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Folk Baroque
2018-10-18

Camerata Tinta Barocca presents:

FOLK BAROQUE

18 October 2018

Odeion

19:30

with

  • Bridget Rennie-Salonen (traverso)
  • Darryn Prinsloo (recorder)
  • Annien Shaw (Baroque violin)
  • Uwe Grosser (theorbo, Baroque guitar)
  • Cheryl de Havilland (Baroque cello)
  • Erik Dippenaar (harpsichord, director)

Camerata Tinta Barocca (CTB), founded in Cape Town by violinist Quentin Crida (July 2004), is the leading South African Baroque ensemble playing on period instruments. Its name is derived from the musicians' passion for Baroque music and red wine. The members include some of Cape Town's finest musicians who embrace a historically informed performance practice approach. CTB's concerts have been broadcast on Fine Music Radio and have received critical acclaim in the Cape Times and Die Burger. Mostly playing music from the 18th century, CTB has worked with leaders in their fields, such as Baroque violinists Antoinette Lohmann and Pauline Nobes; violinists David Juritz, Darragh Morgan and Zoe Beyers; countertenor Christopher Ainslie; male soprano Philipp Mathmann; recorder player Stefan Temmingh; mandolin player Alon Sariel and conductor Arjan Tien.

Apart from CTB's annual concert series in their home, St Andrew's Presbyterian Church (Cape Town), the ensemble regularly accompanies opera and oratorio performances, and performs in festivals throughout South Africa. CTB also has an active outreach component, which includes an annual education tour to the West Coast (the Matzikama Music Week), the Sunshine Concerts (an outreach programme for people unable to attend concerts because they are elderly, indigent or disabled in some way), as well as a regular collaboration with the Keiskamma Music Academy (Eastern Cape).

Since 2011 CTB has gradually moved towards playing on period instruments. Currently it is the only period ensemble in South Africa that regularly plays in orchestral format, performing most of its annual concerts on period instruments. In 2013 CTB, in collaboration with the Cape Consort, gave the first South African period performance of Handel's Messiah. During November 2016 CTB played for Cape Town Opera's first production to use a period instrument orchestra: Monteverdi's L'Orfeo, directed by Jaco Bouwer and conducted by Erik Dippenaar. In December 2016 CTB was nominated for a kykNET Fiesta award for a programme titled Handel in the Drawing Room presented during the 2016 Klein Karoo Klassique festival. In September 2017 CTB successfully launched the first annual Cape Town Baroque Festival.

In 2015 CTB set up a collaboration with the early music ensemble Collegium Musicum at the South African College of Music, University of Cape Town, through which two student cadets annually receive hands-on training in period performance in CTB projects. The cadet scheme is generously supported by the Claude Leon Foundation. In July 2015 Erik Dippenaar was appointed Artistic Director of CTB, Michael Maas (former CEO of the Artscape Theatre Centre) as Administrative Coordinator and Cheryl de Havilland as Outreach Coordinator.

www.ctbaroque.co.za

PROGRAMME

  • Marco Uccelini (c.1610 – 1680): Bergamasca
  • Trad. Scottish, Orpheus Caledonius (1733): The bush aboon tranquair
  • Francesco Barsanti (1690 – 1775): The bush aboon tranquair from A Collection of Old Scots Tunes (1742)
  • Francesco Geminiani (1687 – 1762): The bush aboon tranquair from A treatise of good taste in the Art of Musick (1749)
  • Gaspar Sanz (1640 – 1710): Canarios
  • Francesco Barsanti (1690 – 1775): Lochaber from A Collection of Old Scots Tunes (1742)
  • Domenico Scarlatti (1685 – 1757): Sonata in C minor, K.99
  • Gaspar Sanz (1640 – 1710): Zarabanda
  • Tarquinio Merula (1595 – 1665): Ciaconna
  • Trad. Scottish, Orpheus Caledonius (1733): Lady Ann Bothwell's lament
  • Francesco Geminiani (1687 – 1762): Lady Ann Bothwel’s Lament
  • Francesco Veracini (1690 – 1768): Scozzese from Sonata IX, Opus 2 (1744)
  • Niel Gow (1727 – 1807): Lament for the Death of his 2nd wife

ADMISSION

  • R120 (adults)
  • *R80 (pensioners)
  • *R70 (UFS staff)
  • *R50 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above mentioned discount.

ENQUIRIES
Ninette Pretorius (tel. 051 401 2504)


Back
New Music INDABA

 

 

NewMusicSA is proud to announce the bi-annual New Music Indaba 2015 which will take place at the Odeion School of Music (UFS) from 22 - 26 July 2015 in Bloemfontein.

 

The  New Music Indaba is once again made possible thanks to the continued generous support of the National Arts Council (NAC), the National Lotteries Board (NLB) ,  Business Arts South Africa (BASA) and the Samro Foundation

 

As a symbol of their commitment  to the music of our times the Odeion School of Music (OSM) has been most generous in offering their assistance and facilities for the festival, which will feature a wide range of contemporary art music from South Africa and abroad.

 

Some of the highlights include works to celebrate Boulez' 90th year as well as newly commissioned works by Pierre-Henri Wicomb and Diale Mabitsela. We are also very excited to be able to feature the works of Charlotte Seither with the kind assistance of the Sylt Foundation. Another major event on the programme will be a showcase of new works by Lukas Ligeti for larger ensembles, supported by the Goethe Institut.

 

The New Music Indaba this year will continue the tradition of introducing new works by a diverse range of composers to life on stage with the help of the South African New Music Ensemble (SANME) under the direction of Robert Fokkens, the Odeion School of Music Camerata (OSCM) under the direction of Xavier Cloete, the Choir of Christ Church Arcadia under the direction of George King and the Odeion Vocal Consort under the direction of Lance Phillip.  It will also feature works by leading figures such as Robert Fokkens, Kevin Volans and Hendrik Hofmeyr, to name but a few. At the same time there will be an exciting range of workshops and lectures offered, as well as a roundtable discussion of the current state of new music in South Africa.

 

There will also be activities like improvisation sessions in the days leading up to the event and a choral mass at the Bloemfontein Anglican Cathedral afterwards. Please find more details about the event as well as the full concert schedule from the following link to http://www.newmusicsa.org.za/indaba-2015 on the NewMusicSA website.

 

For more inquiries please contact:

Curator New Music Indaba 2015

Douglas Scott +27 (0) 764647514 

jdmusictuition@gmail.com

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