Years
2019 2018
Months
February March April May June July August September October November December
Folk Baroque
2018-10-18

Camerata Tinta Barocca presents:

FOLK BAROQUE

18 October 2018

Odeion

19:30

with

  • Bridget Rennie-Salonen (traverso)
  • Darryn Prinsloo (recorder)
  • Annien Shaw (Baroque violin)
  • Uwe Grosser (theorbo, Baroque guitar)
  • Cheryl de Havilland (Baroque cello)
  • Erik Dippenaar (harpsichord, director)

Camerata Tinta Barocca (CTB), founded in Cape Town by violinist Quentin Crida (July 2004), is the leading South African Baroque ensemble playing on period instruments. Its name is derived from the musicians' passion for Baroque music and red wine. The members include some of Cape Town's finest musicians who embrace a historically informed performance practice approach. CTB's concerts have been broadcast on Fine Music Radio and have received critical acclaim in the Cape Times and Die Burger. Mostly playing music from the 18th century, CTB has worked with leaders in their fields, such as Baroque violinists Antoinette Lohmann and Pauline Nobes; violinists David Juritz, Darragh Morgan and Zoe Beyers; countertenor Christopher Ainslie; male soprano Philipp Mathmann; recorder player Stefan Temmingh; mandolin player Alon Sariel and conductor Arjan Tien.

Apart from CTB's annual concert series in their home, St Andrew's Presbyterian Church (Cape Town), the ensemble regularly accompanies opera and oratorio performances, and performs in festivals throughout South Africa. CTB also has an active outreach component, which includes an annual education tour to the West Coast (the Matzikama Music Week), the Sunshine Concerts (an outreach programme for people unable to attend concerts because they are elderly, indigent or disabled in some way), as well as a regular collaboration with the Keiskamma Music Academy (Eastern Cape).

Since 2011 CTB has gradually moved towards playing on period instruments. Currently it is the only period ensemble in South Africa that regularly plays in orchestral format, performing most of its annual concerts on period instruments. In 2013 CTB, in collaboration with the Cape Consort, gave the first South African period performance of Handel's Messiah. During November 2016 CTB played for Cape Town Opera's first production to use a period instrument orchestra: Monteverdi's L'Orfeo, directed by Jaco Bouwer and conducted by Erik Dippenaar. In December 2016 CTB was nominated for a kykNET Fiesta award for a programme titled Handel in the Drawing Room presented during the 2016 Klein Karoo Klassique festival. In September 2017 CTB successfully launched the first annual Cape Town Baroque Festival.

In 2015 CTB set up a collaboration with the early music ensemble Collegium Musicum at the South African College of Music, University of Cape Town, through which two student cadets annually receive hands-on training in period performance in CTB projects. The cadet scheme is generously supported by the Claude Leon Foundation. In July 2015 Erik Dippenaar was appointed Artistic Director of CTB, Michael Maas (former CEO of the Artscape Theatre Centre) as Administrative Coordinator and Cheryl de Havilland as Outreach Coordinator.

www.ctbaroque.co.za

PROGRAMME

  • Marco Uccelini (c.1610 – 1680): Bergamasca
  • Trad. Scottish, Orpheus Caledonius (1733): The bush aboon tranquair
  • Francesco Barsanti (1690 – 1775): The bush aboon tranquair from A Collection of Old Scots Tunes (1742)
  • Francesco Geminiani (1687 – 1762): The bush aboon tranquair from A treatise of good taste in the Art of Musick (1749)
  • Gaspar Sanz (1640 – 1710): Canarios
  • Francesco Barsanti (1690 – 1775): Lochaber from A Collection of Old Scots Tunes (1742)
  • Domenico Scarlatti (1685 – 1757): Sonata in C minor, K.99
  • Gaspar Sanz (1640 – 1710): Zarabanda
  • Tarquinio Merula (1595 – 1665): Ciaconna
  • Trad. Scottish, Orpheus Caledonius (1733): Lady Ann Bothwell's lament
  • Francesco Geminiani (1687 – 1762): Lady Ann Bothwel’s Lament
  • Francesco Veracini (1690 – 1768): Scozzese from Sonata IX, Opus 2 (1744)
  • Niel Gow (1727 – 1807): Lament for the Death of his 2nd wife

ADMISSION

  • R120 (adults)
  • *R80 (pensioners)
  • *R70 (UFS staff)
  • *R50 (students, learners and block bookings of 10+)

Tickets available at Computicket or online at http://online.computicket.com/web/

*Please note that tickets for pensioners, students, learners and UFS staff can only be purchased at a Computicket outlet (Shoprite Checkers) or at the doors since a valid card or ID has to be presented to qualify for the above mentioned discount.

