Years
2019 2018
Folk Baroque
2018-10-18

Camerata Tinta Barocca presents:

FOLK BAROQUE

18 October 2018

Odeion

19:30

with

  • Bridget Rennie-Salonen (traverso)
  • Darryn Prinsloo (recorder)
  • Annien Shaw (Baroque violin)
  • Uwe Grosser (theorbo, Baroque guitar)
  • Cheryl de Havilland (Baroque cello)
  • Erik Dippenaar (harpsichord, director)

Camerata Tinta Barocca (CTB), founded in Cape Town by violinist Quentin Crida (July 2004), is the leading South African Baroque ensemble playing on period instruments. Its name is derived from the musicians' passion for Baroque music and red wine. The members include some of Cape Town's finest musicians who embrace a historically informed performance practice approach. CTB's concerts have been broadcast on Fine Music Radio and have received critical acclaim in the Cape Times and Die Burger. Mostly playing music from the 18th century, CTB has worked with leaders in their fields, such as Baroque violinists Antoinette Lohmann and Pauline Nobes; violinists David Juritz, Darragh Morgan and Zoe Beyers; countertenor Christopher Ainslie; male soprano Philipp Mathmann; recorder player Stefan Temmingh; mandolin player Alon Sariel and conductor Arjan Tien.

Apart from CTB's annual concert series in their home, St Andrew's Presbyterian Church (Cape Town), the ensemble regularly accompanies opera and oratorio performances, and performs in festivals throughout South Africa. CTB also has an active outreach component, which includes an annual education tour to the West Coast (the Matzikama Music Week), the Sunshine Concerts (an outreach programme for people unable to attend concerts because they are elderly, indigent or disabled in some way), as well as a regular collaboration with the Keiskamma Music Academy (Eastern Cape).

Since 2011 CTB has gradually moved towards playing on period instruments. Currently it is the only period ensemble in South Africa that regularly plays in orchestral format, performing most of its annual concerts on period instruments. In 2013 CTB, in collaboration with the Cape Consort, gave the first South African period performance of Handel's Messiah. During November 2016 CTB played for Cape Town Opera's first production to use a period instrument orchestra: Monteverdi's L'Orfeo, directed by Jaco Bouwer and conducted by Erik Dippenaar. In December 2016 CTB was nominated for a kykNET Fiesta award for a programme titled Handel in the Drawing Room presented during the 2016 Klein Karoo Klassique festival. In September 2017 CTB successfully launched the first annual Cape Town Baroque Festival.

In 2015 CTB set up a collaboration with the early music ensemble Collegium Musicum at the South African College of Music, University of Cape Town, through which two student cadets annually receive hands-on training in period performance in CTB projects. The cadet scheme is generously supported by the Claude Leon Foundation. In July 2015 Erik Dippenaar was appointed Artistic Director of CTB, Michael Maas (former CEO of the Artscape Theatre Centre) as Administrative Coordinator and Cheryl de Havilland as Outreach Coordinator.

www.ctbaroque.co.za

PROGRAMME

  • Marco Uccelini (c.1610 – 1680): Bergamasca
  • Trad. Scottish, Orpheus Caledonius (1733): The bush aboon tranquair
  • Francesco Barsanti (1690 – 1775): The bush aboon tranquair from A Collection of Old Scots Tunes (1742)
  • Francesco Geminiani (1687 – 1762): The bush aboon tranquair from A treatise of good taste in the Art of Musick (1749)
  • Gaspar Sanz (1640 – 1710): Canarios
  • Francesco Barsanti (1690 – 1775): Lochaber from A Collection of Old Scots Tunes (1742)
  • Domenico Scarlatti (1685 – 1757): Sonata in C minor, K.99
  • Gaspar Sanz (1640 – 1710): Zarabanda
  • Tarquinio Merula (1595 – 1665): Ciaconna
  • Trad. Scottish, Orpheus Caledonius (1733): Lady Ann Bothwell's lament
  • Francesco Geminiani (1687 – 1762): Lady Ann Bothwel’s Lament
  • Francesco Veracini (1690 – 1768): Scozzese from Sonata IX, Opus 2 (1744)
  • Niel Gow (1727 – 1807): Lament for the Death of his 2nd wife

ADMISSION

  • R120 (adults)
  • *R80 (pensioners)
  • *R70 (UFS staff)
  • *R50 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above mentioned discount.

