Years
2019 2018
Folk Baroque
2018-10-18

Camerata Tinta Barocca presents:

FOLK BAROQUE

18 October 2018

Odeion

19:30

with

  • Bridget Rennie-Salonen (traverso)
  • Darryn Prinsloo (recorder)
  • Annien Shaw (Baroque violin)
  • Uwe Grosser (theorbo, Baroque guitar)
  • Cheryl de Havilland (Baroque cello)
  • Erik Dippenaar (harpsichord, director)

Camerata Tinta Barocca (CTB), founded in Cape Town by violinist Quentin Crida (July 2004), is the leading South African Baroque ensemble playing on period instruments. Its name is derived from the musicians' passion for Baroque music and red wine. The members include some of Cape Town's finest musicians who embrace a historically informed performance practice approach. CTB's concerts have been broadcast on Fine Music Radio and have received critical acclaim in the Cape Times and Die Burger. Mostly playing music from the 18th century, CTB has worked with leaders in their fields, such as Baroque violinists Antoinette Lohmann and Pauline Nobes; violinists David Juritz, Darragh Morgan and Zoe Beyers; countertenor Christopher Ainslie; male soprano Philipp Mathmann; recorder player Stefan Temmingh; mandolin player Alon Sariel and conductor Arjan Tien.

Apart from CTB's annual concert series in their home, St Andrew's Presbyterian Church (Cape Town), the ensemble regularly accompanies opera and oratorio performances, and performs in festivals throughout South Africa. CTB also has an active outreach component, which includes an annual education tour to the West Coast (the Matzikama Music Week), the Sunshine Concerts (an outreach programme for people unable to attend concerts because they are elderly, indigent or disabled in some way), as well as a regular collaboration with the Keiskamma Music Academy (Eastern Cape).

Since 2011 CTB has gradually moved towards playing on period instruments. Currently it is the only period ensemble in South Africa that regularly plays in orchestral format, performing most of its annual concerts on period instruments. In 2013 CTB, in collaboration with the Cape Consort, gave the first South African period performance of Handel's Messiah. During November 2016 CTB played for Cape Town Opera's first production to use a period instrument orchestra: Monteverdi's L'Orfeo, directed by Jaco Bouwer and conducted by Erik Dippenaar. In December 2016 CTB was nominated for a kykNET Fiesta award for a programme titled Handel in the Drawing Room presented during the 2016 Klein Karoo Klassique festival. In September 2017 CTB successfully launched the first annual Cape Town Baroque Festival.

In 2015 CTB set up a collaboration with the early music ensemble Collegium Musicum at the South African College of Music, University of Cape Town, through which two student cadets annually receive hands-on training in period performance in CTB projects. The cadet scheme is generously supported by the Claude Leon Foundation. In July 2015 Erik Dippenaar was appointed Artistic Director of CTB, Michael Maas (former CEO of the Artscape Theatre Centre) as Administrative Coordinator and Cheryl de Havilland as Outreach Coordinator.

www.ctbaroque.co.za

PROGRAMME

  • Marco Uccelini (c.1610 – 1680): Bergamasca
  • Trad. Scottish, Orpheus Caledonius (1733): The bush aboon tranquair
  • Francesco Barsanti (1690 – 1775): The bush aboon tranquair from A Collection of Old Scots Tunes (1742)
  • Francesco Geminiani (1687 – 1762): The bush aboon tranquair from A treatise of good taste in the Art of Musick (1749)
  • Gaspar Sanz (1640 – 1710): Canarios
  • Francesco Barsanti (1690 – 1775): Lochaber from A Collection of Old Scots Tunes (1742)
  • Domenico Scarlatti (1685 – 1757): Sonata in C minor, K.99
  • Gaspar Sanz (1640 – 1710): Zarabanda
  • Tarquinio Merula (1595 – 1665): Ciaconna
  • Trad. Scottish, Orpheus Caledonius (1733): Lady Ann Bothwell's lament
  • Francesco Geminiani (1687 – 1762): Lady Ann Bothwel’s Lament
  • Francesco Veracini (1690 – 1768): Scozzese from Sonata IX, Opus 2 (1744)
  • Niel Gow (1727 – 1807): Lament for the Death of his 2nd wife

ADMISSION

  • R120 (adults)
  • *R80 (pensioners)
  • *R70 (UFS staff)
  • *R50 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above mentioned discount.

