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Folk Baroque
2018-10-18

Camerata Tinta Barocca presents:

FOLK BAROQUE

18 October 2018

Odeion

19:30

with

  • Bridget Rennie-Salonen (traverso)
  • Darryn Prinsloo (recorder)
  • Annien Shaw (Baroque violin)
  • Uwe Grosser (theorbo, Baroque guitar)
  • Cheryl de Havilland (Baroque cello)
  • Erik Dippenaar (harpsichord, director)

Camerata Tinta Barocca (CTB), founded in Cape Town by violinist Quentin Crida (July 2004), is the leading South African Baroque ensemble playing on period instruments. Its name is derived from the musicians' passion for Baroque music and red wine. The members include some of Cape Town's finest musicians who embrace a historically informed performance practice approach. CTB's concerts have been broadcast on Fine Music Radio and have received critical acclaim in the Cape Times and Die Burger. Mostly playing music from the 18th century, CTB has worked with leaders in their fields, such as Baroque violinists Antoinette Lohmann and Pauline Nobes; violinists David Juritz, Darragh Morgan and Zoe Beyers; countertenor Christopher Ainslie; male soprano Philipp Mathmann; recorder player Stefan Temmingh; mandolin player Alon Sariel and conductor Arjan Tien.

Apart from CTB's annual concert series in their home, St Andrew's Presbyterian Church (Cape Town), the ensemble regularly accompanies opera and oratorio performances, and performs in festivals throughout South Africa. CTB also has an active outreach component, which includes an annual education tour to the West Coast (the Matzikama Music Week), the Sunshine Concerts (an outreach programme for people unable to attend concerts because they are elderly, indigent or disabled in some way), as well as a regular collaboration with the Keiskamma Music Academy (Eastern Cape).

Since 2011 CTB has gradually moved towards playing on period instruments. Currently it is the only period ensemble in South Africa that regularly plays in orchestral format, performing most of its annual concerts on period instruments. In 2013 CTB, in collaboration with the Cape Consort, gave the first South African period performance of Handel's Messiah. During November 2016 CTB played for Cape Town Opera's first production to use a period instrument orchestra: Monteverdi's L'Orfeo, directed by Jaco Bouwer and conducted by Erik Dippenaar. In December 2016 CTB was nominated for a kykNET Fiesta award for a programme titled Handel in the Drawing Room presented during the 2016 Klein Karoo Klassique festival. In September 2017 CTB successfully launched the first annual Cape Town Baroque Festival.

In 2015 CTB set up a collaboration with the early music ensemble Collegium Musicum at the South African College of Music, University of Cape Town, through which two student cadets annually receive hands-on training in period performance in CTB projects. The cadet scheme is generously supported by the Claude Leon Foundation. In July 2015 Erik Dippenaar was appointed Artistic Director of CTB, Michael Maas (former CEO of the Artscape Theatre Centre) as Administrative Coordinator and Cheryl de Havilland as Outreach Coordinator.

www.ctbaroque.co.za

PROGRAMME

  • Marco Uccelini (c.1610 – 1680): Bergamasca
  • Trad. Scottish, Orpheus Caledonius (1733): The bush aboon tranquair
  • Francesco Barsanti (1690 – 1775): The bush aboon tranquair from A Collection of Old Scots Tunes (1742)
  • Francesco Geminiani (1687 – 1762): The bush aboon tranquair from A treatise of good taste in the Art of Musick (1749)
  • Gaspar Sanz (1640 – 1710): Canarios
  • Francesco Barsanti (1690 – 1775): Lochaber from A Collection of Old Scots Tunes (1742)
  • Domenico Scarlatti (1685 – 1757): Sonata in C minor, K.99
  • Gaspar Sanz (1640 – 1710): Zarabanda
  • Tarquinio Merula (1595 – 1665): Ciaconna
  • Trad. Scottish, Orpheus Caledonius (1733): Lady Ann Bothwell's lament
  • Francesco Geminiani (1687 – 1762): Lady Ann Bothwel’s Lament
  • Francesco Veracini (1690 – 1768): Scozzese from Sonata IX, Opus 2 (1744)
  • Niel Gow (1727 – 1807): Lament for the Death of his 2nd wife

ADMISSION

  • R120 (adults)
  • *R80 (pensioners)
  • *R70 (UFS staff)
  • *R50 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above mentioned discount.

ENQUIRIES
Ninette Pretorius (tel. 051 401 2504)


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Deon Lamprecht – Organ recital

Deon Lamprecht – Organ recital
Sunday, 11 October 2009
Odeion
16:00

Organ music lovers can book now for an exceptional performance by well-known organist, Deon Lamprecht, on Sunday, 11 October 2009.

Lamprecht studied at the University of the Free State in Bloemfontein where he obtained a Teacher’s Diploma, Church Organist’s Diploma, and a B.Mus., B.Mus.Hons. (cum laude), Master’s and D.Phil. degrees. In 1974 he was appointed as lecturer at the UFS, promoted to senior lecturer in 1984 and to Professor in 1994. From 1994 till 2005 he was the Head of the Department of Music at the UFS.

Lamprecht was awarded the first prize in the organ competition during the Third South African Organ Festival in Cape Town in 1980. During the Music Prize Competition of the SABC, also in 1980, he was awarded the first prize in the organ category, as well as the SAMRO prize in the final round. He has appeared several times as organ soloist in works with orchestra by Handel, Haydn, Poulenc and Saint-Saëns and performs regularly in solo organ recitals. He frequently acts as adjudicator for organ, choir and music competitions. In 2005 he presented two organ recitals in British Columbia (Canada).

From 1978 till 1989 he was conductor of the Pro Ecclesia Choir, from 1990 till 1995 of the University Choir and since 1993 of the Alumni Chamber Choir. On several international tours, he conducted choir performances in Zimbabwe, Bulgaria, Czechoslovakia, Austria, Switzerland, Germany, England, France, The Netherlands, Egypt and Spain. He conducted several performances of Telemann’s St Matthew Passion, Bach’s St John’s and St Matthew Passions, The Messiah by Handel, and his choirs took part in performances of the Requiems by Verdi and Mozart, and The Elijah by Mendelssohn.

In 1993 he undertook a study tour focusing on organ and choral directing to Switzerland, Belgium, The Netherlands and Germany and presented a paper during the International Organ Festival in Oundle, England. He received master classes in organ from Ludger Lohmann (Germany), Julian Weir (England), Hans Fagius (Sweden), Harald Vogel (Germany), Jean-Claude Zehnder (Switzerland), Marie-Claire Alain (France) and Jacques van Oortmerssen (The Netherlands).

Programme:
J.S. Bach: Wir glauben all an einen Gott
N. Bruhns: Praeludium in G major
J.S. Bach: Schmücke dich, o liebe Seele
J.S. Bach: Passacaglia in C minor
F. Mendelssohn: Sonata no. 5 in D major
A. Guilmant: March upon Lift up your heads by G.F. Handel
J. Alain : Litanies

Admission:
R50 (adults)
R30 (pensioners, students and learners)
Tickets available at Computicket (at all Shoprite / Checkers shops, Mimosa Mall information desk) and at the doors.

Enquiries:
Ninette Pretorius (tel. 051 - 401 2504)

 

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