Years
2019 2018
Folk Baroque
2018-10-18

Camerata Tinta Barocca presents:

FOLK BAROQUE

18 October 2018

Odeion

19:30

with

  • Bridget Rennie-Salonen (traverso)
  • Darryn Prinsloo (recorder)
  • Annien Shaw (Baroque violin)
  • Uwe Grosser (theorbo, Baroque guitar)
  • Cheryl de Havilland (Baroque cello)
  • Erik Dippenaar (harpsichord, director)

Camerata Tinta Barocca (CTB), founded in Cape Town by violinist Quentin Crida (July 2004), is the leading South African Baroque ensemble playing on period instruments. Its name is derived from the musicians' passion for Baroque music and red wine. The members include some of Cape Town's finest musicians who embrace a historically informed performance practice approach. CTB's concerts have been broadcast on Fine Music Radio and have received critical acclaim in the Cape Times and Die Burger. Mostly playing music from the 18th century, CTB has worked with leaders in their fields, such as Baroque violinists Antoinette Lohmann and Pauline Nobes; violinists David Juritz, Darragh Morgan and Zoe Beyers; countertenor Christopher Ainslie; male soprano Philipp Mathmann; recorder player Stefan Temmingh; mandolin player Alon Sariel and conductor Arjan Tien.

Apart from CTB's annual concert series in their home, St Andrew's Presbyterian Church (Cape Town), the ensemble regularly accompanies opera and oratorio performances, and performs in festivals throughout South Africa. CTB also has an active outreach component, which includes an annual education tour to the West Coast (the Matzikama Music Week), the Sunshine Concerts (an outreach programme for people unable to attend concerts because they are elderly, indigent or disabled in some way), as well as a regular collaboration with the Keiskamma Music Academy (Eastern Cape).

Since 2011 CTB has gradually moved towards playing on period instruments. Currently it is the only period ensemble in South Africa that regularly plays in orchestral format, performing most of its annual concerts on period instruments. In 2013 CTB, in collaboration with the Cape Consort, gave the first South African period performance of Handel's Messiah. During November 2016 CTB played for Cape Town Opera's first production to use a period instrument orchestra: Monteverdi's L'Orfeo, directed by Jaco Bouwer and conducted by Erik Dippenaar. In December 2016 CTB was nominated for a kykNET Fiesta award for a programme titled Handel in the Drawing Room presented during the 2016 Klein Karoo Klassique festival. In September 2017 CTB successfully launched the first annual Cape Town Baroque Festival.

In 2015 CTB set up a collaboration with the early music ensemble Collegium Musicum at the South African College of Music, University of Cape Town, through which two student cadets annually receive hands-on training in period performance in CTB projects. The cadet scheme is generously supported by the Claude Leon Foundation. In July 2015 Erik Dippenaar was appointed Artistic Director of CTB, Michael Maas (former CEO of the Artscape Theatre Centre) as Administrative Coordinator and Cheryl de Havilland as Outreach Coordinator.

www.ctbaroque.co.za

PROGRAMME

  • Marco Uccelini (c.1610 – 1680): Bergamasca
  • Trad. Scottish, Orpheus Caledonius (1733): The bush aboon tranquair
  • Francesco Barsanti (1690 – 1775): The bush aboon tranquair from A Collection of Old Scots Tunes (1742)
  • Francesco Geminiani (1687 – 1762): The bush aboon tranquair from A treatise of good taste in the Art of Musick (1749)
  • Gaspar Sanz (1640 – 1710): Canarios
  • Francesco Barsanti (1690 – 1775): Lochaber from A Collection of Old Scots Tunes (1742)
  • Domenico Scarlatti (1685 – 1757): Sonata in C minor, K.99
  • Gaspar Sanz (1640 – 1710): Zarabanda
  • Tarquinio Merula (1595 – 1665): Ciaconna
  • Trad. Scottish, Orpheus Caledonius (1733): Lady Ann Bothwell's lament
  • Francesco Geminiani (1687 – 1762): Lady Ann Bothwel’s Lament
  • Francesco Veracini (1690 – 1768): Scozzese from Sonata IX, Opus 2 (1744)
  • Niel Gow (1727 – 1807): Lament for the Death of his 2nd wife

ADMISSION

  • R120 (adults)
  • *R80 (pensioners)
  • *R70 (UFS staff)
  • *R50 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above mentioned discount.

