Years
2019 2018
Folk Baroque
2018-10-18

Camerata Tinta Barocca presents:

FOLK BAROQUE

18 October 2018

Odeion

19:30

with

  • Bridget Rennie-Salonen (traverso)
  • Darryn Prinsloo (recorder)
  • Annien Shaw (Baroque violin)
  • Uwe Grosser (theorbo, Baroque guitar)
  • Cheryl de Havilland (Baroque cello)
  • Erik Dippenaar (harpsichord, director)

Camerata Tinta Barocca (CTB), founded in Cape Town by violinist Quentin Crida (July 2004), is the leading South African Baroque ensemble playing on period instruments. Its name is derived from the musicians' passion for Baroque music and red wine. The members include some of Cape Town's finest musicians who embrace a historically informed performance practice approach. CTB's concerts have been broadcast on Fine Music Radio and have received critical acclaim in the Cape Times and Die Burger. Mostly playing music from the 18th century, CTB has worked with leaders in their fields, such as Baroque violinists Antoinette Lohmann and Pauline Nobes; violinists David Juritz, Darragh Morgan and Zoe Beyers; countertenor Christopher Ainslie; male soprano Philipp Mathmann; recorder player Stefan Temmingh; mandolin player Alon Sariel and conductor Arjan Tien.

Apart from CTB's annual concert series in their home, St Andrew's Presbyterian Church (Cape Town), the ensemble regularly accompanies opera and oratorio performances, and performs in festivals throughout South Africa. CTB also has an active outreach component, which includes an annual education tour to the West Coast (the Matzikama Music Week), the Sunshine Concerts (an outreach programme for people unable to attend concerts because they are elderly, indigent or disabled in some way), as well as a regular collaboration with the Keiskamma Music Academy (Eastern Cape).

Since 2011 CTB has gradually moved towards playing on period instruments. Currently it is the only period ensemble in South Africa that regularly plays in orchestral format, performing most of its annual concerts on period instruments. In 2013 CTB, in collaboration with the Cape Consort, gave the first South African period performance of Handel's Messiah. During November 2016 CTB played for Cape Town Opera's first production to use a period instrument orchestra: Monteverdi's L'Orfeo, directed by Jaco Bouwer and conducted by Erik Dippenaar. In December 2016 CTB was nominated for a kykNET Fiesta award for a programme titled Handel in the Drawing Room presented during the 2016 Klein Karoo Klassique festival. In September 2017 CTB successfully launched the first annual Cape Town Baroque Festival.

In 2015 CTB set up a collaboration with the early music ensemble Collegium Musicum at the South African College of Music, University of Cape Town, through which two student cadets annually receive hands-on training in period performance in CTB projects. The cadet scheme is generously supported by the Claude Leon Foundation. In July 2015 Erik Dippenaar was appointed Artistic Director of CTB, Michael Maas (former CEO of the Artscape Theatre Centre) as Administrative Coordinator and Cheryl de Havilland as Outreach Coordinator.

www.ctbaroque.co.za

PROGRAMME

  • Marco Uccelini (c.1610 – 1680): Bergamasca
  • Trad. Scottish, Orpheus Caledonius (1733): The bush aboon tranquair
  • Francesco Barsanti (1690 – 1775): The bush aboon tranquair from A Collection of Old Scots Tunes (1742)
  • Francesco Geminiani (1687 – 1762): The bush aboon tranquair from A treatise of good taste in the Art of Musick (1749)
  • Gaspar Sanz (1640 – 1710): Canarios
  • Francesco Barsanti (1690 – 1775): Lochaber from A Collection of Old Scots Tunes (1742)
  • Domenico Scarlatti (1685 – 1757): Sonata in C minor, K.99
  • Gaspar Sanz (1640 – 1710): Zarabanda
  • Tarquinio Merula (1595 – 1665): Ciaconna
  • Trad. Scottish, Orpheus Caledonius (1733): Lady Ann Bothwell's lament
  • Francesco Geminiani (1687 – 1762): Lady Ann Bothwel’s Lament
  • Francesco Veracini (1690 – 1768): Scozzese from Sonata IX, Opus 2 (1744)
  • Niel Gow (1727 – 1807): Lament for the Death of his 2nd wife

ADMISSION

  • R120 (adults)
  • *R80 (pensioners)
  • *R70 (UFS staff)
  • *R50 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above mentioned discount.

ENQUIRIES
Ninette Pretorius (tel. 051 401 2504)


Back
Ben Capps (cello) & Pieter Grobler (piano)

American virtuoso cellist in concert!

