Years
2019 2018
Folk Baroque
2018-10-18

Camerata Tinta Barocca presents:

FOLK BAROQUE

18 October 2018

Odeion

19:30

with

  • Bridget Rennie-Salonen (traverso)
  • Darryn Prinsloo (recorder)
  • Annien Shaw (Baroque violin)
  • Uwe Grosser (theorbo, Baroque guitar)
  • Cheryl de Havilland (Baroque cello)
  • Erik Dippenaar (harpsichord, director)

Camerata Tinta Barocca (CTB), founded in Cape Town by violinist Quentin Crida (July 2004), is the leading South African Baroque ensemble playing on period instruments. Its name is derived from the musicians' passion for Baroque music and red wine. The members include some of Cape Town's finest musicians who embrace a historically informed performance practice approach. CTB's concerts have been broadcast on Fine Music Radio and have received critical acclaim in the Cape Times and Die Burger. Mostly playing music from the 18th century, CTB has worked with leaders in their fields, such as Baroque violinists Antoinette Lohmann and Pauline Nobes; violinists David Juritz, Darragh Morgan and Zoe Beyers; countertenor Christopher Ainslie; male soprano Philipp Mathmann; recorder player Stefan Temmingh; mandolin player Alon Sariel and conductor Arjan Tien.

Apart from CTB's annual concert series in their home, St Andrew's Presbyterian Church (Cape Town), the ensemble regularly accompanies opera and oratorio performances, and performs in festivals throughout South Africa. CTB also has an active outreach component, which includes an annual education tour to the West Coast (the Matzikama Music Week), the Sunshine Concerts (an outreach programme for people unable to attend concerts because they are elderly, indigent or disabled in some way), as well as a regular collaboration with the Keiskamma Music Academy (Eastern Cape).

Since 2011 CTB has gradually moved towards playing on period instruments. Currently it is the only period ensemble in South Africa that regularly plays in orchestral format, performing most of its annual concerts on period instruments. In 2013 CTB, in collaboration with the Cape Consort, gave the first South African period performance of Handel's Messiah. During November 2016 CTB played for Cape Town Opera's first production to use a period instrument orchestra: Monteverdi's L'Orfeo, directed by Jaco Bouwer and conducted by Erik Dippenaar. In December 2016 CTB was nominated for a kykNET Fiesta award for a programme titled Handel in the Drawing Room presented during the 2016 Klein Karoo Klassique festival. In September 2017 CTB successfully launched the first annual Cape Town Baroque Festival.

In 2015 CTB set up a collaboration with the early music ensemble Collegium Musicum at the South African College of Music, University of Cape Town, through which two student cadets annually receive hands-on training in period performance in CTB projects. The cadet scheme is generously supported by the Claude Leon Foundation. In July 2015 Erik Dippenaar was appointed Artistic Director of CTB, Michael Maas (former CEO of the Artscape Theatre Centre) as Administrative Coordinator and Cheryl de Havilland as Outreach Coordinator.

www.ctbaroque.co.za

PROGRAMME

  • Marco Uccelini (c.1610 – 1680): Bergamasca
  • Trad. Scottish, Orpheus Caledonius (1733): The bush aboon tranquair
  • Francesco Barsanti (1690 – 1775): The bush aboon tranquair from A Collection of Old Scots Tunes (1742)
  • Francesco Geminiani (1687 – 1762): The bush aboon tranquair from A treatise of good taste in the Art of Musick (1749)
  • Gaspar Sanz (1640 – 1710): Canarios
  • Francesco Barsanti (1690 – 1775): Lochaber from A Collection of Old Scots Tunes (1742)
  • Domenico Scarlatti (1685 – 1757): Sonata in C minor, K.99
  • Gaspar Sanz (1640 – 1710): Zarabanda
  • Tarquinio Merula (1595 – 1665): Ciaconna
  • Trad. Scottish, Orpheus Caledonius (1733): Lady Ann Bothwell's lament
  • Francesco Geminiani (1687 – 1762): Lady Ann Bothwel’s Lament
  • Francesco Veracini (1690 – 1768): Scozzese from Sonata IX, Opus 2 (1744)
  • Niel Gow (1727 – 1807): Lament for the Death of his 2nd wife

ADMISSION

  • R120 (adults)
  • *R80 (pensioners)
  • *R70 (UFS staff)
  • *R50 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above mentioned discount.

