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Folk Baroque
2018-10-18

Camerata Tinta Barocca presents:

FOLK BAROQUE

18 October 2018

Odeion

19:30

with

  • Bridget Rennie-Salonen (traverso)
  • Darryn Prinsloo (recorder)
  • Annien Shaw (Baroque violin)
  • Uwe Grosser (theorbo, Baroque guitar)
  • Cheryl de Havilland (Baroque cello)
  • Erik Dippenaar (harpsichord, director)

Camerata Tinta Barocca (CTB), founded in Cape Town by violinist Quentin Crida (July 2004), is the leading South African Baroque ensemble playing on period instruments. Its name is derived from the musicians' passion for Baroque music and red wine. The members include some of Cape Town's finest musicians who embrace a historically informed performance practice approach. CTB's concerts have been broadcast on Fine Music Radio and have received critical acclaim in the Cape Times and Die Burger. Mostly playing music from the 18th century, CTB has worked with leaders in their fields, such as Baroque violinists Antoinette Lohmann and Pauline Nobes; violinists David Juritz, Darragh Morgan and Zoe Beyers; countertenor Christopher Ainslie; male soprano Philipp Mathmann; recorder player Stefan Temmingh; mandolin player Alon Sariel and conductor Arjan Tien.

Apart from CTB's annual concert series in their home, St Andrew's Presbyterian Church (Cape Town), the ensemble regularly accompanies opera and oratorio performances, and performs in festivals throughout South Africa. CTB also has an active outreach component, which includes an annual education tour to the West Coast (the Matzikama Music Week), the Sunshine Concerts (an outreach programme for people unable to attend concerts because they are elderly, indigent or disabled in some way), as well as a regular collaboration with the Keiskamma Music Academy (Eastern Cape).

Since 2011 CTB has gradually moved towards playing on period instruments. Currently it is the only period ensemble in South Africa that regularly plays in orchestral format, performing most of its annual concerts on period instruments. In 2013 CTB, in collaboration with the Cape Consort, gave the first South African period performance of Handel's Messiah. During November 2016 CTB played for Cape Town Opera's first production to use a period instrument orchestra: Monteverdi's L'Orfeo, directed by Jaco Bouwer and conducted by Erik Dippenaar. In December 2016 CTB was nominated for a kykNET Fiesta award for a programme titled Handel in the Drawing Room presented during the 2016 Klein Karoo Klassique festival. In September 2017 CTB successfully launched the first annual Cape Town Baroque Festival.

In 2015 CTB set up a collaboration with the early music ensemble Collegium Musicum at the South African College of Music, University of Cape Town, through which two student cadets annually receive hands-on training in period performance in CTB projects. The cadet scheme is generously supported by the Claude Leon Foundation. In July 2015 Erik Dippenaar was appointed Artistic Director of CTB, Michael Maas (former CEO of the Artscape Theatre Centre) as Administrative Coordinator and Cheryl de Havilland as Outreach Coordinator.

www.ctbaroque.co.za

PROGRAMME

  • Marco Uccelini (c.1610 – 1680): Bergamasca
  • Trad. Scottish, Orpheus Caledonius (1733): The bush aboon tranquair
  • Francesco Barsanti (1690 – 1775): The bush aboon tranquair from A Collection of Old Scots Tunes (1742)
  • Francesco Geminiani (1687 – 1762): The bush aboon tranquair from A treatise of good taste in the Art of Musick (1749)
  • Gaspar Sanz (1640 – 1710): Canarios
  • Francesco Barsanti (1690 – 1775): Lochaber from A Collection of Old Scots Tunes (1742)
  • Domenico Scarlatti (1685 – 1757): Sonata in C minor, K.99
  • Gaspar Sanz (1640 – 1710): Zarabanda
  • Tarquinio Merula (1595 – 1665): Ciaconna
  • Trad. Scottish, Orpheus Caledonius (1733): Lady Ann Bothwell's lament
  • Francesco Geminiani (1687 – 1762): Lady Ann Bothwel’s Lament
  • Francesco Veracini (1690 – 1768): Scozzese from Sonata IX, Opus 2 (1744)
  • Niel Gow (1727 – 1807): Lament for the Death of his 2nd wife

ADMISSION

  • R120 (adults)
  • *R80 (pensioners)
  • *R70 (UFS staff)
  • *R50 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above mentioned discount.

ENQUIRIES
Ninette Pretorius (tel. 051 401 2504)


Back
Morgan Szymanski in concert

with

the Odeion String Quartet

Samson Diamond, Sharon de Kock, Jeanne-Louise Moolman & Anmari van der Westhuizen

 

22 October 2015

Odeion

19:30

 

Mexican guitarist, Morgan Szymanski, is teaming up with the Odeion String Quartet to present an exhilarating programme consisting of solo guitar and chamber music works by Vivaldi, Boccherini, Paganini, De Falla, Piazzolla and Ponce. 

 

Described as ‘a player destined for future glories’ (Classical Guitar Magazine) Morgan Szymanski has been highlighted as ‘One to Watch’ by both Gramophone Magazine and the BBC Music Magazine. A featured artist on the cover of Classical Guitar Magazine, Morgan Szymanski was recently selected as a finalist for the ‘Outstanding Young Artist Award’ by MIDEM Classique/IAMA.