 

20 August 2015

Odeion

19:30

 

Exciting young American cellist Ben Capps enjoys a versatile performing career as a soloist, chamber musician and orchestral principal.  His artistry has been praised as “most appealing” by the New York Times, “virtuosic and impassioned” by the Barre Montpelier Times.  The Holland Times hailed Capps as a “young cello phenomenon from New York” with “dazzling technique and a fearsomely meaty tone”, and the Epoch Times proclaimed that “Capps has it all ... cello playing of the very highest standard.” 

 

Ben started playing the cello at age four with Nellis DeLay.  At ten he was admitted to Juilliard Pre-College, where he studied with Anne Alton, Andre Emelianoff, and modern cello guru Fred Sherry.  He received a BMus degree at Manhattan School of Music, and an MMus from Juilliard (2010), both under the guidance of David Soyer.  He is currently enrolled in the Graduate Diploma program at New England Conservatory (Boston), where he is a student of Laurence Lesser.  He is the recipient of many awards, including the New York State Association of Music Teachers Scholarship Competition (1999); Juilliard Pre-College Symphony Concerto Competition (2001), the Lillian Fuchs Award (2004), the Francis Goelet Scholarship (Juilliard, 2008-2009), the Irving Mulde Scholarship (Juilliard, 2009-10), and the Piatigorsky Scholarship (New England Conservatory, 2012-13).  He has coached with numerous cellists, including Bernard Greenhouse, Ko Iwasaki, Paul Katz, and Nathanial Rosen, has performed in masterclasses for Steven Isserlis, Alexander Rudin, Mischa Maisky, Natalia Gutman, Peter Wylie, Timothy Eddy, Matt Haimowitz and Jonathan Biss. He has performed at such prestigious venues as Carnegie Hall's Stern Auditorium, Weill and Zankel Halls, Lincoln Center's Avery Fisher Hall, Alice Tully Hall, the Kennedy Center for the Performing Arts in Washington D.C., Mann Hall in Tel Aviv and Sala Nezahualcoytl in Mexico City.  He has appeared as soloist with the Philharmonic Orchestra of the Americas, the New York Concerti Sinfonietta, the Manchester Music Festival Orchestra and the Manhattan School of Music Composer's Orchestra.  Recent performance highlights include a recital tour of China and recital appearances in New York, Greece and Spain.  Highlights of the 2013 season include solo performances of the Schumann Cello Concerto with the Danbury Symphony & The Liora Chamber Orchestra and Shostakovich Cello Concerto No. 1 with the Orchestra Filarmonica de Jalisco.  At age 21, Capps was appointed principal cellist of Philharmonic Orchestra of the Americas.  An avid chamber musician, he has participated in the Bowdoin Schlern Int'l (Italy), Burgos Int'l (Spain) and Summit Summer Festivals, the Perlman Music Program, and the ChamberFest and FOCUS! Festivals in Lincoln Center. Ben Capps plays a William Forester cello built in 1782 in England.

 

Pieter Grobler worked with Joseph Stanford at the University of Pretoria obtaining BMus and BMusHons degrees in piano performance (cum laude).  Postgraduate studies were with Joseph Banowetz at the University of North Texas (USA), where he completed the MMus and DMA piano performance degrees.  His training was further enriched through masterclasses from Leonard Hokanson, Andrzej Jasinski, Pascal Rogé and Niel Immelman, to name but a few.  During the 2003 Unisa/Vodacom National Piano Competition he was awarded the Bill van Tonder Prize.  In August 2013 he was also heard on WFMT-Classical Radio in a live broadcast from the Preston Bradley Hall as part of the International Music Foundation's Dame Myra Hess Memorial Concert Series in Chicago (USA).  He is also regularly heard on ClassicFM radio in South Africa.  After completion of his studies he worked for three years in Ohio where he was on the piano faculty of Heidelberg College. Pieter is currently on the piano faculty at the University of Stellenboschwhere he is also the head of practical music studies and maintains an active concert schedule.

 

PROGRAMME

Britten: Cello Suite No. 1, Op. 72

Debussy: Sonata (1915)

Chopin: Introduction and Polonaise Brillante in C major, Op. 3 

Mendelssohn: Cello Sonata No. 2 in D major, Op. 58

 

ADMISSION

R130 (adults)

R90 (pensioners)

R70 (UFS staff)

R50 (students and learners)

R50 (group bookings of 10+)

Tickets available at Computicket.

 

ENQUIRIES

Ninette Pretorius (tel. 051 – 401 2504)

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