Years
2019 2018
Folk Baroque
2018-10-18

Camerata Tinta Barocca presents:

FOLK BAROQUE

18 October 2018

Odeion

19:30

with

  • Bridget Rennie-Salonen (traverso)
  • Darryn Prinsloo (recorder)
  • Annien Shaw (Baroque violin)
  • Uwe Grosser (theorbo, Baroque guitar)
  • Cheryl de Havilland (Baroque cello)
  • Erik Dippenaar (harpsichord, director)

Camerata Tinta Barocca (CTB), founded in Cape Town by violinist Quentin Crida (July 2004), is the leading South African Baroque ensemble playing on period instruments. Its name is derived from the musicians' passion for Baroque music and red wine. The members include some of Cape Town's finest musicians who embrace a historically informed performance practice approach. CTB's concerts have been broadcast on Fine Music Radio and have received critical acclaim in the Cape Times and Die Burger. Mostly playing music from the 18th century, CTB has worked with leaders in their fields, such as Baroque violinists Antoinette Lohmann and Pauline Nobes; violinists David Juritz, Darragh Morgan and Zoe Beyers; countertenor Christopher Ainslie; male soprano Philipp Mathmann; recorder player Stefan Temmingh; mandolin player Alon Sariel and conductor Arjan Tien.

Apart from CTB's annual concert series in their home, St Andrew's Presbyterian Church (Cape Town), the ensemble regularly accompanies opera and oratorio performances, and performs in festivals throughout South Africa. CTB also has an active outreach component, which includes an annual education tour to the West Coast (the Matzikama Music Week), the Sunshine Concerts (an outreach programme for people unable to attend concerts because they are elderly, indigent or disabled in some way), as well as a regular collaboration with the Keiskamma Music Academy (Eastern Cape).

Since 2011 CTB has gradually moved towards playing on period instruments. Currently it is the only period ensemble in South Africa that regularly plays in orchestral format, performing most of its annual concerts on period instruments. In 2013 CTB, in collaboration with the Cape Consort, gave the first South African period performance of Handel's Messiah. During November 2016 CTB played for Cape Town Opera's first production to use a period instrument orchestra: Monteverdi's L'Orfeo, directed by Jaco Bouwer and conducted by Erik Dippenaar. In December 2016 CTB was nominated for a kykNET Fiesta award for a programme titled Handel in the Drawing Room presented during the 2016 Klein Karoo Klassique festival. In September 2017 CTB successfully launched the first annual Cape Town Baroque Festival.

In 2015 CTB set up a collaboration with the early music ensemble Collegium Musicum at the South African College of Music, University of Cape Town, through which two student cadets annually receive hands-on training in period performance in CTB projects. The cadet scheme is generously supported by the Claude Leon Foundation. In July 2015 Erik Dippenaar was appointed Artistic Director of CTB, Michael Maas (former CEO of the Artscape Theatre Centre) as Administrative Coordinator and Cheryl de Havilland as Outreach Coordinator.

www.ctbaroque.co.za

PROGRAMME

  • Marco Uccelini (c.1610 – 1680): Bergamasca
  • Trad. Scottish, Orpheus Caledonius (1733): The bush aboon tranquair
  • Francesco Barsanti (1690 – 1775): The bush aboon tranquair from A Collection of Old Scots Tunes (1742)
  • Francesco Geminiani (1687 – 1762): The bush aboon tranquair from A treatise of good taste in the Art of Musick (1749)
  • Gaspar Sanz (1640 – 1710): Canarios
  • Francesco Barsanti (1690 – 1775): Lochaber from A Collection of Old Scots Tunes (1742)
  • Domenico Scarlatti (1685 – 1757): Sonata in C minor, K.99
  • Gaspar Sanz (1640 – 1710): Zarabanda
  • Tarquinio Merula (1595 – 1665): Ciaconna
  • Trad. Scottish, Orpheus Caledonius (1733): Lady Ann Bothwell's lament
  • Francesco Geminiani (1687 – 1762): Lady Ann Bothwel’s Lament
  • Francesco Veracini (1690 – 1768): Scozzese from Sonata IX, Opus 2 (1744)
  • Niel Gow (1727 – 1807): Lament for the Death of his 2nd wife

ADMISSION

  • R120 (adults)
  • *R80 (pensioners)
  • *R70 (UFS staff)
  • *R50 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above mentioned discount.

