Years
2019 2018
Folk Baroque
2018-10-18

Camerata Tinta Barocca presents:

FOLK BAROQUE

18 October 2018

Odeion

19:30

with

  • Bridget Rennie-Salonen (traverso)
  • Darryn Prinsloo (recorder)
  • Annien Shaw (Baroque violin)
  • Uwe Grosser (theorbo, Baroque guitar)
  • Cheryl de Havilland (Baroque cello)
  • Erik Dippenaar (harpsichord, director)

Camerata Tinta Barocca (CTB), founded in Cape Town by violinist Quentin Crida (July 2004), is the leading South African Baroque ensemble playing on period instruments. Its name is derived from the musicians' passion for Baroque music and red wine. The members include some of Cape Town's finest musicians who embrace a historically informed performance practice approach. CTB's concerts have been broadcast on Fine Music Radio and have received critical acclaim in the Cape Times and Die Burger. Mostly playing music from the 18th century, CTB has worked with leaders in their fields, such as Baroque violinists Antoinette Lohmann and Pauline Nobes; violinists David Juritz, Darragh Morgan and Zoe Beyers; countertenor Christopher Ainslie; male soprano Philipp Mathmann; recorder player Stefan Temmingh; mandolin player Alon Sariel and conductor Arjan Tien.

Apart from CTB's annual concert series in their home, St Andrew's Presbyterian Church (Cape Town), the ensemble regularly accompanies opera and oratorio performances, and performs in festivals throughout South Africa. CTB also has an active outreach component, which includes an annual education tour to the West Coast (the Matzikama Music Week), the Sunshine Concerts (an outreach programme for people unable to attend concerts because they are elderly, indigent or disabled in some way), as well as a regular collaboration with the Keiskamma Music Academy (Eastern Cape).

Since 2011 CTB has gradually moved towards playing on period instruments. Currently it is the only period ensemble in South Africa that regularly plays in orchestral format, performing most of its annual concerts on period instruments. In 2013 CTB, in collaboration with the Cape Consort, gave the first South African period performance of Handel's Messiah. During November 2016 CTB played for Cape Town Opera's first production to use a period instrument orchestra: Monteverdi's L'Orfeo, directed by Jaco Bouwer and conducted by Erik Dippenaar. In December 2016 CTB was nominated for a kykNET Fiesta award for a programme titled Handel in the Drawing Room presented during the 2016 Klein Karoo Klassique festival. In September 2017 CTB successfully launched the first annual Cape Town Baroque Festival.

In 2015 CTB set up a collaboration with the early music ensemble Collegium Musicum at the South African College of Music, University of Cape Town, through which two student cadets annually receive hands-on training in period performance in CTB projects. The cadet scheme is generously supported by the Claude Leon Foundation. In July 2015 Erik Dippenaar was appointed Artistic Director of CTB, Michael Maas (former CEO of the Artscape Theatre Centre) as Administrative Coordinator and Cheryl de Havilland as Outreach Coordinator.

www.ctbaroque.co.za

PROGRAMME

  • Marco Uccelini (c.1610 – 1680): Bergamasca
  • Trad. Scottish, Orpheus Caledonius (1733): The bush aboon tranquair
  • Francesco Barsanti (1690 – 1775): The bush aboon tranquair from A Collection of Old Scots Tunes (1742)
  • Francesco Geminiani (1687 – 1762): The bush aboon tranquair from A treatise of good taste in the Art of Musick (1749)
  • Gaspar Sanz (1640 – 1710): Canarios
  • Francesco Barsanti (1690 – 1775): Lochaber from A Collection of Old Scots Tunes (1742)
  • Domenico Scarlatti (1685 – 1757): Sonata in C minor, K.99
  • Gaspar Sanz (1640 – 1710): Zarabanda
  • Tarquinio Merula (1595 – 1665): Ciaconna
  • Trad. Scottish, Orpheus Caledonius (1733): Lady Ann Bothwell's lament
  • Francesco Geminiani (1687 – 1762): Lady Ann Bothwel’s Lament
  • Francesco Veracini (1690 – 1768): Scozzese from Sonata IX, Opus 2 (1744)
  • Niel Gow (1727 – 1807): Lament for the Death of his 2nd wife

ADMISSION

  • R120 (adults)
  • *R80 (pensioners)
  • *R70 (UFS staff)
  • *R50 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above mentioned discount.

