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Folk Baroque
2018-10-18

Camerata Tinta Barocca presents:

FOLK BAROQUE

18 October 2018

Odeion

19:30

with

  • Bridget Rennie-Salonen (traverso)
  • Darryn Prinsloo (recorder)
  • Annien Shaw (Baroque violin)
  • Uwe Grosser (theorbo, Baroque guitar)
  • Cheryl de Havilland (Baroque cello)
  • Erik Dippenaar (harpsichord, director)

Camerata Tinta Barocca (CTB), founded in Cape Town by violinist Quentin Crida (July 2004), is the leading South African Baroque ensemble playing on period instruments. Its name is derived from the musicians' passion for Baroque music and red wine. The members include some of Cape Town's finest musicians who embrace a historically informed performance practice approach. CTB's concerts have been broadcast on Fine Music Radio and have received critical acclaim in the Cape Times and Die Burger. Mostly playing music from the 18th century, CTB has worked with leaders in their fields, such as Baroque violinists Antoinette Lohmann and Pauline Nobes; violinists David Juritz, Darragh Morgan and Zoe Beyers; countertenor Christopher Ainslie; male soprano Philipp Mathmann; recorder player Stefan Temmingh; mandolin player Alon Sariel and conductor Arjan Tien.

Apart from CTB's annual concert series in their home, St Andrew's Presbyterian Church (Cape Town), the ensemble regularly accompanies opera and oratorio performances, and performs in festivals throughout South Africa. CTB also has an active outreach component, which includes an annual education tour to the West Coast (the Matzikama Music Week), the Sunshine Concerts (an outreach programme for people unable to attend concerts because they are elderly, indigent or disabled in some way), as well as a regular collaboration with the Keiskamma Music Academy (Eastern Cape).

Since 2011 CTB has gradually moved towards playing on period instruments. Currently it is the only period ensemble in South Africa that regularly plays in orchestral format, performing most of its annual concerts on period instruments. In 2013 CTB, in collaboration with the Cape Consort, gave the first South African period performance of Handel's Messiah. During November 2016 CTB played for Cape Town Opera's first production to use a period instrument orchestra: Monteverdi's L'Orfeo, directed by Jaco Bouwer and conducted by Erik Dippenaar. In December 2016 CTB was nominated for a kykNET Fiesta award for a programme titled Handel in the Drawing Room presented during the 2016 Klein Karoo Klassique festival. In September 2017 CTB successfully launched the first annual Cape Town Baroque Festival.

In 2015 CTB set up a collaboration with the early music ensemble Collegium Musicum at the South African College of Music, University of Cape Town, through which two student cadets annually receive hands-on training in period performance in CTB projects. The cadet scheme is generously supported by the Claude Leon Foundation. In July 2015 Erik Dippenaar was appointed Artistic Director of CTB, Michael Maas (former CEO of the Artscape Theatre Centre) as Administrative Coordinator and Cheryl de Havilland as Outreach Coordinator.

www.ctbaroque.co.za

PROGRAMME

  • Marco Uccelini (c.1610 – 1680): Bergamasca
  • Trad. Scottish, Orpheus Caledonius (1733): The bush aboon tranquair
  • Francesco Barsanti (1690 – 1775): The bush aboon tranquair from A Collection of Old Scots Tunes (1742)
  • Francesco Geminiani (1687 – 1762): The bush aboon tranquair from A treatise of good taste in the Art of Musick (1749)
  • Gaspar Sanz (1640 – 1710): Canarios
  • Francesco Barsanti (1690 – 1775): Lochaber from A Collection of Old Scots Tunes (1742)
  • Domenico Scarlatti (1685 – 1757): Sonata in C minor, K.99
  • Gaspar Sanz (1640 – 1710): Zarabanda
  • Tarquinio Merula (1595 – 1665): Ciaconna
  • Trad. Scottish, Orpheus Caledonius (1733): Lady Ann Bothwell's lament
  • Francesco Geminiani (1687 – 1762): Lady Ann Bothwel’s Lament
  • Francesco Veracini (1690 – 1768): Scozzese from Sonata IX, Opus 2 (1744)
  • Niel Gow (1727 – 1807): Lament for the Death of his 2nd wife

ADMISSION

  • R120 (adults)
  • *R80 (pensioners)
  • *R70 (UFS staff)
  • *R50 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above mentioned discount.

ENQUIRIES
Ninette Pretorius (tel. 051 401 2504)


Back
FSSO Symphony concert: Soloist: Mark Uys (Violin)

Mark Uys

Bernhard Gueller

FSSO Symphony concert
Thursday 29 July 2010
Odeion
19:30

Soloist: Mark Uys (Violin)
Conductor: Bernhard Gueller

The UFS Department of Music and the Free State Symphony Orchestra have decided to collaborate in presenting combined concert series. This is a result of a need for better co-ordination of solo-, ensemble- and orchestral activities. Therefore the new name: Muzik@UFS. A series will consist of four to five concerts which will normally be presented on Thursdays. The first concert season of 2010 will consist of 5 concerts.

Marc Uys was born in Pietermaritzburg, South Africa, where he had his first violin lessons at the age of four. He holds a Master of Music degree, from the University of Cape Town, with distinction.
From 2002 – 2006, Marc was the first violinist and manager of the Sontonga Quartet. This group worked extensively with composers from Kevin Volans to Terry Riley and Osvaldo Golijov, championing many new works in South Africa and abroad, with performances in venues such as the Victoria National Gallery in Melbourne, Centre Pompidou in Paris, the Barbican in London and Lincoln Center, New York. Solo work includes collaboration with harpist Jacqueline Kerrod in New York, chamber music performances and coaching at the "Stiftfestival 2007" in Holland, as well as performances throughout South Africa. Marc plays a fine 18th century Italian instrument on generous loan from the Lindbergh Arts Foundation and a 2004 "peanut" violin by Oleg Alexeyev.

Bernhard Gueller is principal guest conductor of the Johannesburg Philharmonic Orchestra and has been music director of Symphony Nova Scotia since 2002.

Well known to audiences internationally for the passion, mastery and drama he brings to the concert hall podium, Gueller is also acclaimed for his “profound interpretations”, the “stunning responses he gets from musicians” and the excitement he elicits. He is celebrated by musicians, critics and audience for his musical purity and continually garners praise for the fresh approach he brings to the podium.

His career has taken him to many top concert halls from America and Australia to Russia, Japan, China, Korea, South Africa and Brazil, as well as countries in Europe such as Spain, Italy, France, Norway and Sweden and his native Germany. He has served as music director and principal conductor with various orchestras, including the Cape Town Philharmonic Orchestra and the Nuremberg Symphony Orchestra, a position he relinquished last year.

Admission
R120 (adults) per concert
R80 (pensioners, students and learners) per concert

Tickets @ Computicket (Shoprite / Checkers, Mimosa Mall, Izami Bloemiste)
Book online at www.computicket.com  

Season tickets:
Only R360 for the whole season - a massive discount of up to R240!

Enquiries:
Ella Kotze (FSSO), tel. 051 – 401 2342 (8:00 – 13:00)
www.fsso.org.za  
 

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