Years
2019 2018
Folk Baroque
2018-10-18

Camerata Tinta Barocca presents:

FOLK BAROQUE

18 October 2018

Odeion

19:30

with

  • Bridget Rennie-Salonen (traverso)
  • Darryn Prinsloo (recorder)
  • Annien Shaw (Baroque violin)
  • Uwe Grosser (theorbo, Baroque guitar)
  • Cheryl de Havilland (Baroque cello)
  • Erik Dippenaar (harpsichord, director)

Camerata Tinta Barocca (CTB), founded in Cape Town by violinist Quentin Crida (July 2004), is the leading South African Baroque ensemble playing on period instruments. Its name is derived from the musicians' passion for Baroque music and red wine. The members include some of Cape Town's finest musicians who embrace a historically informed performance practice approach. CTB's concerts have been broadcast on Fine Music Radio and have received critical acclaim in the Cape Times and Die Burger. Mostly playing music from the 18th century, CTB has worked with leaders in their fields, such as Baroque violinists Antoinette Lohmann and Pauline Nobes; violinists David Juritz, Darragh Morgan and Zoe Beyers; countertenor Christopher Ainslie; male soprano Philipp Mathmann; recorder player Stefan Temmingh; mandolin player Alon Sariel and conductor Arjan Tien.

Apart from CTB's annual concert series in their home, St Andrew's Presbyterian Church (Cape Town), the ensemble regularly accompanies opera and oratorio performances, and performs in festivals throughout South Africa. CTB also has an active outreach component, which includes an annual education tour to the West Coast (the Matzikama Music Week), the Sunshine Concerts (an outreach programme for people unable to attend concerts because they are elderly, indigent or disabled in some way), as well as a regular collaboration with the Keiskamma Music Academy (Eastern Cape).

Since 2011 CTB has gradually moved towards playing on period instruments. Currently it is the only period ensemble in South Africa that regularly plays in orchestral format, performing most of its annual concerts on period instruments. In 2013 CTB, in collaboration with the Cape Consort, gave the first South African period performance of Handel's Messiah. During November 2016 CTB played for Cape Town Opera's first production to use a period instrument orchestra: Monteverdi's L'Orfeo, directed by Jaco Bouwer and conducted by Erik Dippenaar. In December 2016 CTB was nominated for a kykNET Fiesta award for a programme titled Handel in the Drawing Room presented during the 2016 Klein Karoo Klassique festival. In September 2017 CTB successfully launched the first annual Cape Town Baroque Festival.

In 2015 CTB set up a collaboration with the early music ensemble Collegium Musicum at the South African College of Music, University of Cape Town, through which two student cadets annually receive hands-on training in period performance in CTB projects. The cadet scheme is generously supported by the Claude Leon Foundation. In July 2015 Erik Dippenaar was appointed Artistic Director of CTB, Michael Maas (former CEO of the Artscape Theatre Centre) as Administrative Coordinator and Cheryl de Havilland as Outreach Coordinator.

www.ctbaroque.co.za

PROGRAMME

  • Marco Uccelini (c.1610 – 1680): Bergamasca
  • Trad. Scottish, Orpheus Caledonius (1733): The bush aboon tranquair
  • Francesco Barsanti (1690 – 1775): The bush aboon tranquair from A Collection of Old Scots Tunes (1742)
  • Francesco Geminiani (1687 – 1762): The bush aboon tranquair from A treatise of good taste in the Art of Musick (1749)
  • Gaspar Sanz (1640 – 1710): Canarios
  • Francesco Barsanti (1690 – 1775): Lochaber from A Collection of Old Scots Tunes (1742)
  • Domenico Scarlatti (1685 – 1757): Sonata in C minor, K.99
  • Gaspar Sanz (1640 – 1710): Zarabanda
  • Tarquinio Merula (1595 – 1665): Ciaconna
  • Trad. Scottish, Orpheus Caledonius (1733): Lady Ann Bothwell's lament
  • Francesco Geminiani (1687 – 1762): Lady Ann Bothwel’s Lament
  • Francesco Veracini (1690 – 1768): Scozzese from Sonata IX, Opus 2 (1744)
  • Niel Gow (1727 – 1807): Lament for the Death of his 2nd wife

ADMISSION

  • R120 (adults)
  • *R80 (pensioners)
  • *R70 (UFS staff)
  • *R50 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above mentioned discount.

