Years
2019 2018
Folk Baroque
2018-10-18

Camerata Tinta Barocca presents:

FOLK BAROQUE

18 October 2018

Odeion

19:30

with

  • Bridget Rennie-Salonen (traverso)
  • Darryn Prinsloo (recorder)
  • Annien Shaw (Baroque violin)
  • Uwe Grosser (theorbo, Baroque guitar)
  • Cheryl de Havilland (Baroque cello)
  • Erik Dippenaar (harpsichord, director)

Camerata Tinta Barocca (CTB), founded in Cape Town by violinist Quentin Crida (July 2004), is the leading South African Baroque ensemble playing on period instruments. Its name is derived from the musicians' passion for Baroque music and red wine. The members include some of Cape Town's finest musicians who embrace a historically informed performance practice approach. CTB's concerts have been broadcast on Fine Music Radio and have received critical acclaim in the Cape Times and Die Burger. Mostly playing music from the 18th century, CTB has worked with leaders in their fields, such as Baroque violinists Antoinette Lohmann and Pauline Nobes; violinists David Juritz, Darragh Morgan and Zoe Beyers; countertenor Christopher Ainslie; male soprano Philipp Mathmann; recorder player Stefan Temmingh; mandolin player Alon Sariel and conductor Arjan Tien.

Apart from CTB's annual concert series in their home, St Andrew's Presbyterian Church (Cape Town), the ensemble regularly accompanies opera and oratorio performances, and performs in festivals throughout South Africa. CTB also has an active outreach component, which includes an annual education tour to the West Coast (the Matzikama Music Week), the Sunshine Concerts (an outreach programme for people unable to attend concerts because they are elderly, indigent or disabled in some way), as well as a regular collaboration with the Keiskamma Music Academy (Eastern Cape).

Since 2011 CTB has gradually moved towards playing on period instruments. Currently it is the only period ensemble in South Africa that regularly plays in orchestral format, performing most of its annual concerts on period instruments. In 2013 CTB, in collaboration with the Cape Consort, gave the first South African period performance of Handel's Messiah. During November 2016 CTB played for Cape Town Opera's first production to use a period instrument orchestra: Monteverdi's L'Orfeo, directed by Jaco Bouwer and conducted by Erik Dippenaar. In December 2016 CTB was nominated for a kykNET Fiesta award for a programme titled Handel in the Drawing Room presented during the 2016 Klein Karoo Klassique festival. In September 2017 CTB successfully launched the first annual Cape Town Baroque Festival.

In 2015 CTB set up a collaboration with the early music ensemble Collegium Musicum at the South African College of Music, University of Cape Town, through which two student cadets annually receive hands-on training in period performance in CTB projects. The cadet scheme is generously supported by the Claude Leon Foundation. In July 2015 Erik Dippenaar was appointed Artistic Director of CTB, Michael Maas (former CEO of the Artscape Theatre Centre) as Administrative Coordinator and Cheryl de Havilland as Outreach Coordinator.

www.ctbaroque.co.za

PROGRAMME

  • Marco Uccelini (c.1610 – 1680): Bergamasca
  • Trad. Scottish, Orpheus Caledonius (1733): The bush aboon tranquair
  • Francesco Barsanti (1690 – 1775): The bush aboon tranquair from A Collection of Old Scots Tunes (1742)
  • Francesco Geminiani (1687 – 1762): The bush aboon tranquair from A treatise of good taste in the Art of Musick (1749)
  • Gaspar Sanz (1640 – 1710): Canarios
  • Francesco Barsanti (1690 – 1775): Lochaber from A Collection of Old Scots Tunes (1742)
  • Domenico Scarlatti (1685 – 1757): Sonata in C minor, K.99
  • Gaspar Sanz (1640 – 1710): Zarabanda
  • Tarquinio Merula (1595 – 1665): Ciaconna
  • Trad. Scottish, Orpheus Caledonius (1733): Lady Ann Bothwell's lament
  • Francesco Geminiani (1687 – 1762): Lady Ann Bothwel’s Lament
  • Francesco Veracini (1690 – 1768): Scozzese from Sonata IX, Opus 2 (1744)
  • Niel Gow (1727 – 1807): Lament for the Death of his 2nd wife

ADMISSION

  • R120 (adults)
  • *R80 (pensioners)
  • *R70 (UFS staff)
  • *R50 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above mentioned discount.

ENQUIRIES
Ninette Pretorius (tel. 051 401 2504)


Back
ANDREY PISAREV piano recital

Friday, 14 November 2014

ODEION

19:30

 

In 1991, in the International Mozart Competition in Salzburg, a young Russian pianist won the Grand Prize - which was the first time since 1956 that the Grand Prize had been awarded in this competition. It was won by Andrey Pisarev.  In 2006 the reviewer Gunilla Boström wrote in the Swedish newspaper Helsingborgs Dagblad: “In April 2004 I believed that Andrey Pisarev was the best pianist I have ever heard, and this opinion remains after his recital… The expression “World pianist” is not an exaggeration regarding him… “

 

Besides the Mozart Competition, Andrey Pisarev won 1st prize in the Rachmaninoff Piano Competition (Moscow, 1983) as well as 1st Prize in the UNISA TRANSNET International Piano Competition (1992).  The German newspaper Westdeutsche Algemeine Zeitung wrote about Andrey: “His performance cannot be forgotten. …The pianist presented such impressive music that is rarely heard.”

 

He began his musical education at the age of seven. In 1978 he moved to Moscow to study at the Music School and then at the Tchaikovsky Conservatory in Moscow. He graduated in 1987 and received his MMus degree in 1989.

 

Andrey has already performed in of the most prestigious concert halls of the world and with the world’s best symphony orchestras such as the Japan Philharmonic Symphony Orchestra, RAI Orchestra Milan, Cape Town Symphony Orchestra, Russian National Orchestra, St. Petersburg Philharmonic Orchestra. Both solo recitals and concerts with the orchestras were acclaimed by audience and critics in the USA, South and Central America, Europe, Japan, China, South Korea, Taiwan, besides all Russia. Critics wrote after his solo recital at one of Europe’s most prestigious concert halls (Gewandhaus, Leipzig): "… his thoroughly unquestionable and irreprehensible technical accomplishment and imaginative interpretations, which amply tell the story of the brilliant Lisztian piano in its epic moments, or that of Schumannesque intimist in the idyllic ones. His playing is remarkable for its composure as for its complete pianistic command. The faultless proportions, the air of rapt simplicity, the perfect sense of balance and phrase were often breathtaking."

 
Pisarev is professor of piano at the Moscow Conservatory and has held masterclasses in Japan, the USA, Yugoslavia, France and Brazil, to name but a few.

 

PROGRAMME

Mozart: Fantasie in D minor, K.397
Beethoven: Sonata No. 32 in C minor, Op. 111
Schumann: Novelette No 8 in F-sharp minor, Op. 21

Chopin: Nocturne in E minor, Op. 72 No. 1

Chopin: 4 Scherzi

 

OSM INTERNATIONAL MASTERCLASS SERIES 2014

The OSM, in collaboration with ClassicSA, presents masterclasses with Andrey on Thursday afternoon, 13 November (14:00 – 18:00).  For enquiries or is you are interested in taking part, contact Ninette Pretorius (051 401 2504 / pretoriusn@ufs.ac.za)

 

ADMISSION

R130 (adults)

R90 (pensioners)

R70 (UFS staff)

R50 (students and learners)

R50 (group bookings of 10+)

Tickets available at Computicket.

 

ENQUIRIES

Ninette Pretorius (tel. 051 – 401 2504)

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