Years
2019 2018
Folk Baroque
2018-10-18

Camerata Tinta Barocca presents:

FOLK BAROQUE

18 October 2018

Odeion

19:30

with

  • Bridget Rennie-Salonen (traverso)
  • Darryn Prinsloo (recorder)
  • Annien Shaw (Baroque violin)
  • Uwe Grosser (theorbo, Baroque guitar)
  • Cheryl de Havilland (Baroque cello)
  • Erik Dippenaar (harpsichord, director)

Camerata Tinta Barocca (CTB), founded in Cape Town by violinist Quentin Crida (July 2004), is the leading South African Baroque ensemble playing on period instruments. Its name is derived from the musicians' passion for Baroque music and red wine. The members include some of Cape Town's finest musicians who embrace a historically informed performance practice approach. CTB's concerts have been broadcast on Fine Music Radio and have received critical acclaim in the Cape Times and Die Burger. Mostly playing music from the 18th century, CTB has worked with leaders in their fields, such as Baroque violinists Antoinette Lohmann and Pauline Nobes; violinists David Juritz, Darragh Morgan and Zoe Beyers; countertenor Christopher Ainslie; male soprano Philipp Mathmann; recorder player Stefan Temmingh; mandolin player Alon Sariel and conductor Arjan Tien.

Apart from CTB's annual concert series in their home, St Andrew's Presbyterian Church (Cape Town), the ensemble regularly accompanies opera and oratorio performances, and performs in festivals throughout South Africa. CTB also has an active outreach component, which includes an annual education tour to the West Coast (the Matzikama Music Week), the Sunshine Concerts (an outreach programme for people unable to attend concerts because they are elderly, indigent or disabled in some way), as well as a regular collaboration with the Keiskamma Music Academy (Eastern Cape).

Since 2011 CTB has gradually moved towards playing on period instruments. Currently it is the only period ensemble in South Africa that regularly plays in orchestral format, performing most of its annual concerts on period instruments. In 2013 CTB, in collaboration with the Cape Consort, gave the first South African period performance of Handel's Messiah. During November 2016 CTB played for Cape Town Opera's first production to use a period instrument orchestra: Monteverdi's L'Orfeo, directed by Jaco Bouwer and conducted by Erik Dippenaar. In December 2016 CTB was nominated for a kykNET Fiesta award for a programme titled Handel in the Drawing Room presented during the 2016 Klein Karoo Klassique festival. In September 2017 CTB successfully launched the first annual Cape Town Baroque Festival.

In 2015 CTB set up a collaboration with the early music ensemble Collegium Musicum at the South African College of Music, University of Cape Town, through which two student cadets annually receive hands-on training in period performance in CTB projects. The cadet scheme is generously supported by the Claude Leon Foundation. In July 2015 Erik Dippenaar was appointed Artistic Director of CTB, Michael Maas (former CEO of the Artscape Theatre Centre) as Administrative Coordinator and Cheryl de Havilland as Outreach Coordinator.

www.ctbaroque.co.za

PROGRAMME

  • Marco Uccelini (c.1610 – 1680): Bergamasca
  • Trad. Scottish, Orpheus Caledonius (1733): The bush aboon tranquair
  • Francesco Barsanti (1690 – 1775): The bush aboon tranquair from A Collection of Old Scots Tunes (1742)
  • Francesco Geminiani (1687 – 1762): The bush aboon tranquair from A treatise of good taste in the Art of Musick (1749)
  • Gaspar Sanz (1640 – 1710): Canarios
  • Francesco Barsanti (1690 – 1775): Lochaber from A Collection of Old Scots Tunes (1742)
  • Domenico Scarlatti (1685 – 1757): Sonata in C minor, K.99
  • Gaspar Sanz (1640 – 1710): Zarabanda
  • Tarquinio Merula (1595 – 1665): Ciaconna
  • Trad. Scottish, Orpheus Caledonius (1733): Lady Ann Bothwell's lament
  • Francesco Geminiani (1687 – 1762): Lady Ann Bothwel’s Lament
  • Francesco Veracini (1690 – 1768): Scozzese from Sonata IX, Opus 2 (1744)
  • Niel Gow (1727 – 1807): Lament for the Death of his 2nd wife

ADMISSION

  • R120 (adults)
  • *R80 (pensioners)
  • *R70 (UFS staff)
  • *R50 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above mentioned discount.

ENQUIRIES
Ninette Pretorius (tel. 051 401 2504)


Back
Koornhof-Hecht Duo

with celebrated SA violinist, Piet Koornhof, and American pianist, Thomas Hecht

 

7 May 2015

Odeion

19:30

 

“…major talent...”