ENQUIRIES
Ninette Pretorius (tel. 051 401 2504)


Back
YURA LEE violin recital

with Tertia Visser Downie (piano)

8 November 2013

Odeion

19:30

Violinist/violist Yura Lee, first prize winner of 2013 ARD Competition in Germany, is enjoying a career that spans almost two decades, and takes her all over the world. Her musical integrity and her compelling artistry were praised by both the critic and some of the most respected artists of today.

At age twelve, Yura became the youngest artist ever to receive the Debut Artist of the Year prize at the "Performance Today" awards given by National Public Radio. She also received the Avery Fisher Career Grant - one of the most prestigious prizes given to young artists. She received numerous international prizes from competitions, including the first prize at the 2013 ARD Competition (Germany), first prize and the audience prize at the 2006 Leopold Mozart Competition (Germany), first prize at the 2010 UNISA International Competition (South Africa), first prize at the 2013 Yuri Bashmet International Competition (Russia), and top prizes in the Indianapolis (USA), Hannover (Germany), Kreisler (Austria) and Paganini (Italy) Competitions.

Yura studied at the Juilliard School (New York City), New England Conservatory (Boston), Salzburg Mozarteum (Austria), and at the Kronberg Academy (Germany). Her main teachers included Namyun Kim, Dorothy DeLay, Hyo Kang, Miriam Fried, Paul Biss, Thomas Riebl, Ana Chumachenko, and Nobuko Imai.  

As a soloist, she has appeared with many major orchestras, including the New York Philharmonic, Chicago Symphony, Baltimore Symphony, Cleveland Orchestra, Detroit Symphony, Saint Louis Symphony, San Francisco Symphony, Los Angeles Philharmonic, NDR Symphonieorchester, Monte Carlo Philharmonic, Hong Kong Philharmonic, Tokyo Philharmonic, and many others. She has performed with conductors Christophe Eschenbach, Lorin Maazel, Myung-Whun Chung, among many others.

Yura will be accompanied by pianist, Tertia Visser Downie.  Tertia is an accomplished South African pianist who studied under national and international piano masters John Antoniadis, and London-based Martino Tirimo after winning the prestigious Mabel Quick Scholarship.

She completed her honours degree in music at the University of Stellenbosch, as well as achieving the UNISA Performers’ and Teachers’ Licentiates, with distinction in both qualifications. Performing numerous solo recitals in South Africa and internationally, Tertia has also featured with various orchestras.

Tertia regularly gets invited as an official accompanist at national music competitions and regularly accompanies talented and award winning musicians at various events and concerts.  She was one of the official accompanists at the UNISA International String Competition in 2010, accompanying Yura.

During 2009, she joined renowned poet Philip de Vos on a national tour to bring masterpieces Pictures at an exhibition by Modest Mussorgsky and Kinderscenen by Schumann to stage, radio and television. With diverse talent and creativity, in 2008 Tertia took the leading female role in Pieter Dirk-Uys’ play, Appassionata, and performed the Beethoven Sonata with the same name.

Tertia has produced five CDs of her own as well as establishing and managing her Tots in Tune program designed to introduce classical music to young toddlers.  She also released a fourth CD with well-known cellist Marian Lewin at the end of 2009.

She is a part time lecturer in piano at the South African College of Music at the University of Cape Town.

Programme:

Beethoven: Sonata for violin and piano in D major, Op. 12 No. 1

Brahms: Sonata No. 3 for violin and piano in d minor, Op. 108

Kreisler: Praeludium & Allegro, Liebesleid, Liebesfreud

Tchaikovsky: Waltz-Scherzo

Admission: R130 (adults), R90 (pensioners), R50 (students and learners), R50 (group booking of 10+)

Tickets available at Computicket.

Enquiries: Ninette Pretorius (tel. 051 401 2504)

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