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Folk Baroque
2018-10-18

Camerata Tinta Barocca presents:

FOLK BAROQUE

18 October 2018

Odeion

19:30

with

  • Bridget Rennie-Salonen (traverso)
  • Darryn Prinsloo (recorder)
  • Annien Shaw (Baroque violin)
  • Uwe Grosser (theorbo, Baroque guitar)
  • Cheryl de Havilland (Baroque cello)
  • Erik Dippenaar (harpsichord, director)

Camerata Tinta Barocca (CTB), founded in Cape Town by violinist Quentin Crida (July 2004), is the leading South African Baroque ensemble playing on period instruments. Its name is derived from the musicians' passion for Baroque music and red wine. The members include some of Cape Town's finest musicians who embrace a historically informed performance practice approach. CTB's concerts have been broadcast on Fine Music Radio and have received critical acclaim in the Cape Times and Die Burger. Mostly playing music from the 18th century, CTB has worked with leaders in their fields, such as Baroque violinists Antoinette Lohmann and Pauline Nobes; violinists David Juritz, Darragh Morgan and Zoe Beyers; countertenor Christopher Ainslie; male soprano Philipp Mathmann; recorder player Stefan Temmingh; mandolin player Alon Sariel and conductor Arjan Tien.

Apart from CTB's annual concert series in their home, St Andrew's Presbyterian Church (Cape Town), the ensemble regularly accompanies opera and oratorio performances, and performs in festivals throughout South Africa. CTB also has an active outreach component, which includes an annual education tour to the West Coast (the Matzikama Music Week), the Sunshine Concerts (an outreach programme for people unable to attend concerts because they are elderly, indigent or disabled in some way), as well as a regular collaboration with the Keiskamma Music Academy (Eastern Cape).

Since 2011 CTB has gradually moved towards playing on period instruments. Currently it is the only period ensemble in South Africa that regularly plays in orchestral format, performing most of its annual concerts on period instruments. In 2013 CTB, in collaboration with the Cape Consort, gave the first South African period performance of Handel's Messiah. During November 2016 CTB played for Cape Town Opera's first production to use a period instrument orchestra: Monteverdi's L'Orfeo, directed by Jaco Bouwer and conducted by Erik Dippenaar. In December 2016 CTB was nominated for a kykNET Fiesta award for a programme titled Handel in the Drawing Room presented during the 2016 Klein Karoo Klassique festival. In September 2017 CTB successfully launched the first annual Cape Town Baroque Festival.

In 2015 CTB set up a collaboration with the early music ensemble Collegium Musicum at the South African College of Music, University of Cape Town, through which two student cadets annually receive hands-on training in period performance in CTB projects. The cadet scheme is generously supported by the Claude Leon Foundation. In July 2015 Erik Dippenaar was appointed Artistic Director of CTB, Michael Maas (former CEO of the Artscape Theatre Centre) as Administrative Coordinator and Cheryl de Havilland as Outreach Coordinator.

www.ctbaroque.co.za

PROGRAMME

  • Marco Uccelini (c.1610 – 1680): Bergamasca
  • Trad. Scottish, Orpheus Caledonius (1733): The bush aboon tranquair
  • Francesco Barsanti (1690 – 1775): The bush aboon tranquair from A Collection of Old Scots Tunes (1742)
  • Francesco Geminiani (1687 – 1762): The bush aboon tranquair from A treatise of good taste in the Art of Musick (1749)
  • Gaspar Sanz (1640 – 1710): Canarios
  • Francesco Barsanti (1690 – 1775): Lochaber from A Collection of Old Scots Tunes (1742)
  • Domenico Scarlatti (1685 – 1757): Sonata in C minor, K.99
  • Gaspar Sanz (1640 – 1710): Zarabanda
  • Tarquinio Merula (1595 – 1665): Ciaconna
  • Trad. Scottish, Orpheus Caledonius (1733): Lady Ann Bothwell's lament
  • Francesco Geminiani (1687 – 1762): Lady Ann Bothwel’s Lament
  • Francesco Veracini (1690 – 1768): Scozzese from Sonata IX, Opus 2 (1744)
  • Niel Gow (1727 – 1807): Lament for the Death of his 2nd wife

ADMISSION

  • R120 (adults)
  • *R80 (pensioners)
  • *R70 (UFS staff)
  • *R50 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above mentioned discount.

ENQUIRIES
Ninette Pretorius (tel. 051 401 2504)


Back
Free State Symphony Orchestra conducted by Bernhard Gueller

Soloist             :           Ockie Vermeulen (organ)

Dates               :           Thursday 13 August

Venue             :           Odeion

Time                :           19:30

 

Music lovers will get the opportunity to listen to two of the most famous works for organ and orchestra during the next concert of the Free State Symphony Orchestra. The Pretoria based organist Ockie Vermeulen will be the soloist in Albinoni’s famous Adagio in G minor as well as Poulenc’s Organ Concerto in G minor. Also on the programme are Schumann’s Symphony No. 4 and Arvo Pärt’s Fratres. The internationally acclaimed conductor Bernhard Gueller will be on the podium. This concert is made possible by a grants from the National Lotteries Commission (NLC) and the Rupert Foundation.

 

Albinoni’s Adagio has been used in several film soundtracks, including Gallipoli and Rollerball and it was also performed at the funeral of Lady Diana, Princess of Wales. Fratres, in its many reincarnations has also appeared soundtracks, most notably There Will Be Blood, starring Daniel Day-Lewis.

 

Ockie Vermeulen is an active concert organist and music arranger. In 2011 he was invited to perform in Monaco where he played for as service which was attended by Prince Albert and Princess Charlene and also gave a solo recital. His debut CD, Highland Cathedral has been met with critical acclaim and has been topping the South African charts for 50 consecutive weeks. In November 2010 he released his second CD Arena on which he collaborated with musicians such as Christa Steyn, Wessel van Wyk, Charl du Plessis and Helen Vosloo.

 

For the last 13 years music director of Symphony Nova Scotia in Halifax, Canada, Bernhard Gueller continues to enthral audiences with his profound and exciting interpretations. Well known to audiences internationally for the passion, mastery and drama he brings to the concert hall podium, Gueller is also acclaimed for his “profound interpretations”, the “stunning responses he gets from musicians” and the excitement he elicits. He is loved by musicians, critics and audience for his musical purity and continually garners praise for the fresh approach he brings to the podium. This is maestro Gueller’s third visit to Bloemfontein and the Free State Symphony Orchestra.

 

Tickets for the concert in the Odeion are available from Computicket outlets or book online at www.computicket.com.

 

Admission:

R130 (adults)

R100 (pensioners)

R50 (students/learners/group bookings of 10+)

 

Enquiries:

Ella Kotze (FSSO), tel. (051) 401-2342 (office hours)

www.fsso.org.za

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