 

Morgan Szymanski started playing the guitar at the age of six. Early studies at the National Music School (Mexico) and the Edinburgh Music School led to a scholarship to study under Carlos Bonell and Gary Ryan at the Royal College of Music (RCM) in London, graduating in 2004 with first class honours. During his studies he won all guitar prizes from the RCM as well as scholarships from the Tillett Trust, Countess of Munster Musical Trust, Leverhulme Trust, Wall Trust, FONCA and a scholarship to study at the Conservatorium van Amsterdam. He immediately went on to become the first solo guitarist to be selected by Young Classical Artist Trust and was the first guitarist to be awarded a Junior Fellowship at the RCM, where he completed his Masters with distinction.

 

A top prize-winner at international competitions, in 2002 Morgan won first prize at the National Guitar Competition in Mexico. Performances as a soloist and with orchestras have taken him to concert halls and festivals in Argentina, Austria, Belgium, Bermuda, China, Chile, France, Germany, Guatemala, Holland, Ireland, Italy, Luxembourg, Mexico, Macedonia, Portugal, Spain, Switzerland, Scotland, UK, USA and Zimbabwe.

 

In recent years Morgan has given recitals at major UK venues and festivals including the Wigmore Hall, Cadogan Hall, Bridgewater Hall, Purcell Room, Queen Elizabeth Hall, King’s Place, The Sage Gateshead, Royal Opera House, Lichfield Festival, Salisbury Festival and London International Guitar Festival. He has appeared as a soloist with the Royal Philharmonic Orchestra, Hallé, Northern Sinfonia, Orchestra of the Swan, Southbank Sinfonia, the Welsh Chamber Orchestra, Scottish Sinfonia, the Cervantes Choir and the Academy of St. Martin in the Fields. Morgan continues to build his international reputation with performances around the world.

 

Morgan’s devotion to chamber music has led to collaborations with artists such as John Williams, Celso Machado and Carlos Bonell (guitar), Mark Padmore (tenor), Alison Balsom (trumpet), Priya Mitchell (violin), Marcelo Nisinman (bandoneon), Adam Walker (flute), the Sacconi, Doric and Carducci Quartets, Phuong Nguyen (accordion), Adam Walker (flute) and Clara Mouriz (mezzo-soprano) amongst others.

 

Morgan’s first CD ‘The Unicorn in the Garden’, was released in 2005 including works by Iannarelli, Ritter, Ponce, Barrios and Alec Roth. Morgan’s second CD, ‘Songs in Time of War’ (Signum), is a stunning collaboration with Mark Padmore (tenor), Philip Honoré (violin), Alison Nicholls (harp) and composer Alec Roth. His recordings with his ensemble Machaca, ‘Mano a Mano’ and ‘Los Ambulantes’ on Sarabande Records, have been described as ‘a jewel’ by Gramophone Magazine.

 

Morgan’s latest project is a visual and auditory journey entitled ‘Sketches of Mexico’. Released on Sarabande, this is a unique collaboration combining Mexican music from Julio César Oliva and Manuel M. Ponce and the work of twenty visual artists from the UK, Mexico, Portugal and China. Gramophone Magazine has called it ‘a gorgeous and original tribute to Szymanski’s homeland, its artists and its music’ with Morgan’s playing ‘of the highest order.’  April 2013 also sees the release of ´Sometime I Sing´on the Signum Label, a new CD of the music for tenor and guitar by Alec Roth.

 

Morgan Szymanski plays on a guitar by the Chinese master guitar luthier Yulong Guo.

 

The Odeion String Quartet (OSQ) consists of Samson Diamond (violin), Sharon de Kock (violin), Jeanne-Louise Moolman (viola) and cellist Anmari van der Westhuizen.  Samson Diamond has been appointed as the first violinist and leader of the OSQ in January 2013.  Sharon de Kock has been a member of the OSQ and lecturer in violin at the UFS since 2008.  Jeanne-Louise Moolman was also appointed in 2008 at the UFS as violist of the OSQ and senior lecturer at the OSM. Anmari van der Westhuizen is Adjunct Professor and Head of the OSQ at the UFS. Visit their webpage at http://humanities.ufs.ac.za/content.aspx?DCode=588 to read all about their achievements, awards and more information on the members of the quartet.

 

Programme

Antonio Vivaldi: Lute Concerto in D, RV 93 (Ricordi) Dur

Luigi Boccherini: Quintetto IV in Re Maggiore Dur

Niccolo Paganini: Cantabile in D major

Manuel De Falla: Five Spanish Folk Songs

Manuel M. Ponce: Three Mexican Pieces – Cuiden su Vida - Estrellita – Scherzino Mexicano

 

Admission

R130 (adults), R90 (pensioners), R70 (UFS staff), R50 (students and learners), R50 (group bookings of 10+)

Tickets available at Computicket.

 

Enquiries

Ninette Pretorius (tel. 051 401 2504)

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