ENQUIRIES
Ninette Pretorius (tel. 051 401 2504)


Back
William Berger (baritone) & Melvyn Tan (piano)


William Berger (baritone) & Melvyn Tan (piano)
4 November 2010
Odeion
19:30

"...one of the best of our younger baritones."
Gramaphone Magazine

"…Tan's technical skill and sensibility produced a very special interpretation of the work, harmonious, and most coherent."
Kronenzeitung (Oliver Lang)

William Berger is an associate and graduate of the Royal Academy of Music. In concert William has performed with the CBSO, LPO, English Concert, Philharmonia Baroque (San Francisco), Hanover Band and Cape Town Philharmonic. Recitals include his Wigmore Hall debut and Wolf's Italienisches Liederbuch (Oxford Lieder Festival) as well as two recordings: Songs of Spring and October Roses. Winner of the Kathleen Ferrier Society Bursary for Young Singers in 1999, he was also awarded a Countess of Munster Trust Scholarship, an MBF grant and the Ernest Oppenheimer Memorial Trust Award. William’s opera roles include roles in La Boheme (Schaunard), Don Giovanni (Masetto), Madam Butterfly (Prince Yamadori), A Hand of Bridge (David), Barber of Seville (Fiorello), The Carmelites (Monsieur Javelinot), Salome (Second Nazarene), Billy Budd (Novice’s Friend), Cosi fan tutte (Guglielmo), Zauberflüte (Papageno), Le Nozze di Figaro (Count Almaviva), The Cunning Little Vixen (Harastra) and Orfeo (Shepherd).

Melvyn Tan has lived in London (UK) since leaving his native Singapore at an early age to study at the Yehudi Menuhin School and the Royal College of Music. His teachers have included Nadia Boulanger, Marcel Ciampi and Vlado Perlemuter. He built a formidable international reputation during a long exploration of the precursors of the modern piano. Since returning to the modern piano in 1996, Melvyn has performed in most major festivals and concert halls throughout the world including many leading concert halls and with orchestras such as, amongst others, the London Philharmonic, the Netherlands Symphony Orchestra, Academy of St Martin's in the Fields, Salzburg's Camerata and Mozarteum Orchestras, New World and Melbourne Symphonies and the Australian Chamber Orchestra. Chamber music and Lieder hold an important place in Melvyn's repertoire. His chamber music and Lieder collaborations are numerous and include Steven Isserlis, Anne-Sophie von Otter and the Škampa Quartet. Melvyn have recently released two CDs with, among others, Mozart’s Piano Concerto no. 12 and Beethoven’s Piano Concerto no. 2

Programme:
Mahler: Selection from Das Knaben Wunderhorn
Liszt/Schubert Transcriptions: piano solo by Melvyn Tan
Schumann: Liederkreis, Op.39
Dvorak: Gypsy Songs, Op. 55
Ravel: Don Quichotte a Dulcinee
Montsalvatge: Cinco Canciones Negras

Admission:
R120 (adults)
R80 (pensioners, students and learners)
Tickets available at Computicket (at all Shoprite / Checkers shops, Mimosa Mall information desk, Izami Florist) and at the doors.

Enquiries:
Ninette Pretorius (tel. 051 - 401 2504)
 

Economic and Management Sciences

Education

Health Sciences

The Humanities

Law

Natural and Agricultural Sciences

Theology and Religion

Open Distance Learning

Business School

We use cookies to make interactions with our websites and services easy and meaningful, to better understand how they are used and to tailor advertising. You can read more and make your cookie choices here. By continuing to use this site you are giving us your consent to do this.

Accept