Years
2019 2018
Folk Baroque
2018-10-18

Camerata Tinta Barocca presents:

FOLK BAROQUE

18 October 2018

Odeion

19:30

with

  • Bridget Rennie-Salonen (traverso)
  • Darryn Prinsloo (recorder)
  • Annien Shaw (Baroque violin)
  • Uwe Grosser (theorbo, Baroque guitar)
  • Cheryl de Havilland (Baroque cello)
  • Erik Dippenaar (harpsichord, director)

Camerata Tinta Barocca (CTB), founded in Cape Town by violinist Quentin Crida (July 2004), is the leading South African Baroque ensemble playing on period instruments. Its name is derived from the musicians' passion for Baroque music and red wine. The members include some of Cape Town's finest musicians who embrace a historically informed performance practice approach. CTB's concerts have been broadcast on Fine Music Radio and have received critical acclaim in the Cape Times and Die Burger. Mostly playing music from the 18th century, CTB has worked with leaders in their fields, such as Baroque violinists Antoinette Lohmann and Pauline Nobes; violinists David Juritz, Darragh Morgan and Zoe Beyers; countertenor Christopher Ainslie; male soprano Philipp Mathmann; recorder player Stefan Temmingh; mandolin player Alon Sariel and conductor Arjan Tien.

Apart from CTB's annual concert series in their home, St Andrew's Presbyterian Church (Cape Town), the ensemble regularly accompanies opera and oratorio performances, and performs in festivals throughout South Africa. CTB also has an active outreach component, which includes an annual education tour to the West Coast (the Matzikama Music Week), the Sunshine Concerts (an outreach programme for people unable to attend concerts because they are elderly, indigent or disabled in some way), as well as a regular collaboration with the Keiskamma Music Academy (Eastern Cape).

Since 2011 CTB has gradually moved towards playing on period instruments. Currently it is the only period ensemble in South Africa that regularly plays in orchestral format, performing most of its annual concerts on period instruments. In 2013 CTB, in collaboration with the Cape Consort, gave the first South African period performance of Handel's Messiah. During November 2016 CTB played for Cape Town Opera's first production to use a period instrument orchestra: Monteverdi's L'Orfeo, directed by Jaco Bouwer and conducted by Erik Dippenaar. In December 2016 CTB was nominated for a kykNET Fiesta award for a programme titled Handel in the Drawing Room presented during the 2016 Klein Karoo Klassique festival. In September 2017 CTB successfully launched the first annual Cape Town Baroque Festival.

In 2015 CTB set up a collaboration with the early music ensemble Collegium Musicum at the South African College of Music, University of Cape Town, through which two student cadets annually receive hands-on training in period performance in CTB projects. The cadet scheme is generously supported by the Claude Leon Foundation. In July 2015 Erik Dippenaar was appointed Artistic Director of CTB, Michael Maas (former CEO of the Artscape Theatre Centre) as Administrative Coordinator and Cheryl de Havilland as Outreach Coordinator.

www.ctbaroque.co.za

PROGRAMME

  • Marco Uccelini (c.1610 – 1680): Bergamasca
  • Trad. Scottish, Orpheus Caledonius (1733): The bush aboon tranquair
  • Francesco Barsanti (1690 – 1775): The bush aboon tranquair from A Collection of Old Scots Tunes (1742)
  • Francesco Geminiani (1687 – 1762): The bush aboon tranquair from A treatise of good taste in the Art of Musick (1749)
  • Gaspar Sanz (1640 – 1710): Canarios
  • Francesco Barsanti (1690 – 1775): Lochaber from A Collection of Old Scots Tunes (1742)
  • Domenico Scarlatti (1685 – 1757): Sonata in C minor, K.99
  • Gaspar Sanz (1640 – 1710): Zarabanda
  • Tarquinio Merula (1595 – 1665): Ciaconna
  • Trad. Scottish, Orpheus Caledonius (1733): Lady Ann Bothwell's lament
  • Francesco Geminiani (1687 – 1762): Lady Ann Bothwel’s Lament
  • Francesco Veracini (1690 – 1768): Scozzese from Sonata IX, Opus 2 (1744)
  • Niel Gow (1727 – 1807): Lament for the Death of his 2nd wife

ADMISSION

  • R120 (adults)
  • *R80 (pensioners)
  • *R70 (UFS staff)
  • *R50 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above mentioned discount.

