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Folk Baroque
2018-10-18

Camerata Tinta Barocca presents:

FOLK BAROQUE

18 October 2018

Odeion

19:30

with

  • Bridget Rennie-Salonen (traverso)
  • Darryn Prinsloo (recorder)
  • Annien Shaw (Baroque violin)
  • Uwe Grosser (theorbo, Baroque guitar)
  • Cheryl de Havilland (Baroque cello)
  • Erik Dippenaar (harpsichord, director)

Camerata Tinta Barocca (CTB), founded in Cape Town by violinist Quentin Crida (July 2004), is the leading South African Baroque ensemble playing on period instruments. Its name is derived from the musicians' passion for Baroque music and red wine. The members include some of Cape Town's finest musicians who embrace a historically informed performance practice approach. CTB's concerts have been broadcast on Fine Music Radio and have received critical acclaim in the Cape Times and Die Burger. Mostly playing music from the 18th century, CTB has worked with leaders in their fields, such as Baroque violinists Antoinette Lohmann and Pauline Nobes; violinists David Juritz, Darragh Morgan and Zoe Beyers; countertenor Christopher Ainslie; male soprano Philipp Mathmann; recorder player Stefan Temmingh; mandolin player Alon Sariel and conductor Arjan Tien.

Apart from CTB's annual concert series in their home, St Andrew's Presbyterian Church (Cape Town), the ensemble regularly accompanies opera and oratorio performances, and performs in festivals throughout South Africa. CTB also has an active outreach component, which includes an annual education tour to the West Coast (the Matzikama Music Week), the Sunshine Concerts (an outreach programme for people unable to attend concerts because they are elderly, indigent or disabled in some way), as well as a regular collaboration with the Keiskamma Music Academy (Eastern Cape).

Since 2011 CTB has gradually moved towards playing on period instruments. Currently it is the only period ensemble in South Africa that regularly plays in orchestral format, performing most of its annual concerts on period instruments. In 2013 CTB, in collaboration with the Cape Consort, gave the first South African period performance of Handel's Messiah. During November 2016 CTB played for Cape Town Opera's first production to use a period instrument orchestra: Monteverdi's L'Orfeo, directed by Jaco Bouwer and conducted by Erik Dippenaar. In December 2016 CTB was nominated for a kykNET Fiesta award for a programme titled Handel in the Drawing Room presented during the 2016 Klein Karoo Klassique festival. In September 2017 CTB successfully launched the first annual Cape Town Baroque Festival.

In 2015 CTB set up a collaboration with the early music ensemble Collegium Musicum at the South African College of Music, University of Cape Town, through which two student cadets annually receive hands-on training in period performance in CTB projects. The cadet scheme is generously supported by the Claude Leon Foundation. In July 2015 Erik Dippenaar was appointed Artistic Director of CTB, Michael Maas (former CEO of the Artscape Theatre Centre) as Administrative Coordinator and Cheryl de Havilland as Outreach Coordinator.

www.ctbaroque.co.za

PROGRAMME

  • Marco Uccelini (c.1610 – 1680): Bergamasca
  • Trad. Scottish, Orpheus Caledonius (1733): The bush aboon tranquair
  • Francesco Barsanti (1690 – 1775): The bush aboon tranquair from A Collection of Old Scots Tunes (1742)
  • Francesco Geminiani (1687 – 1762): The bush aboon tranquair from A treatise of good taste in the Art of Musick (1749)
  • Gaspar Sanz (1640 – 1710): Canarios
  • Francesco Barsanti (1690 – 1775): Lochaber from A Collection of Old Scots Tunes (1742)
  • Domenico Scarlatti (1685 – 1757): Sonata in C minor, K.99
  • Gaspar Sanz (1640 – 1710): Zarabanda
  • Tarquinio Merula (1595 – 1665): Ciaconna
  • Trad. Scottish, Orpheus Caledonius (1733): Lady Ann Bothwell's lament
  • Francesco Geminiani (1687 – 1762): Lady Ann Bothwel’s Lament
  • Francesco Veracini (1690 – 1768): Scozzese from Sonata IX, Opus 2 (1744)
  • Niel Gow (1727 – 1807): Lament for the Death of his 2nd wife

ADMISSION

  • R120 (adults)
  • *R80 (pensioners)
  • *R70 (UFS staff)
  • *R50 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above mentioned discount.

