Years
2019 2018
Folk Baroque
2018-10-18

Camerata Tinta Barocca presents:

FOLK BAROQUE

18 October 2018

Odeion

19:30

with

  • Bridget Rennie-Salonen (traverso)
  • Darryn Prinsloo (recorder)
  • Annien Shaw (Baroque violin)
  • Uwe Grosser (theorbo, Baroque guitar)
  • Cheryl de Havilland (Baroque cello)
  • Erik Dippenaar (harpsichord, director)

Camerata Tinta Barocca (CTB), founded in Cape Town by violinist Quentin Crida (July 2004), is the leading South African Baroque ensemble playing on period instruments. Its name is derived from the musicians' passion for Baroque music and red wine. The members include some of Cape Town's finest musicians who embrace a historically informed performance practice approach. CTB's concerts have been broadcast on Fine Music Radio and have received critical acclaim in the Cape Times and Die Burger. Mostly playing music from the 18th century, CTB has worked with leaders in their fields, such as Baroque violinists Antoinette Lohmann and Pauline Nobes; violinists David Juritz, Darragh Morgan and Zoe Beyers; countertenor Christopher Ainslie; male soprano Philipp Mathmann; recorder player Stefan Temmingh; mandolin player Alon Sariel and conductor Arjan Tien.

Apart from CTB's annual concert series in their home, St Andrew's Presbyterian Church (Cape Town), the ensemble regularly accompanies opera and oratorio performances, and performs in festivals throughout South Africa. CTB also has an active outreach component, which includes an annual education tour to the West Coast (the Matzikama Music Week), the Sunshine Concerts (an outreach programme for people unable to attend concerts because they are elderly, indigent or disabled in some way), as well as a regular collaboration with the Keiskamma Music Academy (Eastern Cape).

Since 2011 CTB has gradually moved towards playing on period instruments. Currently it is the only period ensemble in South Africa that regularly plays in orchestral format, performing most of its annual concerts on period instruments. In 2013 CTB, in collaboration with the Cape Consort, gave the first South African period performance of Handel's Messiah. During November 2016 CTB played for Cape Town Opera's first production to use a period instrument orchestra: Monteverdi's L'Orfeo, directed by Jaco Bouwer and conducted by Erik Dippenaar. In December 2016 CTB was nominated for a kykNET Fiesta award for a programme titled Handel in the Drawing Room presented during the 2016 Klein Karoo Klassique festival. In September 2017 CTB successfully launched the first annual Cape Town Baroque Festival.

In 2015 CTB set up a collaboration with the early music ensemble Collegium Musicum at the South African College of Music, University of Cape Town, through which two student cadets annually receive hands-on training in period performance in CTB projects. The cadet scheme is generously supported by the Claude Leon Foundation. In July 2015 Erik Dippenaar was appointed Artistic Director of CTB, Michael Maas (former CEO of the Artscape Theatre Centre) as Administrative Coordinator and Cheryl de Havilland as Outreach Coordinator.

www.ctbaroque.co.za

PROGRAMME

  • Marco Uccelini (c.1610 – 1680): Bergamasca
  • Trad. Scottish, Orpheus Caledonius (1733): The bush aboon tranquair
  • Francesco Barsanti (1690 – 1775): The bush aboon tranquair from A Collection of Old Scots Tunes (1742)
  • Francesco Geminiani (1687 – 1762): The bush aboon tranquair from A treatise of good taste in the Art of Musick (1749)
  • Gaspar Sanz (1640 – 1710): Canarios
  • Francesco Barsanti (1690 – 1775): Lochaber from A Collection of Old Scots Tunes (1742)
  • Domenico Scarlatti (1685 – 1757): Sonata in C minor, K.99
  • Gaspar Sanz (1640 – 1710): Zarabanda
  • Tarquinio Merula (1595 – 1665): Ciaconna
  • Trad. Scottish, Orpheus Caledonius (1733): Lady Ann Bothwell's lament
  • Francesco Geminiani (1687 – 1762): Lady Ann Bothwel’s Lament
  • Francesco Veracini (1690 – 1768): Scozzese from Sonata IX, Opus 2 (1744)
  • Niel Gow (1727 – 1807): Lament for the Death of his 2nd wife

ADMISSION

  • R120 (adults)
  • *R80 (pensioners)
  • *R70 (UFS staff)
  • *R50 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above mentioned discount.