ENQUIRIES
Ninette Pretorius (tel. 051 401 2504)


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UFS Department of Music presents: Wim Viljoen – Organ Recital

UFS Department of Music presents
Wim Viljoen – Organ Recital
Thursday, 5 March 2009
Odeion
19:30

Organ music lovers can look forward to an organ recital with one of SA’s most loved organists and winner of two international organ competitions (in Chartres and Nürnberg), Wim Viljoen.  He will give an exciting organ recital in the Odeion on 5 March 2009.

Wim is currently lecturing organ, harpsichord and organ method at the Department of Music, University of Pretoria where he also heads the Department since May 2008. He completed his graduate studies under prof. Stephan Zondagh (UP) followed by a M.Mus. degree (UCT) and D.Phil. (UP).  He won a SAMRO bursary and the UNISA Overseas Music Scholarship which led to a two year study in Paris under the renowned French organist Marie-Claire Alain.

He is active as concert organist in South Africa and abroad and has already given concerts in the USA, France, Britain, the Netherlands, Switzerland, Belgium, Germany and Czechoslovakia.  He has taken part in international music festivals in Oundle (Britain) and Dax (France).

Wim has already released several CDs: “Sing tot eer van die Here”, “Recital”, “Arioso” (with violinist Zanta Hofmeyr), “O Divine Redeemer” (for Salon Music), “The Trumpet Shall Sound” (with Anton Delen), “Loof die Here” I, II, III en IV (for Fanie Smit), “Universiteitsoord”, and recently with three organists and instrumentalists in a CD titled “Heavenly Organ”. “Recital” was nominated for an award in the instrumental category of the FNB Music Awards (1998).

Wim has given several inaugural concerts for new / rebuilt organs e.g. the inauguration of the organ of the “Veremarksaal” (Port Elizabeth), the rebuilt organ of the cathedral in Litomerice (Czechoslovakia - 1999) and the “Groote Kerk” (Kaapstad - 2002).  He performed for the inauguration of the rebuilt organ of the “Groot Kerk” (Pretoria, built in 1904) with the UP Symphony Orchestra under the baton of prof. Eric Rycroft. 

In 2005 he gave four concerts in England, amongst others at the Westminster Abbey (Londen), and in 2006 he performed in the St. Paul’s Church during the international organ festival in Antwerpen (Belgium).  In 2007 Wim gave three recitals in the USA at the University of North Texas, Wichita State University and the St Anne’s Church in Rochester (New York).

PROGRAM:

J.S. Bach
“Wachet auf, ruft uns die Stimme”, BWV 645
“Meine Seele erhebt den Hernn”, BWV 648
“Kommst du nun, Herr Jesu, vom Himmel herunter?”, BWV 650

J.S. Bach
Prelude and Fugue in A minor, BWV 543

F. Mendelssohn
Sonata  in F, Op. 65 no. 1

J.A. Guilain
From: Suite du 2me ton – “Tierce en taille”

L. Marchand
From: “3me Livre” – Dialogue

H. Temmingh
Three Organ Pieces (1995) – “Intrada, Cantilena, Toccata”

Olivier Messiaen
From: “La Nativité du Seigneur”: Nr. III – “Desseins eternal” (Eternal designs), Nr. IX – “Dieu parmi nous” (God with us)

ADMISSION:
R80 (adults)
R50 (pensioners, students and learners)
Tickets available at Computicket (at all Shoprite / Checkers shops, Mimosa Mall information desk) and at the doors.

ENQUIRIES:
Ninette Pretorius (tel. 051 - 401 2504)

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