Years
2019 2018
Folk Baroque
2018-10-18

Camerata Tinta Barocca presents:

FOLK BAROQUE

18 October 2018

Odeion

19:30

with

  • Bridget Rennie-Salonen (traverso)
  • Darryn Prinsloo (recorder)
  • Annien Shaw (Baroque violin)
  • Uwe Grosser (theorbo, Baroque guitar)
  • Cheryl de Havilland (Baroque cello)
  • Erik Dippenaar (harpsichord, director)

Camerata Tinta Barocca (CTB), founded in Cape Town by violinist Quentin Crida (July 2004), is the leading South African Baroque ensemble playing on period instruments. Its name is derived from the musicians' passion for Baroque music and red wine. The members include some of Cape Town's finest musicians who embrace a historically informed performance practice approach. CTB's concerts have been broadcast on Fine Music Radio and have received critical acclaim in the Cape Times and Die Burger. Mostly playing music from the 18th century, CTB has worked with leaders in their fields, such as Baroque violinists Antoinette Lohmann and Pauline Nobes; violinists David Juritz, Darragh Morgan and Zoe Beyers; countertenor Christopher Ainslie; male soprano Philipp Mathmann; recorder player Stefan Temmingh; mandolin player Alon Sariel and conductor Arjan Tien.

Apart from CTB's annual concert series in their home, St Andrew's Presbyterian Church (Cape Town), the ensemble regularly accompanies opera and oratorio performances, and performs in festivals throughout South Africa. CTB also has an active outreach component, which includes an annual education tour to the West Coast (the Matzikama Music Week), the Sunshine Concerts (an outreach programme for people unable to attend concerts because they are elderly, indigent or disabled in some way), as well as a regular collaboration with the Keiskamma Music Academy (Eastern Cape).

Since 2011 CTB has gradually moved towards playing on period instruments. Currently it is the only period ensemble in South Africa that regularly plays in orchestral format, performing most of its annual concerts on period instruments. In 2013 CTB, in collaboration with the Cape Consort, gave the first South African period performance of Handel's Messiah. During November 2016 CTB played for Cape Town Opera's first production to use a period instrument orchestra: Monteverdi's L'Orfeo, directed by Jaco Bouwer and conducted by Erik Dippenaar. In December 2016 CTB was nominated for a kykNET Fiesta award for a programme titled Handel in the Drawing Room presented during the 2016 Klein Karoo Klassique festival. In September 2017 CTB successfully launched the first annual Cape Town Baroque Festival.

In 2015 CTB set up a collaboration with the early music ensemble Collegium Musicum at the South African College of Music, University of Cape Town, through which two student cadets annually receive hands-on training in period performance in CTB projects. The cadet scheme is generously supported by the Claude Leon Foundation. In July 2015 Erik Dippenaar was appointed Artistic Director of CTB, Michael Maas (former CEO of the Artscape Theatre Centre) as Administrative Coordinator and Cheryl de Havilland as Outreach Coordinator.

www.ctbaroque.co.za

PROGRAMME

  • Marco Uccelini (c.1610 – 1680): Bergamasca
  • Trad. Scottish, Orpheus Caledonius (1733): The bush aboon tranquair
  • Francesco Barsanti (1690 – 1775): The bush aboon tranquair from A Collection of Old Scots Tunes (1742)
  • Francesco Geminiani (1687 – 1762): The bush aboon tranquair from A treatise of good taste in the Art of Musick (1749)
  • Gaspar Sanz (1640 – 1710): Canarios
  • Francesco Barsanti (1690 – 1775): Lochaber from A Collection of Old Scots Tunes (1742)
  • Domenico Scarlatti (1685 – 1757): Sonata in C minor, K.99
  • Gaspar Sanz (1640 – 1710): Zarabanda
  • Tarquinio Merula (1595 – 1665): Ciaconna
  • Trad. Scottish, Orpheus Caledonius (1733): Lady Ann Bothwell's lament
  • Francesco Geminiani (1687 – 1762): Lady Ann Bothwel’s Lament
  • Francesco Veracini (1690 – 1768): Scozzese from Sonata IX, Opus 2 (1744)
  • Niel Gow (1727 – 1807): Lament for the Death of his 2nd wife

ADMISSION

  • R120 (adults)
  • *R80 (pensioners)
  • *R70 (UFS staff)
  • *R50 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above mentioned discount.

ENQUIRIES
Ninette Pretorius (tel. 051 401 2504)


Back
Awadagin Pratt – American pianist in concert!

15 May 2015

Odeion

19:30

 

Among his generation of concert artists, pianist Awadagin Pratt is acclaimed for his musical insight and intensely involving performances in recital and with symphony orchestras.

 

Born in 1966 in Pittsburgh, Awadagin began studying piano at the age of six.  At the age of 16 he entered the University of Illinois where he studied piano, violin, and conducting.  He subsequently enrolled at the Peabody Conservatory of Music where he became the first student in the school's history to receive diplomas in three performance areas (piano, violin and conducting).  Awadagin recently received the Distinguished Alumni Award from Johns Hopkins.  In 1992 he won the Naumburg International Piano Competition and two years later was awarded an Avery Fisher Career Grant.  Since then, he has played numerous recitals throughout the US.  Summer festival engagements include Ravinia, Blossom, Wolf Trap, Caramoor and Aspen, the Hollywood Bowl and the Mostly Mozart Festival (Tokyo.)

 

Recent appearances include recital engagements at the New Jersey Performing Arts Center in Newark and in Baltimore, La Jolla, Los Angeles, Pittsburgh and at Duke University, as well as appearances with the orchestras of Cincinnati, Indianapolis, Seattle, Colorado, Portland ME, Utah, Richmond, Grand Rapids, Winston-Salem, Allentown and Mobile.  He played a recital in Carnegie Hall for the Naumburg Foundation in November 2010 and appeared at the 2012 Ravinia Festival in a duo recital with cellist Zuill Bailey.

 

Internationally, Awadagin has toured Japan, Germany, Italy, Switzerland, Poland, Israel, Columbia and South Africa.  He has been the subject of numerous articles in the national press, including Newsweek, People Magazine and New York Newsday.  He was named one of the 50 Leaders of Tomorrow in Ebony Magazine's special 50th anniversary issue. 

 

In 2009, he was one of four artists selected to perform at a White House classical music event and performing in concert for guests including President Obama.  He has performed two other times at the White House, both at the invitation of the President.  His recordings for Angel/EMI include A Long Way From Normal, an all Beethoven Sonata CD, Live From South Africa, Transformations and an all Bach disc with the St. Lawrence String Quartet.  His most recent recordings are the Brahms Sonatas for cello and piano with Zuill Bailey and a recording of the music of Judith Lang Zaimont with the Harlem Quartet. 

 

He is currently Professor of Piano and Artist in Residence at the College Conservatory of Music at the University of Cincinnati.  He is also the Artistic Director of the World Piano Competition as well as the Artistic Director of the Art of the Piano Festival.  Awadagin is a Yamaha artist.

 

PROGRAMME

Brahms: Variations on a Theme by Paganini, Op. 35

Bach Busoni: Chaconne in D minor, BWV 1004

Liszt: Sonata in B minor

 

ADMISSION

R130 (adults)

R90 (pensioners)

R70 (UFS staff)

R50 (students and learners)

R50 (group bookings of 10+)

Tickets available at Computicket.

 

ENQUIRIES

Ninette Pretorius (tel. 051 – 401 2504)

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