ENQUIRIES
Ninette Pretorius (tel. 051 401 2504)


Back
Die Seemeeu

Produksie: Die Seemeeu
Dramaturg: Anton Tsjechow
Vertaler: Andre P Brink
Regisseur: Gerben Kamper
Venue: Wynand Moutonteater
Datum: 17-20 Maart 2009
Tyd: 19:30
Besprekings: Computicket (Mimosa Mall en Checkers)

 

“Laat alles op die verhoog net so ingewikkeld wees, en tegelyk net so eenvoudig as in die lewe. Mense is besig om te eet, bloot te eet, maar op daardie oomblik word hulle geluk gevorm, of hul lewens word verpletter” (Anton Tsjechow).

Die Universiteit van die Vrystaat se tweede jaars by die Drama departement bring ‘n besondere produksie op die planke onder leiding van Gerben Kamper. Die Seemeeu deur Anton Tsjechow word beskou as een van sy beste toneelstukke en word vanaf die 17de tot die 20ste Maart 2009 in die Wynand Mouton Teater opgevoer. Hierdie is een van die drie realisme toneelstukke wat deel vorm van die module produksies wat die departement terug gebring het.

Anton Tsjechow, 1860 – 1904, het, volgens André P. Brink wat die Afrikaanse vertaling van Die Seemeeu behartig het, vier van die teaterwêreld se grootste stukke geskryf: Die Seemeeu, Oom Wanja, Die drie susters en Die kersieboord. Tsjechow het met hierdie stukke die hoogtepunt in die Naturalistiese - en Impressionistieseteater bereik. Alhoewel Die Seemeeu met die openingsaand in Sint Petersburg in 1896 hopeloos misluk het, was dit wel ‘n reuse sukses twee jaar later toe die Moskouse Kunsteater dit op die planke gebring het. Die mislukking van die eerste opvoering van die stuk het ‘n knou toegedien aan Tsjechow se skrywersdrif en hy het maar min geskryf hierna.

In Die Seemeeu, ‘n komedie, is daar skrywers, aktrises, die dood en hope onbeantwoorde liefde. Om ‘n rowwe idee te gee: Nina, ‘n jong aspirerende aktrise, is verlief op Trigorin, ‘n bekende skrywer, terwyl Trepliow, die seun van die groot aktrise Madame Arkadina, verlief is op Nina. Trigorin, op sy beurt het ‘n verhouding met Arkadina. Tussendeur is daar dan ook Sorin, broer van Arkadina en ook die eienaar van die landgoed waar die handeling plaasvind. Sy voorman, Sjamrajew, se vrou, Polina, het ‘n buite-egtelike verhouding.

Een van die ander, sal ons sê temas, wat in die stuk voorkom is die vernuwing in teater. Waar Arkadina se generasie net gefokus het net op die voorkoms van die opvoering en die oor wat gesê word nie, wil Trepliow dit so verander dat daar gefokus word op die betekenis van dit wat oorgedra word. As gevolg hiervan kry Arkadina en Trepliow stry.

Die rolverdeling vir Die Seemeeu is as volg:

Irina Nikolajewna Arkadina - Edelweiss Bester
Konstantin Gawrilowitsj Treplew - Drikus Saayman
Pjotr Nikolajewitsj Sorin - Quintus Aslett
Nina Mikhailowna Zaretsjnaja - Sanli Jooste
Ilja Afanasjewitsj Sjamrajew - Brandon Hewetson
Paulina Andrejewna - Corma Steyn
Masja - Mieke du Plessis
Boris Alexejewitsj Trigorin - Caval Goodyear
Jewgeni Sergejewitsj Dorn - Frantz Birkholtz
Semjon Semjonowitsj Medwedenko - Frans Fourie
Jakow - Makara Makara
Kok - Kgomotso Lebakeng
Huisbediende - Lerato Chipfupa

Kaartjies vir Die Seemeeu is beskikbaar by Computicket en is R25 – R30.
 

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