ENQUIRIES
Ninette Pretorius (tel. 051 401 2504)


Back
Anzél Gerber (cello) & Ben Schoeman (piano)

28 May 2015

Odeion

19:30

 

Praised by various critics for her ability to capture the audience through her mature artistic approach, extraordinary musicality and technique, Anzél Gerber is increasingly performing on internationally renowned stages.  Her art as cellist has been shaped by Russia's most prominent teachers and soloists, starting with Alexander Fedortchenko (Spain), and Alexander Kniazev (Moscow State Conservatory).  Later, as part of her PhD in performance (Goldsmiths College, University of London, 2008), she pursued her studies under Natalia Shakhovskaya.  She is a dedicated exponent of the Russian school.

 

She received her first cello lessons from Glenda Piek and later Marian Lewin.  Under Lewin's tutelage she won several music competitions and scholarships, which enabled her to further her studies abroad.  She received guidance from David Geringas, Karine Georgian, Ralph Kirshbaum and Maxim Vengerov and has also attended masterclasses by Mstislav Rostropovich, Natalia Gutman, Heinrich Schiff, Bernard Greenhouse, Gary Hoffman, Maria Kliegel, Young-Chang Cho, Philippe Muller and Julius Berger.

 

As soloist she has collaborated with numerous conductors, including Gérard Korsten, Yasuo Shinozaki, Guido Ajmone-Marsan, David Tidboald, Leslie B Dunner, Christopher Dowdeswell, Robert Maxym, Gordon Hunt, Richard Cock and Hector Hevia.  Together with Ben Schoeman she received the Baronessa Constanza Arezzo Giampiccolo di Donnafugata IBLA Award as overall winners of the IBLA Grand Prize International Music Competition (Italy, 2012). 

 

She served on the faculty and was a member of the jury for the International Music Academy and Competition in Cremona (Italy, July 2013).  She is lecturing cello performance at the University of Stellenbosch since 2014. 

 

Ben Schoeman is regarded as one of South Africa's foremost pianists.  He studied at the University of Pretoria, the Accademia Pianistica 'Incontri col Maestro' (Imola, Italy), the Guildhall School of Music & Drama (UK) and the Scuola di Musica di Fiesole (Italy).  His teachers include Joseph Stanford, Michel Dalberto, Louis Lortie, Boris Petrushansky, Eliso Virsaladze and Ronan O'Hora.  He is currently completing a doctoral thesis on the piano music of South African composer Stefans Grové.  He has won the first grand prize in the 11th UNISA International Piano Competition (2008), first prize in the Royal Overseas League Music Competition (London, 2009), the Standard Bank Young Artist Award for Music (2011) and the Contemporary Music Prize at the Cleveland International Piano Competition (USA, 2013).  He has given solo, chamber music and concerto performances throughout Europe, Canada, the USA and South Africa in such prestigious concert halls as the Wigmore, Barbican, Cadogan and Queen Elizabeth Halls (London), the Konzerthaus (Berlin), Paleis het Loo (the Netherlands), the Gulbenkian Auditorium (Lisbon), Teatro del Giglio (Lucca) and the Romanian Athenaeum (Bucharest).  He has performed at major festivals in the United Kingdom, Italy, South Africa, Romania and Canada. 

 

His solo album, featuring works of Franz Liszt, was released in 2011.  Ben was awarded the KykNet Fiësta and Kanna Awards in recognition of his performances of Liszt's music during the bicentenary of the composer (2011).  He is a Steinway Artist.

 

PROGRAMME

Anton Rubinstein: Sonata no. 1 in D major for cello and piano, Op. 18

Benjamin Britten: Sonata for cello and piano, Op. 65

Frédéric Chopin: Sonata for cello and piano in G minor, Op. 65

Bohuslav Martinu: Variations on a theme of Rossini for cello and piano (1942)

 

ADMISSION

R130 (adults)

R90 (pensioners)

R70 (UFS staff)

R50 (students and learners)

R50 (group bookings of 10+)

Tickets available at Computicket.

 

ENQUIRIES

Ninette Pretorius (tel. 051 – 401 2504051 – 401 2504)

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