Years
2019 2018
Folk Baroque
2018-10-18

Camerata Tinta Barocca presents:

FOLK BAROQUE

18 October 2018

Odeion

19:30

with

  • Bridget Rennie-Salonen (traverso)
  • Darryn Prinsloo (recorder)
  • Annien Shaw (Baroque violin)
  • Uwe Grosser (theorbo, Baroque guitar)
  • Cheryl de Havilland (Baroque cello)
  • Erik Dippenaar (harpsichord, director)

Camerata Tinta Barocca (CTB), founded in Cape Town by violinist Quentin Crida (July 2004), is the leading South African Baroque ensemble playing on period instruments. Its name is derived from the musicians' passion for Baroque music and red wine. The members include some of Cape Town's finest musicians who embrace a historically informed performance practice approach. CTB's concerts have been broadcast on Fine Music Radio and have received critical acclaim in the Cape Times and Die Burger. Mostly playing music from the 18th century, CTB has worked with leaders in their fields, such as Baroque violinists Antoinette Lohmann and Pauline Nobes; violinists David Juritz, Darragh Morgan and Zoe Beyers; countertenor Christopher Ainslie; male soprano Philipp Mathmann; recorder player Stefan Temmingh; mandolin player Alon Sariel and conductor Arjan Tien.

Apart from CTB's annual concert series in their home, St Andrew's Presbyterian Church (Cape Town), the ensemble regularly accompanies opera and oratorio performances, and performs in festivals throughout South Africa. CTB also has an active outreach component, which includes an annual education tour to the West Coast (the Matzikama Music Week), the Sunshine Concerts (an outreach programme for people unable to attend concerts because they are elderly, indigent or disabled in some way), as well as a regular collaboration with the Keiskamma Music Academy (Eastern Cape).

Since 2011 CTB has gradually moved towards playing on period instruments. Currently it is the only period ensemble in South Africa that regularly plays in orchestral format, performing most of its annual concerts on period instruments. In 2013 CTB, in collaboration with the Cape Consort, gave the first South African period performance of Handel's Messiah. During November 2016 CTB played for Cape Town Opera's first production to use a period instrument orchestra: Monteverdi's L'Orfeo, directed by Jaco Bouwer and conducted by Erik Dippenaar. In December 2016 CTB was nominated for a kykNET Fiesta award for a programme titled Handel in the Drawing Room presented during the 2016 Klein Karoo Klassique festival. In September 2017 CTB successfully launched the first annual Cape Town Baroque Festival.

In 2015 CTB set up a collaboration with the early music ensemble Collegium Musicum at the South African College of Music, University of Cape Town, through which two student cadets annually receive hands-on training in period performance in CTB projects. The cadet scheme is generously supported by the Claude Leon Foundation. In July 2015 Erik Dippenaar was appointed Artistic Director of CTB, Michael Maas (former CEO of the Artscape Theatre Centre) as Administrative Coordinator and Cheryl de Havilland as Outreach Coordinator.

www.ctbaroque.co.za

PROGRAMME

  • Marco Uccelini (c.1610 – 1680): Bergamasca
  • Trad. Scottish, Orpheus Caledonius (1733): The bush aboon tranquair
  • Francesco Barsanti (1690 – 1775): The bush aboon tranquair from A Collection of Old Scots Tunes (1742)
  • Francesco Geminiani (1687 – 1762): The bush aboon tranquair from A treatise of good taste in the Art of Musick (1749)
  • Gaspar Sanz (1640 – 1710): Canarios
  • Francesco Barsanti (1690 – 1775): Lochaber from A Collection of Old Scots Tunes (1742)
  • Domenico Scarlatti (1685 – 1757): Sonata in C minor, K.99
  • Gaspar Sanz (1640 – 1710): Zarabanda
  • Tarquinio Merula (1595 – 1665): Ciaconna
  • Trad. Scottish, Orpheus Caledonius (1733): Lady Ann Bothwell's lament
  • Francesco Geminiani (1687 – 1762): Lady Ann Bothwel’s Lament
  • Francesco Veracini (1690 – 1768): Scozzese from Sonata IX, Opus 2 (1744)
  • Niel Gow (1727 – 1807): Lament for the Death of his 2nd wife

ADMISSION

  • R120 (adults)
  • *R80 (pensioners)
  • *R70 (UFS staff)
  • *R50 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above mentioned discount.

ENQUIRIES
Ninette Pretorius (tel. 051 401 2504)


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Red Riding Hood

Description: Red Riding Hood Tags: Red Riding HoodName of production: Red Riding Hood

Adapted by: Walter Strydom

Director: Walter Strydom

Venue:  Scaena Rehearsal Room, UFS Main Campus

Language: English

Genre: Children's Theatre

 

Dates and Times:

6 May 2016               11:00 & 18:00      

7 May 2016               11:00

12 May 2016             15:00

13 May 2016             11:00 & 18:00

14 May 2016             11:00

 

Price:  R 25.00 per person and/or R20.00 per person for groups of 10 or more.

Bookings:   Computicket (0861 915 8000)

  

Red Riding Hood’s cat is hungry. She has been fed this morning, but she needs her snack right now. Unfortunately Red Riding Hood is on her way to her Grandmother’s house. Between pulling a prank on the local woodcutter and sharing witticisms with a suspiciously looking dog-like creature, Red Riding Hood forgot to provide said snack. What is a cat to do?

 

The local Woodcutter is afraid. What will his mother say if she finds out he has lost his axe? He just can’t remember where he left it. What he does remember is the last time he saw his axe. It was just before the girl with the red hood sneaked up on him and gave his such a fright it nearly made his heart stop. What did she say? That she is on her way to her Grandmother’s house? Maybe he too should go there to see if she maybe took his axe.

 

Red Riding Hood’s grandmother is feeling a little bit under the weather. She is expecting her wild little grandchild to visit her later today, but at the moment she is left with her knitting. She needs wool, red wool. And three bags full, mind you. Unfortunately there has been a sheep-shortage lately and the local shops are all out of wool. Suddenly there’s a knock at the door. That must be Red Riding Hood…

 

Red Riding Hood is a fresh retelling of the ageless classic specifically aimed to entertain a newer generation of kids with the same story mom and dad loved when they were young. With dancing, songs and hilarious interactive comedy this production from the University of the Free State’s Department of Drama and Theatre Arts is sure to be great family fun. Hard at work behind the scenes of this delightful comedy for younger audiences are the energetic talents of a vibrant group of drama students. Directed by Walter Strydom, whose previous productions include the 2015 production of Jack and the Beanstalk and Gouelokkies en die Drie Bere (2016), Red Riding Hood hits the stage early in May.

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