ENQUIRIES
Ninette Pretorius (tel. 051 401 2504)


Back
Anmari + Ilse in concert

Anmari van der Westhuizen (cello) & Ilse Schumann (piano)

Wednesday, 26 February 2014

Odeion

19:30

Anmari van der Westhuizen is one of the most sought-after cellists in South Africa, both as soloist and chamber musician. After she obtained a BMusHons degree with cum laude at the University of Stellenbosch, she furthered her studies at the Mozarteum in Salzburg under Heidi Litschauer and was awarded the Grosses Konzertdiplom with distinction. At the Hochschule für Musik in Cologne she received the Konzertexamendiplom under Maria Kliegel.  During her stay in Europe from 1988 to 1996 she appeared as soloist and chamber musician in such groups as the Ensemble music-on-line, Vienna (specialized in the performance of contemporary music), Koehne String Quartet Vienna and the Wiener Streichorchester.

She also performed at international festivals in Austria, Italy and Spain. As a young musician she was the winner of several national competitions such as the ATKV Forté, SABC and the Oude Meester competitions. Anmari has made several CD recordings. From 1999 until 2008 she was the conductor and director of the UCT String Ensemble and the violoncello lecturer. She was a founding member of the UCT Trio, the Collage Ensemble and I Grandi Violoncellisti. Since 2008 she is appointed as senior lecturer and cellist of the Odeion String Quartet at the University of the Free State and since January 2013 she has been appointed Head of the String Department as well as the Odeion String Quartet.

 

Born in Cape Town, Ilse Schumann studied at the College of Music (UCT) where she received her BMus degree with distinction in 1986. In the same year she also obtained the Performers' Diplomas from UNISA and the Royal Schools of Music. She made her debut at the age of thirteen with the Capab Orchestra, and performed as soloist with the CTSO, the Johannesburg Symphony Orchestra and the National Symphony Orchestra. After working as vocal coach at the Artscape Opera House in Cape Town for one year, she continued her studies in Chamber Music and Lied Accompaniment at the Konservatorium Wien Privatuniversität in Vienna (Austria). From 1990 to 2002, she was active as vocal coach at the Konservatorium Wien Privatuniversität. At present she works as vocal coach and accompanist at the Universität für Musik und Darstellende Kunst in Vienna.

She has taught masterclasses in accompaniment in Stellenbosch and piano masterclasses in Tirana (Albania), and since 2009 she teaches chamber music masterclasses in Burg Feistritz (Austria). Since living in Europe, she has performed extensively as chamber musician and Lied accompanist in most European countries, Japan, South Africa and Turkmenistan. She has given recitals with notable singers like Mimi Coertse, Walter Berry, Johan Botha, Clemens Unterreiner, Rebecca Nelsen and Hermine Haselböck. She has concertized with world class cellists such as Maria Kliegel and Robert Nagy and performed with the Ensemble Wien in the Musikverein in Vienna. She has performed as soloist with the Lyon Orchestra, Die Reihe Orchestra and the Johann Strauss Ensemble Wien.

CD-recordings of IIse Schumann with the tenor Michael Knapp, Anmari van der Westhuizen, soprano Noriko Motoyoshi and works by the Austrian composer Hannes Heher have been released. Her latest CD with tenor Robert Wagner and the Color Quartet was released in May 2013.

Admission:

R130 (adults)

R90 (pensioners)

R70 (UFS staff)

R50 (students & learners)

R50 (block booking of 10+)

Programme:

Beethoven: Sonata for cello and piano No.3 in A major, Op. 69

Schnittke: Sonata for cello and piano (1978)

Popper: Fantasy on Small Russian Songs

Rachmaninoff: Sonata for cello and piano, Op.19

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