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Folk Baroque
2018-10-18

Camerata Tinta Barocca presents:

FOLK BAROQUE

18 October 2018

Odeion

19:30

with

  • Bridget Rennie-Salonen (traverso)
  • Darryn Prinsloo (recorder)
  • Annien Shaw (Baroque violin)
  • Uwe Grosser (theorbo, Baroque guitar)
  • Cheryl de Havilland (Baroque cello)
  • Erik Dippenaar (harpsichord, director)

Camerata Tinta Barocca (CTB), founded in Cape Town by violinist Quentin Crida (July 2004), is the leading South African Baroque ensemble playing on period instruments. Its name is derived from the musicians' passion for Baroque music and red wine. The members include some of Cape Town's finest musicians who embrace a historically informed performance practice approach. CTB's concerts have been broadcast on Fine Music Radio and have received critical acclaim in the Cape Times and Die Burger. Mostly playing music from the 18th century, CTB has worked with leaders in their fields, such as Baroque violinists Antoinette Lohmann and Pauline Nobes; violinists David Juritz, Darragh Morgan and Zoe Beyers; countertenor Christopher Ainslie; male soprano Philipp Mathmann; recorder player Stefan Temmingh; mandolin player Alon Sariel and conductor Arjan Tien.

Apart from CTB's annual concert series in their home, St Andrew's Presbyterian Church (Cape Town), the ensemble regularly accompanies opera and oratorio performances, and performs in festivals throughout South Africa. CTB also has an active outreach component, which includes an annual education tour to the West Coast (the Matzikama Music Week), the Sunshine Concerts (an outreach programme for people unable to attend concerts because they are elderly, indigent or disabled in some way), as well as a regular collaboration with the Keiskamma Music Academy (Eastern Cape).

Since 2011 CTB has gradually moved towards playing on period instruments. Currently it is the only period ensemble in South Africa that regularly plays in orchestral format, performing most of its annual concerts on period instruments. In 2013 CTB, in collaboration with the Cape Consort, gave the first South African period performance of Handel's Messiah. During November 2016 CTB played for Cape Town Opera's first production to use a period instrument orchestra: Monteverdi's L'Orfeo, directed by Jaco Bouwer and conducted by Erik Dippenaar. In December 2016 CTB was nominated for a kykNET Fiesta award for a programme titled Handel in the Drawing Room presented during the 2016 Klein Karoo Klassique festival. In September 2017 CTB successfully launched the first annual Cape Town Baroque Festival.

In 2015 CTB set up a collaboration with the early music ensemble Collegium Musicum at the South African College of Music, University of Cape Town, through which two student cadets annually receive hands-on training in period performance in CTB projects. The cadet scheme is generously supported by the Claude Leon Foundation. In July 2015 Erik Dippenaar was appointed Artistic Director of CTB, Michael Maas (former CEO of the Artscape Theatre Centre) as Administrative Coordinator and Cheryl de Havilland as Outreach Coordinator.

www.ctbaroque.co.za

PROGRAMME

  • Marco Uccelini (c.1610 – 1680): Bergamasca
  • Trad. Scottish, Orpheus Caledonius (1733): The bush aboon tranquair
  • Francesco Barsanti (1690 – 1775): The bush aboon tranquair from A Collection of Old Scots Tunes (1742)
  • Francesco Geminiani (1687 – 1762): The bush aboon tranquair from A treatise of good taste in the Art of Musick (1749)
  • Gaspar Sanz (1640 – 1710): Canarios
  • Francesco Barsanti (1690 – 1775): Lochaber from A Collection of Old Scots Tunes (1742)
  • Domenico Scarlatti (1685 – 1757): Sonata in C minor, K.99
  • Gaspar Sanz (1640 – 1710): Zarabanda
  • Tarquinio Merula (1595 – 1665): Ciaconna
  • Trad. Scottish, Orpheus Caledonius (1733): Lady Ann Bothwell's lament
  • Francesco Geminiani (1687 – 1762): Lady Ann Bothwel’s Lament
  • Francesco Veracini (1690 – 1768): Scozzese from Sonata IX, Opus 2 (1744)
  • Niel Gow (1727 – 1807): Lament for the Death of his 2nd wife

ADMISSION

  • R120 (adults)
  • *R80 (pensioners)
  • *R70 (UFS staff)
  • *R50 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above mentioned discount.

ENQUIRIES
Ninette Pretorius (tel. 051 401 2504)


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Cantate Domino

Description: Cantate Domino Tags: Cantate Dominowith      Alumni Voices (conducted by Leona Geldenhuys)

            Odeion Vocal Consort (conducted by Lance Phillip)

            OSM CAMERATA (under the baton of Xavier Cloete)

ODEION

28 Mei 2016

19:30

 

The OSM Camerata and two choirs, the Alumni Voices and the Odeion Vocal Consort (Lance Phillip) are joining forces to produce a concert entitled Cantate Domino (Sing to the Lord). 

 

The original idea was initiated by the conductor of Alumni Voices, Leona Geldenhuys, who wanted to curate a programme consisting mainly of early church music with instrumental accompaniment. Within that context the Odeion Vocal Concort was invited to join the project. Main items on the programme will include the Beatus Vir by Monteverdi and Lauda Jerusalem by Vivaldi with mezzo-sopranos Teresa de Wit and Matildie Thom Wium serving as the soloists. Organist Jan Beukes and pianist Cézarre Strydom will be responsible for the continuo parts to be performed respectively on the organ and harpsichord. The Odeion Vocal Consort will recite Herr wenn Ich nur Dich Hab by Dietrich Buxtehude.

 

Violist Elmarie van der Vyver who, in recent years, has focused exponentially on the fach of Historically Informed Practice (HIP) was contracted to serve as instructor to members the OSM Camerata. In addition Van der Vyver also had coaching sessions with the conductors of the three ensembles.

 

Apart from the component of old music two other contributions were added to the programme from the high Romantic period as well as a piece of music from our times. The Stabat Mater of Rheinberger will be recited by the Alumni Voices with organ accompaniment and the OSM Camerata will perform the Lux Aurumque by acclaimed contemporary composer, Eric Whitacre, arranged for string orchestra by South African composer Keith Moss.

 

ADMISSION:

R110 (adults), R70 (pensioners, students and learners), R60 (UFS staff), R40 (group bookings of 10+)

Tickets available at Computicket or at the door.

 

ENQUIRIES:   

Ninette Pretorius (tel. 051 401 2504)

 

 

 

 

 

 

 

 

 

 

 

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