Years
2019 2018
Folk Baroque
2018-10-18

Camerata Tinta Barocca presents:

FOLK BAROQUE

18 October 2018

Odeion

19:30

with

  • Bridget Rennie-Salonen (traverso)
  • Darryn Prinsloo (recorder)
  • Annien Shaw (Baroque violin)
  • Uwe Grosser (theorbo, Baroque guitar)
  • Cheryl de Havilland (Baroque cello)
  • Erik Dippenaar (harpsichord, director)

Camerata Tinta Barocca (CTB), founded in Cape Town by violinist Quentin Crida (July 2004), is the leading South African Baroque ensemble playing on period instruments. Its name is derived from the musicians' passion for Baroque music and red wine. The members include some of Cape Town's finest musicians who embrace a historically informed performance practice approach. CTB's concerts have been broadcast on Fine Music Radio and have received critical acclaim in the Cape Times and Die Burger. Mostly playing music from the 18th century, CTB has worked with leaders in their fields, such as Baroque violinists Antoinette Lohmann and Pauline Nobes; violinists David Juritz, Darragh Morgan and Zoe Beyers; countertenor Christopher Ainslie; male soprano Philipp Mathmann; recorder player Stefan Temmingh; mandolin player Alon Sariel and conductor Arjan Tien.

Apart from CTB's annual concert series in their home, St Andrew's Presbyterian Church (Cape Town), the ensemble regularly accompanies opera and oratorio performances, and performs in festivals throughout South Africa. CTB also has an active outreach component, which includes an annual education tour to the West Coast (the Matzikama Music Week), the Sunshine Concerts (an outreach programme for people unable to attend concerts because they are elderly, indigent or disabled in some way), as well as a regular collaboration with the Keiskamma Music Academy (Eastern Cape).

Since 2011 CTB has gradually moved towards playing on period instruments. Currently it is the only period ensemble in South Africa that regularly plays in orchestral format, performing most of its annual concerts on period instruments. In 2013 CTB, in collaboration with the Cape Consort, gave the first South African period performance of Handel's Messiah. During November 2016 CTB played for Cape Town Opera's first production to use a period instrument orchestra: Monteverdi's L'Orfeo, directed by Jaco Bouwer and conducted by Erik Dippenaar. In December 2016 CTB was nominated for a kykNET Fiesta award for a programme titled Handel in the Drawing Room presented during the 2016 Klein Karoo Klassique festival. In September 2017 CTB successfully launched the first annual Cape Town Baroque Festival.

In 2015 CTB set up a collaboration with the early music ensemble Collegium Musicum at the South African College of Music, University of Cape Town, through which two student cadets annually receive hands-on training in period performance in CTB projects. The cadet scheme is generously supported by the Claude Leon Foundation. In July 2015 Erik Dippenaar was appointed Artistic Director of CTB, Michael Maas (former CEO of the Artscape Theatre Centre) as Administrative Coordinator and Cheryl de Havilland as Outreach Coordinator.

www.ctbaroque.co.za

PROGRAMME

  • Marco Uccelini (c.1610 – 1680): Bergamasca
  • Trad. Scottish, Orpheus Caledonius (1733): The bush aboon tranquair
  • Francesco Barsanti (1690 – 1775): The bush aboon tranquair from A Collection of Old Scots Tunes (1742)
  • Francesco Geminiani (1687 – 1762): The bush aboon tranquair from A treatise of good taste in the Art of Musick (1749)
  • Gaspar Sanz (1640 – 1710): Canarios
  • Francesco Barsanti (1690 – 1775): Lochaber from A Collection of Old Scots Tunes (1742)
  • Domenico Scarlatti (1685 – 1757): Sonata in C minor, K.99
  • Gaspar Sanz (1640 – 1710): Zarabanda
  • Tarquinio Merula (1595 – 1665): Ciaconna
  • Trad. Scottish, Orpheus Caledonius (1733): Lady Ann Bothwell's lament
  • Francesco Geminiani (1687 – 1762): Lady Ann Bothwel’s Lament
  • Francesco Veracini (1690 – 1768): Scozzese from Sonata IX, Opus 2 (1744)
  • Niel Gow (1727 – 1807): Lament for the Death of his 2nd wife

ADMISSION

  • R120 (adults)
  • *R80 (pensioners)
  • *R70 (UFS staff)
  • *R50 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above mentioned discount.