ENQUIRIES
Ninette Pretorius (tel. 051 401 2504)


Back
Lavrova Primakov piano duo

with Vassily Primakov & Natalia Lavrova (2 pianos)

7 November 2015

Odeion

19:30

 

“… Lavrova and Primakov take turns playing the piano I and piano II parts, but technically and tonally they are so well-matched, you wouldn’t know who was on first and who was on second unless you actually look at them. Like the talented and imaginative chefs they are, they work wonders with the ingredients they’ve been given… Strongly recommended then for a dazzling display of two-piano works by two phenomenal pianists.”~ Jerry Dubins, Fanfare

 

The Lavrova Primakov Piano Duo was established in August 2010. Since then, they performed extensively throughout the USA and garnered accolades from audiences and critics, stating that “Lavrova and Primakov play with brilliance and depth. They have excellent unity and do not hesitate to go with full power.” - Music Web International.

 

In November 2011, Natalia and Vassily established their own record label, LP Classics, an initiative committed to unearthing lost historical gems, presenting never-before released recordings, and enriching the discographies of emerging stars of new generation.

 

In recent years, Vassily has been hailed as a pianist of world class importance. Gramophone wrote that "Primakov's empathy with Chopin's spirit could hardly be more complete," and the American Record Guide stated: "Since Gilels, how many pianists have the right touch? In Chopin, no one currently playing sounds as good as this! This is a great Chopin pianist." Music Web-International called Primakov's Chopin concertos CD "one of the great Chopin recordings of recent times”.  In 1999, as a teen-aged prize winner of the Cleveland International Piano Competition, Primakov was praised by Donald Rosenberg of the Cleveland Plain Dealer: "How many pianists can make a line sing as the Moscow native did on this occasion? Every poignant phrase took ethereal wing. Elsewhere the music soared with all of the turbulence and poetic vibrancy it possesses. We will be hearing much from this remarkable musician."

 

Natalia Lavrova is a highly regarded performer of multi-faceted artistry, whose sincerity of interpretation and beguiling charm upon the stage has won the hearts of audiences around the world. She enjoys a diverse career upon the international platform, and additionally holds substantial positions in the worlds of arts administration and pedagogy.

 

Solo and orchestral performances have taken Natalia throughout Russia to Canada, France, Hungary, Italy, United Kingdom, South Africa and the United States, to include notable New York venues such as Alice Tully Hall and Avery Fisher Hall, Carnegie Hall and Steinway Hall.  She has captured top prizes at the New Orleans, Isabel Scionti, Frinna Auerbach, Heidi Hermanns, Music Academy of the West, Silver Lake, and Senigallia International Piano Competitions. Upon her debut at the Leeds International Piano Competition, Natalia was the youngest performer of 1996 admitted to the quarterfinal round.  In her repertoire, she has over 30 concertos and extensive solo recital programs, as well as substantial chamber music repertoire, including an ongoing partnership with her duo partner, Vassily Primakov. 

 

Natalia is the founder and president of a very successful private school – the Music School of New York City.

 

Programme

Alexander Scriabin: Fantasy for Two Pianos, Opus Posthumous

Johannes Brahms: Variations on a Theme by Joseph Haydn, Opus 56b

Franz Liszt: Concerto pathétique for Two Pianos (S.258/R.356)

Witold Lutoslawski: Variations on a Theme by Paganini

Anton Arensky: Suite No. 3 Op. 33 “Variations” (1894)    

Sergei Rachmaninoff: Suite No. 2 for Two Pianos, Op. 17

 

Admission

R130 (adults), R90 (pensioners), R70 (UFS staff), R50 (students and learners), R50 (group bookings of 10+)

Tickets available at Computicket.

 

Enquiries

Ninette Pretorius (tel. 051 401 2504)

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