ENQUIRIES
Ninette Pretorius (tel. 051 401 2504)


Back
The Creation
 
 
 

The Creation

Symphony Choir of Johannesburg  and the Free State Symphony Orchestra conducted by Alexander Fokkens

Soloists:          Magdalene Minnaar (soprano)

         Kgaugelo Mpyane (tenor)

         Aubrey Lodewyk (baritone)

Date:                Sunday 7 September 2014

Venue:             NG Kerk Heuwelsig

Time:               15:00

 

Haydn’s masterpiece, The Creation will be performed at the NG Kerk Heuwelsig on Sunday 7 September by the Symphony Choir of Johannesburg and the Free State Symphony Orchestra conducted by Alexander Fokkens. The soloists are Magadalene Minnaar (soprano), Kgaugelo Mpyane (tenor) and Aubrey Lodewyk (baritone).

Magdalene Minnaar has entertained audiences across the globe with her versatile voice and enigmatic stage presence, evident in her acclaimed performances of the female lead in the international touring production Show Boat and The Phantom of the Opera. Since completing her two years at the Cape Town Opera Studio, highlights include performing as soloist at the opening of the Cape Town Stadium with the Cape Philharmonic Orchestra, Richard Cock and the 20Tenors, as well as the annual RMB Starlight Classics, Last Night at the Proms, Sean Bovim’s spectacular tribute show Queen at the Ballet and Deon Opperman’s multi-media oratorio Die Skepping.

Kgaugelo Mpyane is a final year BMus student at the Odeion School of Music at the University of the Free State majoring in both viola performance and voice. He won the Musicon Solo singing competition in 2010 and 2011 and the UNISA festival, this time in the advanced category, where he won both the classical and non-classical categories, and won the overall prize for the festival. Since 2010 Kgaugelo has sung as a soloist with various leading choirs in South Africa. In 2011 he sang in Handel’s Messiah with Bel Canto Voices. In 2012 he sang as a soloist in Nabucco and Wagner’s Lohengrin as Lohengrin  with The Voices of the Nation Choir (Pretoria).

Aubrey Lodewyk was a huge favourite with the audience at the Rodgers & Hammerstein tribute concert at the Vryfees in July. In 2011 he performed the role of Mandela in the world premiere of Mandela Trilogy and again in its European debut in Cardiff. Aubrey made his debut as Silvio in I Pagliacci at the New Israeli Opera in Tel Aviv, sang the role of William in Jan Meyerowitz opera Il Mulatto in Marseille for the Festival Musique Interdites and was a soloist at the Mandela Day celebration concert in Paris. In 2014 Aubrey performed the role of Guglielmo in Cosi fan Tutte and made his debut in Munich in the title role in Mandela Trilogy (June 2014).

The Symphony Choir of Johannesburg was established in 1947 by Edgar Cree as the SABC Choral Society.  Since 1980, the choir has grown and evolved under the leadership of Richard Cock, and has become the leading choir of its type in South Africa.  Its concerts are regularly broadcast nationwide on SAFM.  The choir has gone from strength to strength under the creative and disciplined directorship of Richard Cock.  Their repertoire is varied and wide: they have sung most of the major well-known oratorios, Mendelssohn’s Elijah, Haydn’s Creation and Nelson Mass, Vivaldi’s Gloria and the Requiems of Brahms, Mozart, Verdi, Fauré and Duruflé – to name a few. 

Admission:

R120 (adults)

R80 (pensioners)

R50 (students/learners/group bookings of 10+)

 

Tickets are available from Computicket outlets or book online at www.computicket.com

 

Enquiries:

Ella Kotze (FSSO), tel. (051) 401-2342 (office hours)

www.fsso.org.za

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