ENQUIRIES
Ninette Pretorius (tel. 051 401 2504)


Back
Brahms love waltzes

Sunday, 25 May 2014

Odeion

16:00

A group of outstanding South African musicians – four singers and two pianists – have teamed up to perform both the Op. 52 and Op. 65 of Johannes Brahms’ exquisite Liebeslieder Waltzer for vocal quartet and piano duet.

Eighteen Liebeslieder form part of the Op. 52 set and a further fifteen Lieder (Op. 65) followed five years after Op. 52.  These Lieder are delectable specimens of their kind: pithy, roguish, and written in Viennese waltz-time with none of the soul-searching that went into so many of his serious songs.  The performers include Linelle Wimbles (soprano), Tina Tshupane (mezzo-soprano), Sandile Mabaso (tenor), Hendrè van Zyl (baritone) with pianists Ilse Myburgh and Peter Cartwright.

Soprano Linelle Wimbles studied for a BMusHons degree with Prof Werner Nel after which she continued her studies in München at the Hochschule für Musik und Theater.  She won several bursaries and competitions like the SABC Singing Competition and the International Belvedere Singing Competition.  Linelle has already sung opera roles such as Papagena (Mozart: Die Zauberflöte), Oscar (Verdi: Un Ballo in Maschera), Susanna (Mozart: Le nozze di Figaro) and Monica (Menotti: The Medium). She regularly performs in oratoria and at several arts festivals.  She is currently studying with Emma Renzi.    

Mezzo-soprano Tina Tshupane received her vocal training from Prof Werner Nel.  She completed her BMus degree and is currently working as freelance singer in Johannesburg.  She performs as soloist with the Chamber Choir of South Africa (under the leadership op Michael Dingaan) and regularly performs in oratoria countrywide.     

Tenor Sandile Mabaso completed his BMus degree in 2005 (UP).  His first professional performances were with Opera Africa in 2006.  In July of 2006 he was appointed member of the Cape Town Vocal Ensemble which toured to Germany, France and Sweden.  In 2008 he was accepted as student of renowned soprano Elizabeth Connell.  In 2009 he started with private lessons with Prof Werner Nel and was chosen to take part in the International Baroque Symposium.  In 2010 he sang the role of Acis (Handel: Acis and Galatea), in 2012 he sang the role of Puck (Purcell: The Faery Queen), in 2007 he sang in the Messiah (Handel) and in 2009 in Stabat Mater (Rossini).

Bariton Hendré van Zyl studied under prof Werner Nel.  Since he made his debut in May 2002 with works by Bach and Mozart he has given recitals in concert halls throughout South Africa.  He has already worked with various local and international conductors such as Richard Cock, Petru Grabe, Gerben Grooten, Kåre Hanken and Peter-Louis van Dijk.  Highlights of 2013 include an Easter Concert of Baroque Music with an ensemble under the leadership of Antoinette Lohmann, performances of Bach’s Cantata (BWV140) and Lamentation No 1, ZWC53 (for Maundy Thursday) by Jan Dismas Zelenka, Brahms’ Ein deutsches Requiem, as well as performances of his Liebeslieder, Op. 52 and Neue Liebeslieder, Op. 65.

Pianist Ilse Myburgh merges het talents as accompanist and piano teacher with an entrepreneurial spirit.  Influences of masterclasses with Fabio Bidini, Vladimir Viardo, Dorian Leljak, Svein Børkøy, Albie van Schalkwyk, Jill Richards and Peggy Haddon, has shaped her stylistic technique and interpretation of classical music.  Pauline Nossel and Prof Malcolm Nay were her mentors in achieving an MMus in chamber music.  As inspirational director and project manager of the Beka Bantwana Foundation, Ilse invests in a spectrum of pupils and colleagues who seek to showcase their talents, thus reaching out to young children through enjoyment of music. 

Peter Cartwright completed his BMus degree with distinction at Rhodes University, studying piano with Muriel Ilusorio.  Since then Peter has established himself as one of South Africa’s leading young pianists, performing in major venues across South Africa, as well as in Botswana, Zimbabwe and the USA.  He has attended masterclasses by various international pianists in Israel and England. He is currently studying towards an MMus in piano performance and also works as an accompanist, piano teacher and concert organizer.

PROGRAMME:

Brahms: Liebeslieder Waltzer, Op. 52

Brahms: Neue Liebeslieder, Op. 65

ADMISSION:

R110 (adults)

R70 (pensioners, students and learners)

R60 (UFS staff)

R40 (group booking of 10+)

Tickets available at Computicket.

ENQUIRIES:  

Ninette Pretorius (tel. 051 – 401 2504)

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