ENQUIRIES
Ninette Pretorius (tel. 051 401 2504)


Back
Harmonic Brass Munich

German brass quintet back in Bloemfontein by popular demand!

2 March 2016

Odeion

19:30

 

Description: Munich Brass Tags: Munich Brass“From the first note to the last, this was a fun, inspiring, engaging and quite simply brilliant concert.” 

(Gareth Harvey, What’s on in Cape Town)

 

After the five gentlemen of Harmonic Brass Munich’s visits to Bloemfontein in 2012 and 2014, concertgoers could not stop talking about the extraordinary and highly entertaining concerts they have been treated with.  The OSM could not let the chance go by to invite them to Bloemfontein with their next SA tour. 

 

Since 1991, the Harmonic Brass Munich has been renowned for its big, elegant brass sound.  Carnegie Hall (New York), Arts Center (Seoul), Leipzig Gewandhaus: the five gentlemen are welcomed and feel at home everywhere in the world. Harmonic Brass travels around the globe playing around 120 concerts a year with different programmes.  An ensemble that spreads good humor: meticulous filing at their performances combined with baroque joie de vivre and serious musical works alternating with giggling boyishness. Five individuals, who couldn't be more unique, melt into a remarkable unity on stage.  Harmonic Brass is supported by an incredibly large number of fans.  Representing the Goethe Institute, Harmonic Brass has been a cultural ambassador all over the world since 2000 and the musicians from Munich also present numerous international workshops.  Anyone who has been to a Harmonic Brass concert knows what the Süddeutsche Zeitung means when writing about an ensemble that "… with its glamorous-virtuous way of performing is one of the best of its kind worldwide."

 

The members of the group have changed since their last visit.  Gergely Lukács has left the group and a lady, Elisabeth Fessler, has succeeded him.

 

Hans Zellner (trumpet) studied with Prof Lachenmaier, Rolf Quinque and Wolfgang Guggenberger at the Richard Strauss Conservatory in Munich as well as the Hochschule für Musik und Theater (also in Munich).

 

Elisabeth Fessler (trumpet) studied with Prof Wolfgang Guggenberger at the Staatliche Hochschule für Musik Trossingen and joined Harmonic Brass Munich in 2014.

 

Andreas Binder (French horn) studied with Prof Siegfried Hammer and Prof Wolfgang Gaag at the Hochschule für Musik und Theater. 

 

Thomas Lux (trombone) studied with Prof. Paul Schreckenberger at the Staatl. Hochschule für Musik und Darstellende Kunst in Mannheim. 

 

Manfred Häberlein (tuba) studied at the Meistersinger-Conservatory in Nürnberg and with Tom Walsh at the Richard Strauss Conservatory in Munich.

 

Programme:

Antonio Vivaldi (1678 - 1741): Concerto in C

Johann Sebastian Bach (1685 - 1750): If you are with me (BWV 508)

Johann Sebastian Bach: Brandenburg Concerto No. 2 (BWV 1047) - Allegro assai

Frederick Loewe (1901 - 1988): My Fair Lady

Michael Jackson (1958 - 2009): Black or White

Giuseppe Verdi (1813 - 1901): Triumphmarsch from “Aida”

Arr.: Hans Zellner (*1968): Africa

Leroy Anderson (1908 - 1975): Buglers Holiday

Arr.: Hans Zellner (*1968): A Tribute to Louis Armstrong           

   (all arrangements by Hans Zellner)

 

Admission:

R130 (adults)

R90 (pensioners, students and learners)

R70 (UFS staff)

R50 (group bookings of 10+)

Tickets available at Computicket.

 

Enquiries:   

Ninette Pretorius (tel. 051 – 401 2504)

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