ENQUIRIES
Ninette Pretorius (tel. 051 401 2504)


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Melodies from Paris

Description: Melodies from Paris Tags: Melodies from ParisSongs from the Parisian belle époque with French lyrical soprano Laetitia Grimaldi Spitzer & Ammiel Bushakevitz (piano)

6 May 2016

Odeion

19:30

 

The French soprano Laetitia Grimaldi and pianist Ammiel Bushakevitz offer a program of Romantic French songs, presented in the style of a Parisian salon concert from the belle époque. From the heights of Marcel Proust to the decadence of the Moulin Rouge, the belle époque (circa 1871-1914) was a time when culture flourished more than ever in Paris. The salons of Paris became places where poets, painters and composers would meet to share their art.

 

Laetitia Grimaldi performs worldwide since her Carnegie Hall debut in 2013. After beginning her vocal studies with Teresa Berganza, she continued her studies in New York City, first at the Manhattan School of Music, followed by a Masters degree from the Juilliard School. During her studies at the Juilliard School, Laetitia was awarded first prize in the Kate Neal Kinley Memorial Fellowship International Competition. She is also a top prizewinner in the Concours Léopold Bellan (Paris, 2013). She has received mentorship with some of the world's leading artists, including Dame Emma Kirkby, Illeana Cotrubas, Alfred Brendel, Teresa Berganza, Sir Thomas Allen, Masaaki Suzuki and Matthias Goerne, amongst others.

 

Ammiel Bushakevitz has performed in over thirty countries across Europe, North America, Africa and Asia. He has received top prizes at numerous competitions including the International Schubert Competition, the International Johannes Brahms Competition, the Concours Léopold Bellan in Paris and the 2013 Wigmore Hall International Song Competition (London). After graduating from the University of Pretoria, he studied at the Hochschule für Musik und Theater “Felix Mendelssohn Bartholdy” (Leipzig, Germany) and furthered his studies at the Conservatoire Nationale Supérieur de Musique (Paris). He has a special love for song accompaniment and has received mentorship from notable singers including Dietrich Fischer-Dieskau, Elly Ameling, Thomas Hampson, Matthias Goerne and Teresa Berganza.  Ammiel is an alumnus of the Deutscher Akademischer Austauschdienst, an honorary member of the Richard Wagner Society of South Africa and an Edison Fellow of the British Library.

 

PROGRAMME:

Henri Duparc:  L'Invitation au voyage; Soupir, Chanson triste

Franz Liszt:  Jeux d'eaux à la villa d'Este

Gabriel Fauré:  Le secret; Clair de lune; Romance sans paroles, Op. 17 No. 3

Jean-Philippe Rameau:  Rigaudon, from Dardanus (trans. Godowsky)

Reynaldo Hahn:  À Chloris; Quand je fut pris au pavillon

Charles Gounod:  Le premier jour de mai; Venise; Viens! Les gazons sont verts

Georges Bizet:  Chansons-mélodies: Extase

Joseph Cantaloube:  Baïlèro, from Chants d'Auvergne

Charles-Valentin Alkan:  Recueil de chants, Op. 38 No. 1

Léo Delibes: Chant de l'almée; Les filles de Cadix

 

ADMISSION:

R130 (adults)

*R90 (pensioners, students and learners)

*R70 (UFS staff)

*R50 (group bookings of 10+)

Tickets available at Computicket.

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers shops) or at the door since a valid card or ID has to be presented to qualify for the above mentioned discount.

 

ENQUIRIES:   

Ninette Pretorius (tel. 051 401 2504)

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