ENQUIRIES
Ninette Pretorius (tel. 051 401 2504)


Back
Hrachya Avanesyan violin recital with Pieter Jacobs (piano)
1 October 2015

Odeion

19:30

 

Avanesyan is considered one of the most inspiring artists of his generation.  Born in Armenia in 1986, he moved to Belgium with his family at the age of 16.  From 2003 to 2008 he studied at the Royal Conservatory of Brussels in the class of Igor Oistrakh, son and pupil of legendary David Oistrakh.  In April 2006, as a young teenager, he won the first prize at the Yehudi Menuhin Competition.  From 2007 he studied at the Queen Elisabeth College of Music (Belgium) with Augustin Dumay.  In 2008 his talent was recognized once more in the musical world, when he won the prestigious Carl Nielsen Competition in Denmark.

 

During recent years Avanesyan has made acclaimed debuts with orchestras such as Belgian National Orchestra (Brussels), London Chamber Orchestra (London), Tokyo Metropolitan Symphony Orchestra, National Orchestra of Lille, Orchestre Royal de Chambre de Wallonie, BBC National Orchestra of Wales, Gulbenkian Orchestra, Lisbon Metropolitan Orchestra, Odense Symphony, South Jutland Symphony, Liège Philharmonic, Belgrade Philharmonic, Orchestra Sinfonia Varsovia and the Danish National Symphony Orchestra (Copenhagen). 

 

Avanesyan has given concerts in prestigious venues like the Wigmore Hall, Salle Gaveau and Théatre des Champs Elysées (Paris), Santury Hall (Tokyo), Moscow Kremlin's Grand Hall, Danish Radio Concert Hall (Copenhagen), National Auditorium (Madrid) and the Palais des Beaux-Art (Brussels).  Highlights have been appearances in David's Hall, Cardiff with the BBC National Orchestra of Wales, where he shared the stage with Joshua Bell and Maxim Vengerov; in Wigmore Hall where he debuted with the American pianist Ashley Wass and numerous recitals at the Montpellier Festival, Menton Festival and Strasbourg Music Festival in memory of Yehudi Menuhin. 

 

In 2010 to 2011 Avanesyan toured extensively in Scandinavia with pianist Marianna Shirinyan and appeared with the Staatsorchester Rheinische Philharmonie, Arthur Rubinstein Philharmonic Orchestra, debut appearance with the Tokyo Symphony Orchestra and a recital tour (Japan).  In 2012 he appeared with Aarhus Symphony Orchestra and Copenhagen Philharmonic for the first time.

 

His first CD with Vieuxtemps Violin Concerto No. 2 was released in 2010.  His first solo CD with music by Dvorak was released in 2011 with Sinfonia Varsovia and Augustin Dumay.  Hrachya plays on the violin of Antonio Stradivarius "Piatti" from 1717.

 

He will be accompanied by Pieter Jacobs, a graduate of the University of Pretoria, who then furthered his studies at Yale in the United States, where he pursued his performing career with considerable success as a soloist and chamber musician in Boston, Cambridge and New Haven before returning to South Africa to perform and teach at the University of Pretoria.  Pieter is regarded as one of SA’s foremost pianists and chamber musicians.

 

PROGRAMME

Mozart - Rondo in C major KV.373

Beethoven - Sonata No. 9 "Kreutzer"

Ravel - Sonata in G major

Brahms - Sonata No. 1 in G major

 

ADMISSION

R130 (adults), R90 (pensioners), R70 (UFS staff), R50 (students and learners), R50 (group bookings of 10+)

Tickets available at Computicket.

 

ENQUIRIES

Ninette Pretorius (tel. 051 401 2504)

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