— The New York Times

 

"Koornhof is an utterly brilliant performer”

— The Cape Times

 

“…fantastic...full mastery…”

— Gazzetta del Sud

 

Violinist Piet Koornhof has performed extensively as recitalist and chamber musician, and as soloist with orchestras in Southern Africa, Europe, North America, Russia, Singapore and New Zealand. His overseas performances include recitals with American pianist Thomas Hecht at the Yong Siew Toh Conservatory of Music (Singapore) and at the Echos Festival (Italy).

 

In 1994 he was the first South African to undertake an extensive recital tour of Russia, with pianist Vladimir Yurigin-Klevke. In 1998 he gave masterclasses and performed at Victoria University of Wellington (New Zealand). In 1999 he performed at the Palaces of St. Petersburg International Chamber Music Festival as a member of the Potch Trio, and appeared as soloist with the Moscow Chamber Orchestra.

 

Piet's most recent CD-recordings (Delos), are the complete JS Bach trio-sonatas for flute, violin and piano with Raffaele Trevisani and Paola Girardi, and the Hendrik Hofmeyr Double CSoncerto for flute, violin and string orchestra with Trevisani and the Moscow Chamber Orchestra led by Constantine Orbelian. His chamber music CD-recordings as founder and violinist of the South African Chamber Music Society for Koch Discover International have garnered high international acclaim. His CD-recording of piano trios of Babadjanian and Vasks as a member of the celebrated Potch Trio was released in South Africa in 2005. A CD of unusual short lyrical pieces for violin and piano with Truida van der Walt, “Remembrances”, became available in 2007. 

 

Piet made his concert debut at the age of nine while he was a pupil of Alan Solomon.  He was awarded scholarships by amongst others the South African Music Rights Organisation, Anglo American Corporation, the Aspen Music School and the Juilliard School where he studied with Dorothy DeLay. He also took part in masterclasses by Itzhak Perlman, Pinchas Zukerman and Segiu Luca.

 

Piet has been teaching violin, viola, chamber music and methodology of violin at the School of Music of the North West University (Potchefstroom) since 1986. He holds a doctorate in music performance from the same institution where he is associate professor.  His masters thesis about the teaching strategy of renowned violin teacher, Dorothy DeLay, provided the material for his article in Strad magazine (August 2001).

 

American pianist Thomas Hecht was invited to Singapore in 2003 as the conservatory's Founding Head of Piano Studies. Over the span of nearly three decades he has concertized internationally as concerto soloist, recitalist, chamber musician and as a member of the acclaimed duo-piano team Hecht & Shapiro - winners of the Munich International Two Piano Competition and USA National Duo Piano Competition. He was the former Head of Piano Studies and Artist-In-Residence at the School of Music at Victoria University (New Zealand) and prior to that served for many years as Professor of Piano and Artist-In-Residence at the Cleveland Institute of Music (USA).  He has performed with leading orchestras such as the New York Philharmonic, Cleveland Orchestra, Baltimore Symphony, Stuttgart Symphony Orchestra, Johannesburg Festival Orchestra, Singapore Symphony Orchestra, Artsakh Symphony Orchestra and the New Zealand Symphony Orchestra. 

 

Career highlights include performances at the Lincoln Center (New York), Berlin Philharmonic Hall, the Kennedy Center (Washington) and solo recitals in Korea, Japan, China, Taiwan, Vietnam, Thailand, Italy, Serbia, Montenegro, Germany and throughout all the major centres of Australia and New Zealand. Hecht is a graduate of the Oberlin Conservatory where he won first prize in the concerto competition and the Kaufmann Award for excellence in chamber music.  Later he was accepted for graduate studies at the Peabody Institute as a student of Leon Fleisher.

 

Hecht enjoys a well-deserved reputation as one of the leading teachers of his generation, having produced a multitude of first prize winners in solo and two piano competitions throughout the United States, Europe and Australasia.   Throughout his career he has represented the USA, New Zealand and Singapore on jury panels of the Gina Bachauer, Geneva, Isangyun, Ibiza and Paralympic International Piano Competitions in addition to the national piano competitions of Japan, Thailand, Australia and South Africa.  He is a Steinway Artist and records for the Azica, Elysium and Atoll labels.

 

PROGRAMME

Arvo Pärt: Fratres

Giya Kancheli: Time…and again

Balys Dvarionas: Various compositions

 

ADMISSION

R130 (adults)

R90 (pensioners)

R70 (UFS staff)

R50 (students and learners)

R50 (group bookings of 10+)

Tickets available at Computicket.

 

ENQUIRIES

Ninette Pretorius (tel. 051 – 401 2504)

 

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