.

Apart from CTB's annual concert series in their home, St Andrew's Presbyterian Church (Cape Town), the ensemble regularly accompanies opera and oratorio performances, and performs in festivals throughout South Africa. CTB also has an active outreach component, which includes an annual education tour to the West Coast (the Matzikama Music Week), the Sunshine Concerts (an outreach programme for people unable to attend concerts because they are elderly, indigent or disabled in some way), as well as a regular collaboration with the Keiskamma Music Academy (Eastern Cape).

Since 2011 CTB has gradually moved towards playing on period instruments. Currently it is the only period ensemble in South Africa that regularly plays in orchestral format, performing most of its annual concerts on period instruments. In 2013 CTB, in collaboration with the Cape Consort, gave the first South African period performance of Handel's Messiah. During November 2016 CTB played for Cape Town Opera's first production to use a period instrument orchestra: Monteverdi's L'Orfeo, directed by Jaco Bouwer and conducted by Erik Dippenaar. In December 2016 CTB was nominated for a kykNET Fiesta award for a programme titled Handel in the Drawing Room presented during the 2016 Klein Karoo Klassique festival. In September 2017 CTB successfully launched the first annual Cape Town Baroque Festival.

In 2015 CTB set up a collaboration with the early music ensemble Collegium Musicum at the South African College of Music, University of Cape Town, through which two student cadets annually receive hands-on training in period performance in CTB projects. The cadet scheme is generously supported by the Claude Leon Foundation. In July 2015 Erik Dippenaar was appointed Artistic Director of CTB, Michael Maas (former CEO of the Artscape Theatre Centre) as Administrative Coordinator and Cheryl de Havilland as Outreach Coordinator.

www.ctbaroque.co.za

PROGRAMME

  • Marco Uccelini (c.1610 – 1680): Bergamasca
  • Trad. Scottish, Orpheus Caledonius (1733): The bush aboon tranquair
  • Francesco Barsanti (1690 – 1775): The bush aboon tranquair from A Collection of Old Scots Tunes (1742)
  • Francesco Geminiani (1687 – 1762): The bush aboon tranquair from A treatise of good taste in the Art of Musick (1749)
  • Gaspar Sanz (1640 – 1710): Canarios
  • Francesco Barsanti (1690 – 1775): Lochaber from A Collection of Old Scots Tunes (1742)
  • Domenico Scarlatti (1685 – 1757): Sonata in C minor, K.99
  • Gaspar Sanz (1640 – 1710): Zarabanda
  • Tarquinio Merula (1595 – 1665): Ciaconna
  • Trad. Scottish, Orpheus Caledonius (1733): Lady Ann Bothwell's lament
  • Francesco Geminiani (1687 – 1762): Lady Ann Bothwel’s Lament
  • Francesco Veracini (1690 – 1768): Scozzese from Sonata IX, Opus 2 (1744)
  • Niel Gow (1727 – 1807): Lament for the Death of his 2nd wife

ADMISSION

  • R120 (adults)
  • *R80 (pensioners)
  • *R70 (UFS staff)
  • *R50 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above mentioned discount.

ENQUIRIES
Ninette Pretorius (tel. 051 401 2504)


Back
An Evening with Kobie Kloppers

5 October 2013
Odeion
19:30

Staff and students of the OSM will present a special concert in honour of Kobie Kloppers.

Jacobus (Kobie) Kloppers (born in 1937 in Krugersdorp) has taught musicology and organ in South Africa and Canada and given organ recitals, including broadcast work for the SABC and CBC.  He has served as a church organist, examiner, composer and organ advisor. He served on the Organ Advisory Committee of the Winspear Centre (1994 - 2002), Edmonton and oversaw the final voicing of the new Davis Concert Hall Organ in the Centre.  He is a member of the Canadian League of Composers, voting member of the Canadian Music Centre, The Edmonton Composers Concert Society and an Honorary Fellow of the Royal Canadian College of Organists. His musical compositions have been performed and broadcast in Europe, the Americas, Hong Kong, and South Africa.

Kobie Kloppers served professor in organ and musicology as well as chairperson of the music department at the King’s University College in Edmonton (Alberta; Canada) from 1979 - 2008.  After his retirement in 2008, he continued as full-time lecturer in organ and musicology at King’s and adjunct professor in keyboard at the University of Alberta until 2013. After completing his undergraduate studies and organ licentiate in South Africa, he continued his studies in Frankfurt am Main: organ with Helmut Walcha at the Musikhochschule (1961 - 1965), and musicology at the Johann Wolfgang Goethe University (1961 - 1966). 

His compositions (around 70) include works sponsored by the Canada Council, CBC, the Royal Canadian College of Organists, the Marjorie Young Bell Fine Arts and Music Fund at Mount Allison University (Sackville, New Brunswick), the South African Foundation for the Creative Arts and various private sponsors. 

Organists Jan Beukes, Eljee du Plooy, Luzanne Eigelaar and pianist Cèzarre Strydom, will perform during the concert.

PROGRAMME:

Chorale Prelude on Valet will ich dir geben
Chorale Prelude on Wie gross ist des allmächtigen Güte
Pastorale on Ps 23
Choral Prelude on Ps 25
Introduction and Toccata on Lass uns Erfreuen
Partita on In Dulci Jubilo
Partita on The Old Hundredth
Dance Suite for organ duet
Dialektiese Fantasie
Reflections: Prologue, Variations and Epilogue

ADMISSION:

R130 (adults), R90 (pensioners), R50 (students and learners), R50 (group booking of 10+)

Tickets available at Computicket.

ENQUIRIES:    

Ninette Pretorius (tel. 051 401 2504)

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