Years
2019 2018
Months
February March April May June July August September October November December
Folk Baroque
2018-10-18

Camerata Tinta Barocca presents:

FOLK BAROQUE

18 October 2018

Odeion

19:30

with

  • Bridget Rennie-Salonen (traverso)
  • Darryn Prinsloo (recorder)
  • Annien Shaw (Baroque violin)
  • Uwe Grosser (theorbo, Baroque guitar)
  • Cheryl de Havilland (Baroque cello)
  • Erik Dippenaar (harpsichord, director)

Camerata Tinta Barocca (CTB), founded in Cape Town by violinist Quentin Crida (July 2004), is the leading South African Baroque ensemble playing on period instruments. Its name is derived from the musicians' passion for Baroque music and red wine. The members include some of Cape Town's finest musicians who embrace a historically informed performance practice approach. CTB's concerts have been broadcast on Fine Music Radio and have received critical acclaim in the Cape Times and Die Burger. Mostly playing music from the 18th century, CTB has worked with leaders in their fields, such as Baroque violinists Antoinette Lohmann and Pauline Nobes; violinists David Juritz, Darragh Morgan and Zoe Beyers; countertenor Christopher Ainslie; male soprano Philipp Mathmann; recorder player Stefan Temmingh; mandolin player Alon Sariel and conductor Arjan Tien.

Apart from CTB's annual concert series in their home, St Andrew's Presbyterian Church (Cape Town), the ensemble regularly accompanies opera and oratorio performances, and performs in festivals throughout South Africa. CTB also has an active outreach component, which includes an annual education tour to the West Coast (the Matzikama Music Week), the Sunshine Concerts (an outreach programme for people unable to attend concerts because they are elderly, indigent or disabled in some way), as well as a regular collaboration with the Keiskamma Music Academy (Eastern Cape).

Since 2011 CTB has gradually moved towards playing on period instruments. Currently it is the only period ensemble in South Africa that regularly plays in orchestral format, performing most of its annual concerts on period instruments. In 2013 CTB, in collaboration with the Cape Consort, gave the first South African period performance of Handel's Messiah. During November 2016 CTB played for Cape Town Opera's first production to use a period instrument orchestra: Monteverdi's L'Orfeo, directed by Jaco Bouwer and conducted by Erik Dippenaar. In December 2016 CTB was nominated for a kykNET Fiesta award for a programme titled Handel in the Drawing Room presented during the 2016 Klein Karoo Klassique festival. In September 2017 CTB successfully launched the first annual Cape Town Baroque Festival.

In 2015 CTB set up a collaboration with the early music ensemble Collegium Musicum at the South African College of Music, University of Cape Town, through which two student cadets annually receive hands-on training in period performance in CTB projects. The cadet scheme is generously supported by the Claude Leon Foundation. In July 2015 Erik Dippenaar was appointed Artistic Director of CTB, Michael Maas (former CEO of the Artscape Theatre Centre) as Administrative Coordinator and Cheryl de Havilland as Outreach Coordinator.

www.ctbaroque.co.za

PROGRAMME

  • Marco Uccelini (c.1610 – 1680): Bergamasca
  • Trad. Scottish, Orpheus Caledonius (1733): The bush aboon tranquair
  • Francesco Barsanti (1690 – 1775): The bush aboon tranquair from A Collection of Old Scots Tunes (1742)
  • Francesco Geminiani (1687 – 1762): The bush aboon tranquair from A treatise of good taste in the Art of Musick (1749)
  • Gaspar Sanz (1640 – 1710): Canarios
  • Francesco Barsanti (1690 – 1775): Lochaber from A Collection of Old Scots Tunes (1742)
  • Domenico Scarlatti (1685 – 1757): Sonata in C minor, K.99
  • Gaspar Sanz (1640 – 1710): Zarabanda
  • Tarquinio Merula (1595 – 1665): Ciaconna
  • Trad. Scottish, Orpheus Caledonius (1733): Lady Ann Bothwell's lament
  • Francesco Geminiani (1687 – 1762): Lady Ann Bothwel’s Lament
  • Francesco Veracini (1690 – 1768): Scozzese from Sonata IX, Opus 2 (1744)
  • Niel Gow (1727 – 1807): Lament for the Death of his 2nd wife

ADMISSION

  • R120 (adults)
  • *R80 (pensioners)
  • *R70 (UFS staff)
  • *R50 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above mentioned discount.

ENQUIRIES
Ninette Pretorius (tel. 051 401 2504)


Back
Jack and the Beanstalk

Name of production: JACK AND THE BEANSTALK

Playwright: Karen Combrinck & Walter Strydom

Director: Walter Strydom

Venue:  Scaena Rehearsal room, UFS main campus

Language: English

 

Dates and times:

6 May 2015                   15h00

7 May 2015                   11h00 & 18h00

8 May 2015                   11h00 & 18h00

9 May 2015                   11h00

 

Prices:  R 25.00 per person and/or R20.00 per person for groups of 10 or more.

 

Bookings:   Computicket (0861 915 8000)

 

 

Press Release

Once upon a time there was an old man who bought Jack’s cow, Dandelion, for 5 beans. When Jack presented this amazing magical treasure to his mother, she asked: “What to do with these vegetables? You know what beans do to your tummy…!” and she promptly chucked them out the window.

 

But, when a humungous beanstalk sprouts in Jack’s garden, he has no other choice but to climb the thing to discover what lies at the top. On a mission to find a golden egg that will enable Jack to buy back Dandelion, Jack has to try something, doesn’t he? On this adventure in the clouds, he meets up with an assortment of food and all sorts of condiments. If you don’t know what condiments are, don’t worry, Jack doesn’t either. And all of this, of course, takes place in a giant’s kitchen. A kitchen. Where you prepare food. Where Jack is but the size of a small profiterole.  And where the giant seems to be constantly checking the fridge for something to eat. And where a talking goose is harangued by a beautiful harp to keep quiet or else the giant will want to hear yet another boring piece of classical music. Will Jack be on the menu or can he successfully pose as the giant’s action figure toy? And where will he find that golden egg?

 

Jack and the Beanstalk is this year’s first production for children from the University of the Free State’s Department for Drama and Theatre Arts. A fresh retelling of the ageless classic is specifically aimed to entertain a newer generation of kids with the same story mom and dad loved when they were young. Hard at work behind the scenes of this delightful comedy for younger audiences are the energetic talents of a vibrant group of drama students. Directed by Walter Strydom (known for productions such as the Boer Manie-series, Een Kleine Lientjie and Robin Hood) and showcasing the staging talents of four excellent postgraduate drama students. Jack and the Beanstalk hits the stage early in May.

Economic and Management Sciences

Education

Health Sciences

The Humanities

Law

Natural and Agricultural Sciences

Theology and Religion

Open Distance Learning

Business School

We use cookies to make interactions with our websites and services easy and meaningful, to better understand how they are used and to tailor advertising. You can read more and make your cookie choices here. By continuing to use this site you are giving us your consent to do this.

Accept